Book Description
Wicked is not just a musical, it is a phenomenon. Every week 15,000 people pack New Yorks Gershwin Theatre to see the show. The most successful musical on Broadway in 2004, Wicked is based on the bestselling novel of the same name by Gregory Maguire. It tells the story of Elphaba, the headstrong Wicked Witch of the West, and Glinda, the good witch, growing up in the Land of Oz. The show has cast a spell on fans, many of whom return for second and third viewings. In 2005, the show begins an extensive tour across the United States and Canada, hitting major cities such as Toronto, Chicago, Los Angeles, San Francisco, Washington, D.C., and many more. This beautifully packaged, whimsical keepsake is designed to resemble the Grimmerie, an ancient book of spells that Elphaba uses in the show. Wicked: The Grimmerie offers fans a behind-the-curtains peek at the musical, profiles of the cast and creative team, and inside stories, with full-color photographs throughout. Some of the irresistible special features include an Ozian glossary, spells, the shows libretto, an illustrated family tree, and a step-by-step look at how Elphaba gets green before each showeverything fans need to relive the Broadway experience day after day.
Customer Reviews:
Wonderful .......2007-10-17
Received the book and just loved it. It gives a fantastic look behind the scenes of the play. There are many colorful pictures and illustrations.
The Grimmerie.......2007-10-14
I have seen the Broadway in Chicago production of WICKED twice, so far, and I had just heard of The Grimmerie so I knew I had to have the book. I am so glad I was able to find and order it online. It's actually a gift for my daughter, but I had to read it first! It has so much information in it that I didn't even expect to find! I really appreciate all the background on the musical plus all the photos; candid and otherwise. I recommend this to all the fans of WICKED; past, present and future! Sincerely, D. Vandervort
Great inside information on the production.......2007-10-11
Great inside information for the Wicked lovers, very light/fast reading, with interviews of the production team.
A must read for any Broadway fan.
You'll be thrillified with this book!.......2007-10-06
This is a "must have" for any fan (read "fanatic") of the show Wicked. The cover design, which simulates an antique tome, is tragically beautiful. Inside, it's chock-full of photos, comments by the creators and cast, and insider information like how they make Elphaba green or where the name Elphaba came from. Also includes complete lyrics of the songs. My only disappointment with the book is that it does not contain a full transcript of the dialogue.
Wickedly Wonderful.......2007-09-28
This is a totally wonderful book. The look, the feel, the photos....every Wicked fan will want this. Simply gorgeous.
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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Before the Pharaohs: Egypt's Mysterious Prehistory
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
RHETORICAL THEORY: AN INTRODUCTION (WITH INFOTRAC) blends coverage of classic and contemporary approaches to this intriguing subject! Using this textbook, you'll explore theories and examine your own use of rhetoric as you encounter the leadeing rhetorical theorist from the past to the present.
Average customer rating:
- Fabulous plays!
- Beautiful melancholy
- "The folk of Argos are my folk. I must open their eyes."
- good but not great
- Hell is other people, and they exist to torture you.
|
No Exit and Three Other Plays
Jean-Paul Sartre
Manufacturer: Vintage
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The Stranger
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Waiting for Godot: A Tragicomedy in Two Acts
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The Myth of Sisyphus: And Other Essays
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Being And Nothingness
ASIN: 0679725164
Release Date: 1989-10-23 |
Book Description
4 plays about an existential portrayal of Hell, the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict and an arresting attack on American racism.
Customer Reviews:
Fabulous plays!.......2006-12-23
This book is a wonderful collection of plays written by the brilliant intellect of Sartre. It is an essential reading for the philosopher at heart.
Beautiful melancholy.......2006-11-26
Sartre is sometimes given a reputation that far precedes him, as with many Nobel recipients. These plays are a testament against the skeptic's mindset.
"No Exit" is a modern-day interpretation of the antiquated "fire and brimstone" hell we are so accustomed to hearing about. Sartre adroitly picks up on the small idiosyncracies of human behavior and capitalizes on them with his version of hell. Three incompatible personalities are locked in a hot, stuffy hotel room for eternity, unable to get along with one another or reconcile their personal differences. The lights are always a bit too bright, the furniture a bit too stiff, and the wonder at "what lies down the hall" eats at the occupants for eternity. This is a far cry from biblical interpretations of hell, where an individual can mentally will themselves against pain. Instead, Sartre focuses on the interpersonal nature of unhappiness, and gives his spirits "one of those days" for eternity.
"Dirty Hands" is perhaps my favorite piece of literature. It plants its focus on a young intellectual revolutionary intent on assassinating a corrupt party leader. As he grows closer to Hoederer, the man he is sent to kill, he comes to realize that pure intellectual theories will always become muddied in the waters of reality.
"The Respectful Prostitute" depicts a young woman, a prostitute, who spends the night with a man who turns out to be a politician. The man completes his sordid mission, but the next morning scorns the woman. An lesson in objectivity and the two-faced nature of those who tend to preach loudly.
"The Flies" is set in Ancient Greece, but possesses Sartre's aptitude for human behavior. Just as good as all the others, though not as indicative of how humans behave.
These are all plays, making them quite easy to read. The characters are not hard to keep straight. The ease of reading doesn't detract from their literary quality. These four plays are elegant simplicity at its finest.
"The folk of Argos are my folk. I must open their eyes.".......2006-08-04
I have read this little collection countless times over the years. I have seen Huit Clos (No Exit) performed several times (generally poorly) but it has never quite lived up to the power that I find in the written version. I realize that this is unusual for a play, and may reflect a fault in Sartre's work rather than a strength.
It is important to remember, however, that Sartre's work is always more about the ideas behind it than it is about the form he is using. Sartre wrote novels, plays, essays, and criticism during his long career. Through it all, he was a philosopher-- struggling with the notion of freedom and indifference.
People (particularly students) tend to stop with No Exit, neglecting its less famous cousins. This is a shame, as both The Flies and Dirty Hands are fascinating pieces. Particularly if you have an interest in the Oresteia then The Flies is a wonderful interpretation.
A must read book.
good but not great.......2006-07-09
These four plays were good plays- they are easier to understand if one is familiar with Sartre's philosophy. The plots in all these plays were both unique and exciting yet at times, especially in dirty hands and the flies, the plays seem to drag on and on. Had the plays been shorter, Sartre's main point would have been made clearer and more forcefully. In plays, it's hard to communicate character background yet with a novel the author can just describe it from third-person perspective. I think perhaps these plays would have been more successful and more dramatic had they been written as short novels with more description and character analysis. At times I felt that the characters were explored and described in superfical ways. All in all, these were good plays yet I cant say I loved them. This might just be me though since I have never been too fond of the format of plays- i feel like it never gets to the heart of the character since you only get dialogue with little analysis.
Hell is other people, and they exist to torture you........2005-10-13
This book is an answer to a question many people have been avoiding all their lives. And when you finally develop the ability to ask it to yourself, Sartre provides his suggested answer for you, though it may not be the answer you wanted.
The premise of the main play, "No Exit", is that many people have chosen to exist in misery, even when the exit to that misery presents itself clearly. For these people, there is "no exit". Their existance is defined by their misery. If they make the concious decision to exit, then they have nothing to live for.
All four plays are written in non-pretentious and easy to understand styles, unlike many philisophical writings. They don't require a great deal of effort to read or understand. In fact, they are quite enjoyable and I found myself reading each play many times before moving on to the next one.
Don't expect to feel uplifted about the state of humanity while reading these plays, however. Sartre's message about human existance can be a dismal one. It is quite helpful, though, to come to terms with the fact that many of our fellow humans are just puzzled about their lives, and sharing a social existance with these people can be precarious to your own search for meaning.
Book Description
COMMUNICATION BETWEEN CULTURES continues with the features that have made it the best-selling text for the intercultural communication course. The new edition of this leading gives students an understanding and appreciation of different cultures and helps them develop practical skills for improving their communication with people from other cultures. It's renowned for being the only text on the market to consistently emphasize religion and history as key variables in intercultural communication. Packed with the latest research and filled with numerous, compelling examples that force students to examine their own assumptions and cultural biases, this book helps students understand the subtle and profound ways culture affects communication. The book is divided into four interrelated parts: Part I introduces the study of communication and culture; Part II focuses on the ability of culture to shape and modify our view of reality; Part III puts the theory of intercultural communication into practice; and Part IV converts knowledge into action.
Customer Reviews:
An excellent book on cultures, values and how we communicate.......2007-10-08
This is an excellent book that begins with what culture is and how deeply ingrained cultural values are in us all. You will learn the different factors involved in the inculturation process and how the way we perceive and communicate in the world is shaped by the values we hold important. The book has plenty of examples of values many cultures consider important and how this effects their communication. I really enjoyed reading this book. If you communicate, you should read this book!
Book Description
Huerta takes as his starting point 1979, the year Luís Valdez's play, Zoot Suit, was produced on Broadway. Huerta looks at plays by and about Chicanas and Chicanos, as they explore through performance, the community and its identity caught between the United States and Mexico. Through informative biographies of each playwright and analyses of their plays, Huerta offers an accessible introduction to this important aspect of American theater and culture. The book contains photographs from key productions and will be invaluable to students, scholars and general theatergoers.
Average customer rating:
- Theatre Teachers: This Is What You Need
- A Great Resource
- Clear and Helpful
|
Stories on Stage: Children's Plays for Reader's Theater (or Readers Theatre), With 15 Play Scripts From 15 Authors, Including Roald Dahl's The Twits and Louis Sachar's Sideways Stories from Wayside School
Aaron Shepard
Manufacturer: Shepard Publications
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Similar Items:
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Readers on Stage: Resources for Reader's Theater (or Readers Theatre), With Tips, Play Scripts, and Worksheets, or How to Do Simple Children's Plays That Build Reading Fluency and Love of Literature
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Folktales on Stage: Children's Plays for Reader's Theater (or Readers Theatre), With 16 Play Scripts From World Folk and Fairy Tales and Legends, Including Asian, African, Middle Eastern, European, and Native American
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12 Fabulously Funny Fairy Tale Plays
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Readers Theater for Building Fluency: Strategies and Scripts for Making the Most of This Highly Effective, Motivating, and Research-Based Approach to Oral Reading
ASIN: 0938497227 |
Book Description
Stories on Stage is a collection of reader's theater scripts for young readers, adapted from stories by fifteen different authors, including Louis Sachar, Nancy Farmer, and Roald Dahl. Coming from such genres as humor, fantasy, and multicultural folktales, stories were selected for their dramatic quality, literary value, and appeal to young people. The scripts may be freely copied, shared, and performed for noncommercial purposes. With a focus on ages 8 to 15, the collection features a wide range of reading levels. The scripts in this collection are -- "Three Sideways Stories From Wayside School," by Louis Sachar -- "Mr. Twit's Revenge," by Roald Dahl -- "Millions of Cats," by Wanda Gag -- "Tapiwa's Uncle," by Nancy Farmer -- "How Tom Beat Captain Najork," by Russell Hoban -- "Harriet," by Florence Parry Heide -- "Mr. Bim's Bamboo," by Carol Farley -- "Talk," by Harold Courlander -- "The Jade Stone," by Caryn Yacowitz -- "The Bean Boy," by Monica Shannon -- "The Kid from the Commercial," by Stephen Manes -- "The Fools of Chelm," by Steve Sanfield -- "Mouse Woman and the Snails," by Christie Harris -- "Westwoods," by Eleanor Farjeon -- "The Legend of Lightning Larry," by Aaron Shepard.
Customer Reviews:
Theatre Teachers: This Is What You Need.......2006-11-10
This book is formatted so easily, it took me MUCH less time than I thought it would to prepare a unit on reader's theatre for my class. I used it for my high school theatre class so they wouldn't have to concentrate on large vocabularies, but rather to deliver the story in a simple, easy way. It was a HUGE success of a project and this book made it possible. It tells you how long each story is, what cast you'll need, and what reading level it is!! Yay!!!
The stories themselves are entertaining (even for high school!!!), compelling, and really fun to work with. I am SO grateful I ordered this!
A Great Resource.......2006-01-11
Aaron Shepard is a generous contributor to the field of Reader's Theatre. This book is no exception. It's well-laid out and chock-full of interesting scripts. I've recommended to several folks interested in RT.
Clear and Helpful.......2006-01-11
This book was written in clear language. It was helpful to me as a novice.
Book Description
The Longman Anthology of Drama and Theatre is a fully-integrated text/anthology of drama with a global emphasis. Divided into two parts: Part One covers the origins of drama: genres, conventions, styles and descriptions of roles; and Part Two is a six chapter anthology of plays, including plays from around the world with a solid core of western plays. Each chapter in Part Two includes visuals, maps, timelines, biographical and contextual headnotes, and an overview of the history and conventions of each period that help readers gain a better understanding of the drama and theater being presented.
Customer Reviews:
An Important, Useful Anthology.......2002-01-16
I'm very pleased with this anthology partly because of its international scope, but also because it provides useful theoretical documents that augment and support the plays the authors have chosen. The introductions to each period and country are detailed, interesting, and easy to read.
The students in my undergraduate theatre history course have almost unanimously agreed to keep this text as part of their permanent collection--a rare reaction indeed! The choice of plays was excellent, combining some wonderful translations of important Western European texts with interesting, hard-to-find world theatre classics.
I highly recommend it as a teaching resource--particularly for theatre history, world drama, and intro to theatre courses. Your students will thank you (and they'll keep this one!).
A Milestone in Drama Anthologies.......2001-12-05
American theatre has been slower than any of the other arts to recognize the need to pay attention to what's going on outside the United States and Europe. Most introductory theatre texts make only passing mention of the theatres of Asia, Africa and South America. Anthologies of drama published in the States have likewise generally failed to address the dramatic literature of these regions. Consequently, most Americans, including theatre students, are woefully ignorant of the rich theatrical traditions of two thirds of the world's people.
In the context of this vast blindness, the Longman Anthology of World Drama is a milestone work. It includes both traditional and modern plays from China, India and Japan (integrated into the historical sequence rather than tagged on as appendices.) It treats of African theatre in connection with African-American diaspora theatre. It represents Latin and South American theatre with interesting works from the 16th century to modern Hispanic absurdism. On top of this remarkable diversity, it provides a very solid foundation in the traditional Western canon, with a particularly good sequence tracing the rise of modern realism out of romanticism.
There is an enormous amount of material in this tome, and much to commend. The only serious shortcomings are a sparseness and lack of clarity in the historical background articles (these will confuse students with no framework to build on), and some poor choices in excerpts of supporting criticism (the Victor Turner article will go completely over the heads of the uninitiated, and the excerpt by Zeami is a dull genealogy of the ritual roots of Noh theatre rather than any of the more interesting bits on the art of the performer.)
Book Description
In Puppet Mania!, a master of the art brings kids thirteen original projects they can make on their own, primarily using everyday household materials. Many of the projects the author includes here are for puppets he himself designed and created as a kid. There's Sock Puppy, Banana Buddy, Running Rabbit and a gaggle of other endearing creatures. Aside from explicit directions, Kennedy provides construction tips and troubleshooting advice.
Puppet Mania! is more than just a project book: It also gives kids the know-how they need to turn their creations into characters--lip synching, body movements, eye contact and movement, and, most important, imagination. To that end, Kennedy kick-starts readers' creativity with a character worksheet that has room to enter the character's name, favorite phrase, hobbies, and physical characteristics.
With directions for customizing their puppets and tips for maneuvering them believably, kids will want to get started in no time!
Customer Reviews:
My students love the book!.......2007-08-09
I am an Elementary Art Teacher and the ideas in this book are perfectly suited for my students and class. I have, also, used the ideas at home with my own children. It's a colorful, well organized, easy to read guide ranging from easy to more challenging puppet making ideas for kids.
The Amazon book description clearly indicates that the book is geared toward children. I don't understand why the other reviewers didn't read what they were buying. If you don't know what you're buying, then there is a great chance that you won't get what you want. It was frustrating reading those reviews and it almost caused me not to purchase the book.
Anyway, my students and I love the book and have enjoyed making the puppets! I'd love to see more books and perhaps some demonstration CDs that my class could watch before beginning a project. Just a idea.
A nice starter for children........2007-06-10
I was alittle disappointed when I receieved this book. God knows the title is a bit of an exageration. If you're buying for a child who needs craft projects for a rainy day then this is the book for you.
As an adult with a career in puppet building I found it a waste of money. Unless you're making a show that revolves around paper plate puppets.
a good start for begginers, great for elementary classrooms.......2006-11-05
If you are just into puppet making for fun and not really into the art of making them, this book is for you. The puppets built inside are very basic and developed sot hat anybody can make them. It's a fun book, but personaly I felt it was a little childish and didn't really touch base on some of other techniques. If you are looking to make a more muppet style puppet this book does not cover it. however his second book Puppet Planet is an excelent book that goes into more detail and more profetional style puppet making.
great book for children.......2006-08-08
the book is not for professional puppet makers.
most of the puppets are hand puppets made of simple materials that can be find or improvise at home - it's great project book for children.
great ideas.......2006-03-28
lots of different puppet ideas. They are not too difficult, great to make with kids.
Book Description
This process-oriented text—supplemented by 280 illustrations—is structured to provide students with a proper and practical approach to the development of drafting and related skills for the theatre.
Dennis Dorn and Mark Shanda emphasize the standard drafting and designing practices of the theatre industry through a series of projects and exercises that help the student in the development of research skills. The early sessions focus on the basics of lettering, tool introduction, geometric constructions, orthographic techniques, soft-line sketching applications, and dimensioning and notation skills. The authors also stress such ancillary skills as time and material estimation, shop-drawing nomenclature, and simplified drafting techniques such as pin graphics, theatre-drafting standards, and CADD processes.
Customer Reviews:
It could be better.......2001-11-13
This book does offer a lot of basics when it comes to theatrical drafting, but there are quite a few mistakes both within the text and in the worksheets given. It would be much better if updated.
A Good Resource.......2000-01-28
This is a fine text for anyone needing help with establishing assignments for a drafting course (for scene designers). Other than a few typographical errors, this is a great book. I wish it would be revised and updated.
Very good for the beginning drafter.......1999-04-25
We use this book for my Drafting class at Southwest Missouri State, it is very good. I like the worksheets and projects that are available for further comprehension of the drafting process.
A Great Learning Guide.......1999-04-01
This book fills in all the details missing from the basic theatrical drafting course, focusing on hand drafting, not CAD systems. Great for scene and lighting techs, but uses many of the same techniques as architectural drawing. Includes worksheets to practice on and explains everything clearly and with humor. Buy it!
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