Book Description
She was the most outlandish, outrageous, in-your-face symbol of the age - and suddenly, shockingly, she was gone. In life her antics, adventures and behavior kept a nation riveted; in death she stunned a world gripped by the surprise and swiftness of her unexpected passing. The woman was, of course, Anna Nicole Smith. This is the story of the little girl from west of nowhere, born into a broken, dysfunctional, dirt-poor family, told by the one woman who knew her best - her sister. Her fierce resolve, pluck, luck and determination allowed her to claw her way to celebrity status, becoming a tabloid staple, and to reach the potential of unimaginable wealth. And then, in a moment, she was gone, not yet 40 years old. A Horatio Alger story with a bitter ending, TRAIN WRECK- The Life and Death of Anna Nicole Smith, is the definitive story of the rise and swift fall of one of the most compelling characters to blaze across the American sky.
Customer Reviews:
Uhhh what?.......2007-09-28
Luckily I didn't spend money on this book because it gave me a headache just trying to get through the first chapter. The writing is SO BAD. I can't believe she collaborated with someone and this is the best they could do. It jumps around so much and alot of the book has nothing to do with Anna at all. I figure the reason for that is Donna's writing what she knows and she DOESN'T KNOW ANNA. It's all old news and assumptions. I could have written all the "secrets" that are in this book. Most of the photos are of Donna's family which sure they're partially related, but these people don't know Anna.
If you *have* to read this book, do what I did, and go to the library.
grave-robbing at its best... .......2007-09-22
one word: trash. i bought this book because i felt, well, that no one could probably tell us the personality of this strong woman (and anyone who has gone through what anna nicole smith went through is definitely strong). i figured her sister would clue me in about the culture that brought this young woman to a tragic end. i must say, it is not there. this book would probably amount to "gossip" and nothing else. if you want to read everything you have already heard in the media, it is an okay read. if you are curious about anna nicole's life, this book won't offer you much.
Train Wreck.......2007-09-12
I thought this book was very interesting. I have never been a fan of Anna but found this book to be a good read.I now understand Anna a little better and see that she really had a very sad life. If you are a fan or not this is a good book.
Love you Anna!!!!.......2007-09-09
Good book, I ordered it the second it came out. Very nice cover and image, beautiful packaging. Donna Hogan is a decent writer. I think she might have been false on a few things but over all it was good and worthwhile for Die-hard Anna fans like myself. I LOVE ANNA NICOLE!!!!!!! Been her biggest fan since she came out. She is the most beautiful creature to have ever graced this planet and it is a shame she is gone. Rest is Peace Beautiful and keep the books comin!!!!!
"User-Loser".......2007-09-08
Donna Hogan is just exactly what Anna said she was a "user-loser". She is trying to get her 15 minutes by trashing her half sister who she obviously really knows nothing about. Everything she claims to know comes from the media. She is the epitome of "trailer trash" and too ignorant to realize it. She thinks that her own sleeping with married men and whoever else will have her makes her worldly and sofisticated and that her use of Anna's name to further her causes is ok, yet she trashes her half sister who doesn't appear to have done anything worse than she herself has done. I wish I hadn't purchased this book because I hate to think of her succeeding in making money from trashing her dead sister. She is disgusting.
Book Description
Broadcast journalism came of age in the Kennedy Assassination crisis and helped to hold a mourning nation together. Four reporters on the scene relate their experiences.
Customer Reviews:
A worthy contribution to history free of myth and full of facts.......2007-04-03
There are so very few books that convey a sense of "being there" when it comes to the Kennedy assassination. This outstanding book takes the reader back to that fateful weekend of November 22nd 1963 in Dallas, Texas and does so in an open, honest and compelling manner.
"When the News Went Live" is written by four journalists who were in Dallas on that day covering the presidential visit. Bob Huffaker and the other three newsmen share many interesting stories that you will not find elsewhere and that have been untold for many years no doubt to all but their personal friends. This is why the book is such a valuable contribution to the historical record. Such first hand observation regarding not just those few seconds in Dealey Plaza, the murder of Officer Tippet and the shooting of Lee Harvey Oswald by Jack Ruby, but how in fact the entire story unfolded, makes fascinating reading.
As an aid to anyone interested in the assassination, this book is a must have. I would emphasize - rarely do you find first hand knowledge like this - much of what is written on this subject is written by people many steps removed from the event where fact and fiction merge into one. Not so here. A fabulous book which is refreshingly free of the conjecture and myth that is so common in the Himalayan pile of work on the Kennedy assassination and is highly recommended.
Two Shortcuts To Becoming A Lone-Assassin Believer: Watch The 11/22/63 Real-Time Live TV Coverage....And Then Read This Book.......2007-01-02
"With three shots from a mail-order rifle, Lee Oswald set off a worldwide tragedy that developed too fast to print. .... Broadcast journalism came of age in that crisis of grief and uncertainty, and as it drew its mourning audience, it helped to hold the nation together." -- Bob Huffaker; From the Preface of "When The News Went Live: Dallas 1963"
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"When The News Went Live: Dallas 1963", published in 2004, paints a vivid word picture of many of the incredible events that surrounded President John F. Kennedy's assassination in November of 1963, as seen through the eyes of four journalists -- Bob Huffaker, Bill Mercer, George Phenix, and Wes Wise -- who covered those events as they happened for CBS affiliate KRLD-TV and Radio in Dallas.
President Kennedy's shocking and appalling assassination on November 22, 1963, was the very first really big "Watch It Unfold Live On TV" news event of the television era, with four full commercial-free days being devoted to nothing but exclusive assassination-related coverage by all three major TV networks (with KRLD's on-the-scene Dallas reporters frequently feeding CBS-TV headquarters in New York).
And the four reporters whose intriguing stories unfold within this 224-page hardcover volume were right smack in the thick of things during the rapidly-developing events -- from the initial sketchy bulletins that told of the President being shot in Dealey Plaza during a motorcade drive through the city of Dallas -- to the announcement of JFK's death at Parkland Hospital -- to the capture of the accused assassin (Lee Harvey Oswald) in a nearby movie theater -- to Oswald's very own murder on live TV (with Bob Huffaker reporting live from the basement of the Dallas Police Department, where the single gunshot from Jack Ruby's pistol added yet another hard-to-believe chapter to the weekend's nightmarish story).
It was a mesmerizing weekend in American (and television) history, to say the least. And those days are re-lived with clarity in this engaging book by way of the recollections of four men who lived through and reported on those events when they were occurring.
"When The News Went Live" contains several excellent black-and-white photographs, too (some of them I haven't seen published elsewhere).
On a personal level, I have had the pleasure of communicating (via e-mail) with Bob Huffaker several times. He has been very cordial and gracious whenever answering the questions that I had for him. His personal insights into the events revolving around JFK's death are fascinating glimpses into the past, and are insights that I have enjoyed reading immensely.
A sample e-mail excerpt from Mr. Huffaker:
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"David, you're right about the presidential visit and motorcade being the main attraction that all Dallas media were covering, of course. But all our stations had limited capabilities for doing mobile TV, which then demanded either cables or microwave dishes--as well as a receiving dish within line-of-sight beaming or bouncing.
Hence the pool TV arrangements, limited to three planned locations. The local TV stations did live TV from the FTW {Fort Worth} breakfast, Love Field, and the Trade Mart. But this was, indeed, the day the news went live on television, unplanned.
WBAP-TV in Fort Worth had a non-running TV van, which they had towed all the way from Cowtown to Dallas Police headquarters, and we sent both of our KRLD-TV vans into duty--the Bread Truck at DPD and the Blue Goose on the 24th to the county jail, etc.
This was the first time in TV history when on-the-spot news suddenly demanded to go live from the scene. Before that, radio news on-the-spot descriptions such as ours that day were common (like the Hindenburg broadcast--radio only), and live TV was usually reserved for major speeches, sports, etc.
Bob" -- E-mail to this writer; May 30, 2006
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Relating to the subject of "WHEN THE NEWS WENT LIVE", I'd like to offer up the following observations as an extension of this book review.....
To those JFK conspiracy theorists who seem to favor the Oliver Stone-like or Robert Groden-promoted assassination scenarios (that feature a minimum of three gunmen and anywhere from 6 to 10 gunshots being fired at President Kennedy in Dallas' Dealey Plaza on November 22, 1963) -- I always suggest to them that they ought to dig up some of the originally-aired "As It Is Happening" live TV or radio broadcasts from that dark Friday in American history.
After performing that exercise of watching a few hours of the November 22 television coverage of the assassination (in real time), or listening to some of the radio broadcasts in real time (which works just as well) -- I challenge anyone to then arrive at the same conclusion that was slapped up on the big theater screen in 1991 via Director Oliver Stone's blockbuster, conspiracy-laden motion picture "JFK".
Watching the day's events unfold "live" in front of you (or listening to them unfold on the radio as it was happening) should, in my opinion, provide everyone with a good general idea of how utterly impossible a task it would have been to have "faked" so much stuff that was being IMMEDIATELY reported to the world on live television and radio within minutes and hours of the President's assassination (and within a very short space of time following Police Officer J.D. Tippit's murder as well).
Via those original live TV/Radio broadcasts, you're not going to hear a SINGLE report that resembles anything close to the Oliver Stone/Jim Garrison-endorsed nonsense of:
"Three gunmen fired six shots at President Kennedy's motorcade today here in Dallas!!"
What you will hear, instead, is live coverage, as it happened, of a ONE-GUNMAN assassination taking place from where the majority of witnesses said it took place (the Texas School Book Depository Building), with no more than three shots having been fired by the SINGLE SHOOTER, which is a shot count that over 91% of the witnesses concur with -- including the small percentage of witnesses who heard only one or two shots, who are witnesses that certainly don't do Mr. Stone's "6-shot ambush" theory any favors.
Upon evaluating virtually all of the TV networks' live assassination footage from November 22nd, 1963, there is no possible way that a reasonable person could arrive at a conclusion that JFK was shot by three assassins, firing from both front and rear. Let alone arriving at an even more-cockeyed "8-to-10-shot" shooting scenario, as purported by Mr. Groden and some other CTers, which is an outlandish conspiracy-flavored scenario that has John Kennedy and John Connally being shot by way more than just the two Warren Commission-backed Mannlicher-Carcano bullets from Lee Harvey Oswald's rifle.*
* = And Mr. Groden's theory (that sports from 8 to 10 gunshots) also features an additional hunk of lunacy, in that Groden thinks it's very likely that NONE of these eight to ten shots came from the "Oswald window" in the Book Depository! (I'm not making this crazy stuff up here. I promise. Anyone who owns a copy of Robert Groden's 1993 book "The Killing Of A President" can check out Groden's preposterous theory for themselves, on pages 20-40.)
The bottom line is -- Very nearly all of the information being reported on TV and radio that November day favored a "Lone Assassin" shooting scenario (including the info concerning the Tippit murder in Oak Cliff), with very little evidence and information being broadcast that would support any type of a "conspiracy" whatsoever; and certainly no "conspiratorial" evidence that has ever panned out and "proved" that a multi-gun plot ended JFK's life in Dallas.
This is quite a telling "One Killer" fact. Because, in my view, if a vast conspiracy and subsequent "cover-up" had been in place on November 22nd (given the immense amount of TV and radio coverage, with reporters scrutinizing everything coming across their desks and digging hard for any type of case-solving clues during those first hours and days after JFK and J.D. Tippit were killed), I think that at least SOME pieces of the conspiracy would have leaked through to the sweeping television and radio coverage surrounding the two Dallas murders.
And I'm guessing that every reporter and newsman in the country (including Messrs. Huffaker, Mercer, Phenix, and Wise) would have loved to dig up some "conspiracy"-proving angle during that weekend in November of '63. Being the person who uncovered such a huge story would certainly be a feather in that reporter's cap, to be sure. But, as it turned out, nothing of that nature occurred....and has yet to occur all these many years later.
To think (as many theorists do) that these conspirators were so smart and so quick to have had the capabilities to immediately eliminate virtually every last scrap of information leading to a conspiracy plot of some kind, making sure that none of the "multi-gunmen shooting event" details seeped through to the media (multiplied by TWO separate murders as well, counting Tippit's!), is to think that any such evil-doers had powers similar to "Superman".
For example -- Almost every one of the initial reports concerning the number of gunshots heard by witnesses stated "3 shots". And while it's true that the very first report of the shooting from UPI's Merriman Smith (which was broadcast over all the television networks) stated "Three shots were fired...", it's also worth noting that Smith's initial bulletin was not the ONLY "three shots" account that was reported during those early hours just after the shooting.
For instance, Jay Watson of ABC affiliate WFAA-TV in Dallas (who happened to be in Dealey Plaza during the shooting and nervously reported the first bulletins to the unaware Dallas TV audience) is heard multiple times on November 22nd saying he heard "3 shots" fired.
Plus, several other members of the media are also on record stating their own PERSONAL beliefs that exactly three shots were fired by the assassin, including Robert MacNeil, Jack Bell, Bob Clark, Jerry Haynes, and Pierce Allman, among still others.
Some of the other "Three Shot" witnesses who were riding right in the Presidential motorcade itself include -- Photographers Tom Dillard, Robert Jackson, Mal Couch, and James Underwood. Plus, both John and Nellie Connally, who were riding in the same car with President Kennedy.
In addition, Presidential aides Ken O'Donnell and David Powers, who were both riding in the Secret Service follow-up car directly behind JFK's limousine, can also be added to the lengthy list of witnesses who heard precisely three gunshots.
And then there's also amateur filmmaker Abraham Zapruder, who took the most famous 26-second home movie in history when he captured the entire assassination with his 8mm Bell & Howell movie camera -- Zapruder showed up on live TV about 90 minutes after the President's murder took place and gave a graphic account of the horrifying event that had taken place in front of his very eyes.
Mr. Zapruder told the WFAA-TV viewing audience that he had heard two or three shots (but definitely no more than three), and he also demonstrated on live television where on the President's head he had seen the effects of the fatal gunshot. Zapruder puts his hand over the right-frontal portion of his own head to demonstrate where he saw the blood coming from JFK's head.
That's pretty amazing "LIVE" stuff from Mr. Zapruder's own lips (within approx. an hour-and-a-half of the assassination). And it's especially incredible and amazing if there had actually been many more than just two or three shots fired at the President, and if the fatal shot had actually (as many CTers believe) caused a huge hole in the BACK of John Kennedy's head, instead of the location where Zapruder placed it on live television -- i.e., the RIGHT SIDE AND FRONT portion of the head.
How could the so-called "conspirators" have possibly gotten THAT lucky with respect to Abraham Zapruder's live "on-the-air" WFAA-TV statements and head-wound "demonstration"? How?
And -- Could these ultra-clever conspirators have somehow managed to "manipulate" several reporters who were relaying the news live to the world immediately after the event, and have them ALL report on hearing just "three shots" (or, in a few cases, hearing only TWO shots, which is a number that certainly does not favor a "Multi-Shooter Conspiracy Plot")?
Or did the plotters just happen to get really, really LUCKY (again) when virtually all of the news reports favored the "Three Shots Fired" conclusion? With this 3-shot scenario matching the precise number of bullet shells that were found on the 6th Floor of the Book Depository after the shooting; and also perfectly matching the exact number of shots heard by TSBD witness Harold Norman, and also perfectly matching the precise number of bullet shells (3) that Norman heard hitting the plywood floor directly above his 5th-Floor location within the Depository.
Which, per Oliver Stone's movie, would mean that a full 50% of the ACTUAL number of gunshots were somehow inaudible to the enormous majority (91%+) of the earwitnesses! And, remember, Oliver has NONE of the shots within his movie's six-shot assassination ambush being "synchronized" in order to merge together with the sound of some of the other shots.
And yet, per Mr. Stone, we're supposed to actually believe that approximately 9 out of every 10 witnesses somehow missed hearing HALF of the gunshots fired that day! A reasonable thing to believe....or not? I ask you.
Were these so-called conspiratorial shooters so good that they could make 4 to 10 shots sound like only three to the vast majority of witnesses scattered all throughout Dealey Plaza? Highly doubtful, to say the least.
Again -- I'd advise all conspiracy theorists to sit down and watch the live TV footage....or listen to some of the surviving 11/22/63 radio tapes....and then try to find a "Multi-Gunmen Conspiracy" lurking within ANY of those original broadcasts. If anybody finds proof of a conspiracy via those means, please let me know. And let the world know too.
David Von Pein
December 2006
January 2007
Out of the Past.......2006-04-04
We have become accustomed (yea, verily, some would say desensitized)to horror unfolding before our eyes in our very own living rooms. Bob Huffaker's book brings us back to a time before the desensitization, when we could scarcely believe what our eyes were telling us. I recommend this book highly to those who were there, watching as I was, and even more so to those who were not there. The young, raised in an era of suicide bombers, need to understand that it was not always thus.
very good press reporting.......2005-07-30
1963 nov 22 brought to life again but with more professionalism.some very interesting facts that confirmed my own thoughts .
JOURNALISM CLASSIC AND INSIDE SCOOP.......2005-05-07
I stayed up all night reading when my copy of When The News Went Live, Dallas 1963 arrived. This book is a classic and should be included in the curriculum of every journalism and political science classroom in America.
Huffaker, Mercer, Phenix and Wise have written the Texas story of the Kennedy assassination, the inside scoop on Oswald's murder and the history of the evolution of modern journalism. These four men were Dallas television reporters, on the scene and on their own, in the middle of the news story of the century.
It is a salute to their training and their integrity as newsmen that their coverage under duress stands today as a compelling rendering of those fateful moments. I am glad they were the early ones on the scene, for they were the ones who broke the news to me in my elementary classroom. The story gives their perspectives more fully; all these years later, this book helps me understand the events and how they affected Texas and the nation.
Bob, Bill, George and Wes were there in Dallas with their Southern sensibilities. They weren't easily pushed around or manipulated that dark day and still aren't. They were taught to tell the truth as objectively as possible, and they reverted to that training and their good common sense when placed in positions lesser men might have blown or exploited. These four men cared about truth and justice and fairness and still do. I hope all young journalists will read this and learn about balanced reporting.
Average customer rating:
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The Movie Lover's Tour of Texas: Reel-Life Rambles Through the Lone Star State
Veva Vonler
Manufacturer: Taylor Trade Publishing
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ASIN: 1589792424 |
Book Description
Texas movies are as vast as the Lone Star State. Fans tour Texas via movies that explore the state region by region. They can hit the movie trail via automobile using suggested itineraries, maps, and lists of unique shooting locations, all spiced with anecdotes and occasional gossip about behind-the-scenes action.
Average customer rating:
- a kid's favorite
- Family Pictures
- Cuadros de familia
- Wonderful piece!
- Teachers must have this book!
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Family Pictures, 15th Anniversary Edition / Cuadros de Familia, Edición Quinceañera
Manufacturer: Children's Book Press
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Hairs/Pelitos
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La mujer que brillaba aún más que el sol / The Woman Who Outshone the Sun
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Gathering the Sun: An Alphabet In Spanish And English
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Calling the Doves/El canto de las palomas
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My Diary from Here to There/Mi diario de aqui hasta alla (Pura Belpre Honor Book Narrative (Awards))
ASIN: 089239207X |
Book Description
Family Pictures is the story of Carmen Lomas Garza's girlhood: celebrating birthdays, making tamales, finding a hammerhead shark on the beach, picking cactus, going to a fair in Mexico, and confiding to her sister her dreams of becoming an artist. These day-to-day experiences are told through fourteen vignettes of art and a descriptive narrative, each focusing on a different aspect of traditional Mexican American culture.
The English-Spanish text and vivid illustrations reflect the author's strong sense of family and community. For Mexican Americans, Carmen Lomas Garza offers a book that reflects their lives and traditions. For others, this work offers insights into a beautifully rich community.
Customer Reviews:
a kid's favorite.......2007-02-26
My 5 year old daughter loves this book. She enjoys both the brief stories accompanying each illustration, and examining each illustration and looking closely at the fascinating details. The text describes a large family and their many traditions that are interesting whether or not you are familiar with Mexican-American traditions and customs. Although we don't read Spanish, we like having the text in Spanish available for us to learn the words and phrases.
Family Pictures.......2006-02-24
I have read many children's books; this book however, isn't really a book for reading. It's greatest attribute are it's pictures. It does have a small descriptive paragraph opposite each picture in both English and Spanish, therefore making the book accessible to many different children. It is a great multicultural book; you can learn about the culture and traditions of a Mexican American family. It is a good book to develop multiculturalism and can be used in many ways in the classroom.
Cuadros de familia.......2005-05-28
This book is a must have for ALL classrooms, but especially Bilingual and Dual Language Classrooms! I use it all year long! My students LOVE it so much that I bought them each their own copy for Día del niño this year. We use it as a writing prompt, they connect text to self and compare and contrast. The illustrations are beautiful. This year we used it for our yearly diorama project. Instead of the children choosing random books to do a diorama on, they chose the cuadro that most spoke to them and their family experience, and did their diorama on that. They also did a beautiful piece of polished writing comparing a family memory with that cuadro. This is my favorite book to use in the classroom, and many adults love to receive it as a gift as well. It brings back beautiful memories to all ages. This is truly a treasure. I cannot reccomend it highly enough! It is also great to leave for a substitute because it is bilingual and you know you cannot count on all subs speaking Spanish! The students never get tired of reading it or writing about it!
A MUST BUY!
Wonderful piece!.......2004-04-12
Family Pictures is an excellent example of an autobiographical as well as multicultural book written for children from kindergarten through fourth grade. Lomas Garza covers a short period of her own childhood and the social life and customs of Hispanic Americans. The reader's attention is held by the detailed illustrations done in a variety of materials including oil on canvas, acrylic on canvas, and gouache on arches paper. While children will be drawn by the wonderful paintings, they will be learning a great deal about the Hispanic culture.
Teachers must have this book!.......2003-12-06
Family Pictures is a book within our third grade anthology, and it is definitely worth buying. This book is an excellent example of an autobiography or personal experience narrative for students to read while using background knowledge to make schema connections of all kinds, especially text to self connections. Students will use the author's detailed illustrations and text to predict, question, infer, and synthesize. I was so impressed by this book, that I bought the author's other book called In My Family, and found it to be an excellent sequel for text to text connections with Family Pictures. My class used the book Family Pictures to create our own classroom book of family pictures using the author's craft to guide our own photo summaries. This activity incorporates not only the use of elaborative detail, but teaches the skill of summarizing by using the 5 W's: (who, what, when, where, why). Text to text connections may also be made relating this book to Too Many Tamales and When I Was Young in the Mountains.
Average customer rating:
- Justice for Texas Justice
- Justice Done
- Best Book Ever on the Early History of the Texas Rangers
- Quite imbalanced
- A rip roaring account
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Lone Star Justice: The First Century of the Texas Rangers
Robert M. Utley
Manufacturer: Oxford University Press, USA
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Binding: Hardcover
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Lone Star Lawmen: The Second Century of the Texas Rangers
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The Texas Rangers
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The Men Who Wear the Star: The Story of the Texas Rangers (Modern Library Paperbacks)
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Lone Wolf Gonzaullas: Texas Ranger
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Six Years with the Texas Rangers, 1875 to 1881
ASIN: 0195127420 |
Amazon.com
The Texas Rangers have alternately been described as "fearless men of sterling character" and "ruthless, brutal, and more lawless than the criminals they pursued." The truth, says Robert M. Utley in Lone Star Justice, "lies somewhere in between the extremes." The Rangers got their start in 1823, and for half a century they were "citizen soldiers periodically mobilized to fight Indians or Mexicans." They were professionalized in 1874, when they became lawmen employed by the state of Texas. Utley summarizes their colorful history under the leadership of figures like Jack Hays and Ben McCulloch. They came to national attention during the Mexican War, when they fought with distinction under Zachary Taylor at Monterey and also served as scouts throughout northern Mexico. As lawmen, they were noted for apprehending fugitives (the murdering outlaw John Wesley Hardin fell to one of their bullets) and controlling mobs, but they were less successful at putting bad guys behind bars (a problem that the author blames on "a defective criminal justice system"). At bottom, Lone Star Justice is a sober-minded but generally admiring assessment of a unique group of men. --John Miller
Book Description
From The Lone Ranger to Lonesome Dove, the Texas Rangers have been celebrated in fact and fiction for their daring exploits in bringing justice to the Old West. In Lone Star Justice, best-selling author Robert M. Utley captures the first hundred years of Ranger history, in a narrative packed with adventures worthy of Zane Grey or Larry McMurtry. The Rangers began in the 1820s as loose groups of citizen soldiers, banding together to chase Indians and Mexicans on the raw Texas frontier. Utley shows how, under the leadership of men like Jack Hays and Ben McCulloch, these fiercely independent fighters were transformed into a well-trained, cohesive team. Armed with a revolutionary new weapon, Samuel Colt's repeating revolver, they became a deadly fighting force, whether battling Comanches on the plains or storming the city of Monterey in the Mexican-American War. As the Rangers evolved from part-time warriors to full-time lawmen by 1874, they learned to face new dangers, including homicidal feuds, labor strikes, and vigilantes turned mobs. They battled train robbers, cattle thieves and other outlaws--it was Rangers, for example, who captured John Wesley Hardin, the most feared gunman in the West. Based on exhaustive research in Texas archives, this is the most authoritative history of the Texas Rangers in over half a century. It will stand alongside other classics of Western history by Robert M. Utley--a vivid portrait of the Old West and of the legendary men who kept the law on the lawless frontier.
Customer Reviews:
Justice for Texas Justice.......2007-09-16
Until this book the best book on the Texas Rangers was he Webb book. Utley is a modern historian and those who prefer to live in the past in their culture will be disappointed in this book. It is a modern rendition for modern readers. That is not to say it is weak in research or in bringing the past to life. What I mean is this book is written in the now and doesn't adhere to the old rules of whitewash.
A major benfit of this work is the ointroduction to many of Edmund J. Davis, cast as the worst governor in Texas history. A Reconstruction governor responsible for the formation of the Texas Rangers as a force to enforce Reconstruction policy as he saw it and fight the elements that became the Ku Klux Klan.
This is a refreshing and interesting work on the taming of the old west.
Justice Done.......2007-08-02
The book is not only quite detailed in the description of the exploits of the early Texas Ranges, it maintains the air of education without the normally associated dullness or boredom found in many textbooks.
Mr. Utley paints a straight-forward, no-holds approach to telling the facts as he has found them. Gone are the visions that our hero's of old are without fault, quite the opposite, you find that our hero's from this era are simply common men with some interesting virtues and a belief that right is right. It would be rather refreshing to find some of this level or morals in today's society.
The book is an excellent read. One any Texican-file will find quite interesting.
Best Book Ever on the Early History of the Texas Rangers.......2007-02-18
Having just read Utley's second volume on the rangers, Lone Star Lawmen (I read this book when it came out), and found it a worthy sequel to this one, excellent in every way, I decided to see what Amazon readers had said about the first volume, Lone Star Justice. It appears that some folks don't like giving up cherished myth and folklore in favor of real history. And there are one or two who have well-formed PC prejudices against the Rangers, and are equally unhappy when presented with real history; they are like those who condemn an actor for portraying a villain (so to those I say, if you don't like the Rangers, don't take it out on Utley; he's not one, he just tells their story, and it is unfortunate that the truth does not conform to your suppositions). Those readers who appreciate accurate history, well written and meticulously documented, have given Lone Star Justice five stars. So do I. This is an excellent book, rigorously accurate, always interesting, full of dramatic incidents and memorable characters arrayed in their context. If you are interested in the history of Texas, the West, law enforcement, or just a good read, you'll enjoy this book. Better yet, get the set--Lone Star Justice and Lone Star Lawmen, and follow the history from beginning to the present.
Quite imbalanced.......2005-04-26
The problem with this book, aside from the fact that it's just a rehash of the last dozen or so Ranger histories, is Utley's bizarre fascination with racism: namely, all Texas Rangers are evil racists whose actions can only be explained by racism. Case in point:
Rangers are after a Mexican bandit who killed a Ranger. They find two mexicans and try to halt them, whereupon the two take off, then ambush and kill a Ranger. Utley breaks in and says, Oh that's okay. They were scared that the racist rangers would have hung them.
The Brownsville incident, where the black Army troops shoot up the town? Utley concurs that they probably did it--but, the town was full of racists, so they were justified.
Every single event involving the Rangers in this book is written off as racist fervor. This PC attitude, frankly, is just sickening.
Only in the last few pages does Utley mention that we should keep an open mind about the subject; but by then, the reader has probably thrown the book away in disgust, or come out of it thinking the Texas Rangers were the militant wing of the KKK.
A rip roaring account.......2005-01-18
For those who know little of the rangers but are western enthusiasts or simply interested in the American West, this is a wonderful action packed rip roaring account of the Texas rangers. The volume spands the time frame from Texas independence in 1836 through to the 1900s. The Mexican war is covered as are conflcits with Mexican bandits, and the Comanches, as well as the norms of frontier justice. This reads like a novel, but brought to you by famed historian Utley its all true and what more the writing is fantastic. This makes a wonderful present.
Seth J. Frantzman
Average customer rating:
- Beautifully written biography of a Texas icon!
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The Why of Miss Ima
Leslie Willoughby
Manufacturer: BookSurge Publishing
ProductGroup: Book
Binding: Paperback
General
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ASIN: 1588988112
Release Date: 2003-02-17 |
Product Description
Story of Miss Ima who gave back to Texas more than Texas gave to her. She was a \"Grande Lady\" and one that Texas and the United State of America can be very proud. Because of her, the Houston Museum of Fine Arts has one of the greatest collections of American furniture and furnishings. Because of her, Houston has a fine symphony orchestra. Because of her, there are great programs in Houston for the mentally ill. She did not become known for her name Ima Hogg, but as a great woman of Texas.
Customer Reviews:
Beautifully written biography of a Texas icon!.......2003-07-09
Miss Ima Hogg is a fascinating character in Texas history. Her story is brought to life with Miss Willoughby's skillful writing. It is true, factual and does not gloss over the flaws in this intelligent, extremely dynamic and very generous woman's life. Her legacy to Texas, and Houston in particular, makes this a very worthwhile book to read and share.
Book Description
Harry Reasoner was one of the most trusted and well-liked journalists of the golden age of network television news. Whether anchoring the evening newscast on CBS in the 1960s or on ABC in the 1970s, providing in-depth reporting on
60 Minutes, or hosting numerous special programs covering civil rights struggles, the Vietnam War, and Watergate, Reasoner had "that almost mystical quality it seems to take for good television reporting, exuding this atmosphere of truth and believability," in the words of Walter Cronkite. Yet his reassuring manner and urbane, often witty, on-air persona masked a man who was far more complex and contradictory. Though gifted with the intelligence and drive to rise to the top of his profession, Reasoner was regarded by many colleagues as lazy and self-indulgent, a man who never achieved his full potential despite his many accomplishments.
Harry Reasoner: A Life in the News covers the entire sweep of this enigmatic journalist's life and career. Douglass K. Daniel opens with Reasoner's Depression-era Midwestern upbringing and follows him through his early work in newspapers and radio before he joined CBS in 1956. Focusing on Reasoner's thirty-five-year tenure in television news, Daniel presents fascinating, behind-the-scenes accounts of Reasoner's key role in founding the top-rated newsmagazine
60 Minutes. He also explores Reasoner's highly publicized move to ABC in 1970, where he anchored the nightly newscast, first with Howard K. Smith and later with Barbara Walters—a disastrous pairing from which Reasoner's career never fully recovered.
Based on scores of interviews and unpublished letters, memos, and other primary sources, this first biography of the man once rated second in credibility only to Walter Cronkite illuminates an entire era in broadcast journalism, as well as many of the unique personalities, from Andy Rooney to Mike Wallace, who made that era distinctive.
Average customer rating:
- A zany autobiography to go with the character
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Daddy-O: Iguana Heads & Texas Tales
Bob Wade ,
Keith Zimmerman , and
Kent Zimmerman
Manufacturer: St Martins Pr
ProductGroup: Book
Binding: Hardcover
General
| History & Criticism
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ASIN: 0312134592 |
Customer Reviews:
A zany autobiography to go with the character.......2004-01-14
To quote from the afterword "Texas culture, in which Bob "Daddy-O" Wade is certainly a leading, not to say Olympian figure, has long been regarded by some pointy-headed intellectuals as an oxymoron." Quite correctly the afterword goes on to dispel this jaundiced view and give Bob "Daddy-O" Wade full credit for the gargantuan Texan art works he has produced.
Bob Wade resides and was born in Austin, Texas in 1943. He received a BFA from the University of Texas Austin and an M.A. from the University of California Berkeley.
The story starts with Bob's childhood days and his very early introduction to motor scooters and automobiles in Texas. Then the hilarity of the book really starts - not with "Texas Tales" as per the title - but the much more exciting Mexican Tales. Imagine the fun that he and his young buddies had over the border in Juarez where the legal drinking age is "sorta sixteen" and a quart jug of Bacardi rum was about 99 cents. A sexual experience didn't cost much more. Wow, foreign countries are often so much more fun than your own.
Then continuing in this very frank and clearly honest vein, Bob takes us through his days at university and through his career. His work includes giant size sculptures for display as public art. The best known was probably a giant iguana which resided during its heydays on the roof of the Lone Star café in New York. Then there's the pair of cowboy boots all of 40 feet tall installed in the front of a mall in San Antonio, Texas. My favourite was probably the beautiful 70-foot tall saxophone which included the body of a Volkswagen beetle, an old surfboard and several galvanised cattle troughs. "Daddy-O" tries to make his massive sculptures from scrap materials salvaged from whatever source may be available. The wonderful swarthy Mexican waiter with his sombrero, tray of nachos and a giant chilli was largely recycled from its own ancestor, a clean-cut white guy hamburger waiter. Being an art teacher / professor he also utilises his students to help with the projects. He gets the help and they get the experience. "Daddy-O" is not your "easel and palette" artist but one who relies on welding, rigging, cranes, scaffolding, compressors, nuts and bolts, power tools and the like to build his public art. Often the common link is urethane foam, discovered by Bob in his early days at Berkeley and never forgotten. It almost defines his work.
Another link is the not infrequent outcries against his work from local councils, communities or the like. Objections are generally made when such people feel that the sculpture lowers the tone of the area or may attract "undesirables" to the locale. The legal arguments tend to claim that the objects do not comply with the many pieces of legislation applying to signs. The defence is always that they are not signs at all, and indeed bear no relationship to signs. They are demonstrably works of art, designed and erected with love and care, for the public well-being and general benefit of one and all. What judge or court would argue with that? Thus the sculptures remain in place with the blessing of the law and so what if a little bit of good publicity has been generated during the process?
Mr. Wade is the recipient of three NEA grants and has been included in Biennials in Paris, France; New Orleans, LA; and, the Whitney Museum of Art, New York, NY. Collections include Chase Manhattan Bank, AT&T, the Menil Collection, Houston and the Austin Museum Of Art. He's also got a bunch of stuff on street corners and the odd roof or two!
"Daddy-O" is a fun guy, a fun loving guy, a generous guy, a humorous author, a very unusual artist and a second cousin of cowboy Roy Rogers. Read the book and if you are in the right place (there are several) go and have a look at some of his work.
Book Description
The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV. This research suggests that the postwar motion picture industry was less an empire on the verge of ruin--as common wisdom has it--than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.
Book Description
Architectural photographer Richard Payne began this photographic survey of small Texas towns as a part-time enterprise—something enjoyable to do in his spare time out of nostalgia, curiosity, and a love of making photographs that reminded him of his hometown. The effort grew into a book that reflects today's Texas small towns and the practice of architecture as a profession and an art.
The brief period between 1880 and 1930 was the golden age of architecture in Texas. The downtowns of small towns were built then, and since about 1950 there has been a general decline, not only in the architecture and infrastructure, but also in the cultural and economic fabric of life in much of rural Texas.
Looking closely at the architecture of some two hundred towns throughout every region of the state, Payne closely documents in beautifully detailed images the current state of our architectural heritage. For him, the art of architecture stems from both the practical need of civic development and from the dedication, hopes, and dreams of architects, builders, and their customers. "Could we learn and apply the lessons small towns offer us?" he asks. "Could we not have, with all our wealth, energy, and talent, buildings, neighborhoods, and cities in which the 'spirit is cuddled, made serene, made at home with its fellow spirits, proud and happy?'"
Payne's answer, represented by the beauty of his photography and the passion of his writing, "is always yes."
Customer Reviews:
A unique addition to personal, professional, and academic library collections.......2007-06-09
"Texas Towns And The Art Of Architecture: A Photographer's Journey" by architectural photographer Richard Payne is a photographic survey of small Texas towns. Payne embarked on this project as a part-time activity -- something to do in his spare time out of nostalgia, curiosity, and taking pictures of places that reminded him of him own hometown. The 'golden age' of small town Texas architecture ran from 1880 to 1930 and reflected all of the early American architectural styles and influences including Greek, Roman, Italian, Egyptian revival, Spanish Colonial, Victorian, Art Deco, Moorish motifs, and a great many idiosyncratic oddities that defy classification. "Texas Towns And The Art Of Architecture" showcases architectural examples drawn from around two hundred towns throughout every region of Texas. Payne carefully documents his beautifully detailed images, many of which rise to the status of art as reflected through the lens of his camera. A unique addition to personal, professional, and academic library collections, "Texas Towns And The Art Of Architecture" is a very highly recommended reading for students of Photography, Architecture, and Texas History.
A must for Texans, road-trippers, and photographers.......2007-02-13
If you don't smile several times, feel nostalgic several times, and maybe even get a tear or two, while reading and studying the photos in this book, then you must be too young or just arrived from the former Soviet Union.
Page after page in this book called out to me, "You've got to go there," or "Haven't you been there?" Since the book is a compilation of work over a number of years, many of the subjects in these photos are gone. Many more will be gone. Small towns in Texas, and the Southwest in general, are being transformed.
Buy this book. Read it. Go to the places photographed in it while you still can.
Gorgeous Photos.......2006-12-03
Came across this book at Gonzales, Texas book fair in Dec. 2006. A great gift for friends and loved ones who have a sincere appreciation for small-town Texas. Very unique.
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