Book Description
Often thought of as an activity just for actors or an elite few, fencing is actually an ideal sport for people of all ages. Fencing develops dexterity, endurance, flexibility, grace, and overall fitness, while also allowing participants the opportunity to hone the mind's problem-solving abilities. It is easily learned and practiced by both young and old, men and women, boys and girls. It has even been molded to fit the needs of the blind and individuals using wheelchairs. This is truly a sport for everyone. The Art and Science of Fencing covers everything from the history of the sport to the specifics of fencing technique, including the psychology of fencing, types of fencing weapons, biographies of great fencers, and information on selecting a fencing school and getting started in the sport. This book is a necessity for everyone who's ever seen an Errol Flynn movie and thought "Hey, that could be me!"
Customer Reviews:
Dull, not for advanced students.......2007-01-26
Not a technical book at all, but rather a poorly organized essay on the author's personal philosophy. For fencing history, try "By the Sword" by Richard Cohen. For technical instruction and better photos, try "Foil, Sabre, and Epee Fencing" by Garret, Kaidanov, and Pezza.
Best intro. fencing book I've read .......2006-08-04
This book offered a detailed overview of a variety of fencing concepts. It was both informative and enjoyable to read. I definitely recommend this book for beginning fencers or those who might be interested in the pursuit.
Just the Basics.......2005-12-07
The Art and Science of Fencing contains a fairly basic into and description of sport fencing, focusing on the French approach to foil. A full third of the book is dedicated to trying to sell the reader on fencing. In my opinion, if you have bought the book, you're already interested. The text was notably lacking in decent photos or illustrations. There are a couple of pages dedicated to praising the importance of drills and exercises, but there is very little actual description of suggested drills or exercises!
On a side note, the author has a very narrow view of fencing, attributing that there was no "real" swordplay until the 16th century. This is admittedly a common bias in the field. However, it blatantly ignores the fechtschules that have documented evidence from the 1400's. The author is not working from experience or research, as describing non-rapier swords as "can openers" is highly inaccurate.
Lastly, the author asserts that strength training has no place in a fencing training regime. I suggest that strength training has a place in any athletic endevor and that it is simply a matter of tailoring your program to match your sport.
Overall an average introduction for beginning fencers.
One of the better Fencing intros available........2005-10-14
Sometimes a book is noteworthy simply by virtue of lack of competition regarding the subject matter.
Such is the case here. Evangelista's Art and Science of Fencing is one of the better books out there for those who want a servicable introduction to sport fencing. The graphic layout is pretty good as are the photos. The historical stuff is brief, readable and informative. Evangelista does a good job of explaining to the uninitiated why fencing has the rules it does and how the modern sport links to the actual dueling of the Renaissance period on.
The diagrams of different fencing parries and movements are crude and not necessarily helpful. But here, Evangelista shoots about par for the course. Most fencing manuals in existence have pretty awful illustrations.
That said, Evangelista is not exactly popular in the serious competative fencing circuit. Most of today's top competitors routinely roll their eyes at Evangelista.
Part of this is due, no doubt to Evangelista's rather high opinion of himself which seems to pervade the book. But mostly Evangelista is dismissed by the competitive fencing community as a "tradition-bound old fogey." He routinely attacks the modern style of fencing and yearns for a return to the "good old days."
Most of his criticism focuses on the "anatomical grip." Evangelista advocates a traditional straight "French grip." He is correct in his assessment that the French grip leads to much lighter and straightforward fencing than the more muscular and aggressive anatomical grip. He is also correct in pointing out that the newer grips create a fencing style that little resembles real duels fought in Renaissance Italy or England in the 1700s.
I have fenced with both. Personally, I prefer the anatomical grip for essentially two reasons: 1) it transfers strength and power more readily to the sword and 2) it's just more fun!
This second reason illustrates the major problem with Evangelista: he's essentially a killjoy. Modern fencing has wholeheartedly embraced the new style of fencing that Evengelista has attacked. Modern fencers have perfected some rather spectacular moves that would be simply impossible with a more traditional grip. The sport has evolved: today fencing matches are much more aggressive than an actual duel (with lethal swords) would have been.
But I do not see this as a problem really. Fencing is a sport, not a real duel. A certain amount of unrealism is permitted in sport that would not be prudent in true life or death struggles. In essence, it's OK to be a bit "inauthentic." My feeling is that if people are enjoying the anatomical style, let them enjoy it.
You should also note that Evangelista's description of the rules of sabre fencing is a bit outdated. He describes essentially a running charge (or "fleche"). This move has been illegal since the mid 1980s. Sabre fencers are no longer allowed to cross their rear foot in front of their leading foot.
"Raging controversies" aside however, Evangelista's book is probably the best introductory guide to sport fencing on the market. The sad truth is that very few good books have been written about sport fencing. Most of the books available are from the 1970s and 1980s (or earlier) and have not withstood the test of time. In fact, Evangelista's book is likely to be the only book on sport fencing available at your local book store.
Evangelista wins by default. His book simply has no serious competition. If you are interested in learning more about sport fencing without actually setting foot in a fencing club, this book is really all you've got. But that doesn't make this a great book.
If you are serious about learning sport fencing, visit a club, get a sword and start doing it. For everyone else, this book will suffice.
Weak and Unenlighten Treatment of Fencing.......2005-10-12
As a competive fencer for over 25 years (member of 3 U.S. Junior World Championship team, U.S. World University Games team and top ten ranked fencer in foil)I found this book to be a poor guide to both the art and science of fencing. It is rigid, dogmatic, and outright misleading. I appreciate the scholarship and some of the historical accounts of schools of fencing. However, this book fails to help newbies whether they be interested in the sport or just the discipline of fencing to enter the exciting world of mind, body, and spirit conjured by it. To quote other great teachers of fencing, "It takes a life time to learn how to fence and life time to fence."
Book Description
The techniques associated with the sabre differ markedly from those of the épeé and the rapier. This 1889 classic by a pioneer of modern fencing offers both technical and historical views of the art of the sabre. Topics include a variety of different strokes and parries, methods of combining attack and defense, and associated weapons. 55 illustrations.
Customer Reviews:
Cold Steel (A practical effective guide to the sabre).......2007-07-19
I am new to the fencing scene, and I just wanted to explore the subject before diving in. This book although dated in language (you get used to it), is easy to read and understand for the most part. There are various sections and exercises for training your skills in the use of the saber. Alfred Hutton mixes the best of the "schools" of his day to produce a practical and easy to learn sword manual. The 'plate' pictures used to show some of the techniques are harder to decipher and understand then the newer looking drawings of Hutton with the sabre, but you get the point with the text. Don't expect support for your pursuit of mastering swordsmanship from people these days, but if your interested in late 1800 sabre training then Hutton's book is a good deal.
The forgotten art of sabre fencing.......2007-01-18
I really enjoyed this book because it deals with the technical aspects of sabre fencing. How to use the point, as well as both of the cutting edges.
The text is over 100 years old and was at the end of the era that was at the most perfected stage. Alfred Hutton borrows heavily from the old masters of Italy, France and England with his own style mixed in. A must read book for any serious saber fencer.
Excellent Instruction for a Gentleman's Defense.......2006-11-12
"Cold Steel: The Art of Fencing with the Sabre" was originally published by Alfred Hutton in 1889. The book is a classic instruction manual in the use of the saber in one's defense. There are several illustrations showing proper guards, defense and use of the saber.
In addition to discussion of the use of the saber, "Cold Steel" also discusses:
>The Game of the Sword (The Fencing Sword)
>Saber Against Bayonet
>The Saber Opposed to the French Sword
>The Great Stick (The 5-foot Stick)
>The Constable's Truncheon
>The Short Sword-Bayonet or Dagger
For anyone interested in the Western / European martial sciences, "Cold Steel" is recommended reading. For those interested in developing skills with sword, stick, and dagger, "Cold Steel" is a must. Written at a time when men relied on these weapons for their personal defense, "Cold Steel" offers excellent instruction for one's defense.
Highly Recommended!
Book Description
In the early Italian Renaissance, few courts were as renowned for arts and letters as was the Court of Urbino. Here the consumate image of the Renaissance Man was forged under the benevolent patronage of Guidobaldo da Montrefeltro, the same man who was patron for Baldasarre Castiglione.
At the same time, the art of swordsmanship was undergoing systematic exposiition at he hands of swordmasters who had traveled and taught the nobility of Europe. Recorded in books, a select few of these fighting treatises have survived to the present, allowing a glimpse not only of the techniques employed in both civilian and military swordsmanship, but also into the philosophy advocated for the employment of arms.
Filippo Vadi, working in the tradition of earlier swordmasters both in Italy and abroad, created his own treatise around the 3rd quarter of the 15th century. Closely following the renowned Italian master Fiore dei Liberi, his approach added much that was new; an emphasis on a more linear stance, the first description of what could be thought of as the lunge, conections to the sciences of Geometry and Music that presaged printed manuals of the 16th and 17th centuries.
Filippo Vadi's prologue is a valuable piece of literature in its own right, a beautiful exposition on the use of arms.
Vadi's book focuses on the use of the longsword, dagger, spear and poleaxe, both in and out of armour. His instructions are clear and precise, enabling reconstruction of medieval swordsmanship from 15th century Italy.
Luca Porzio and Gregory Mele have brouht this text vividly to life with a clear translation and explanatory notes. Published for the first time in English, all 56 beautiful plates reproduced at full size in full color. This book is an exquisite resource for enthusiasts in medieval art, history, fashion, military, reenactment, stage choreography or Western martial arts.
Customer Reviews:
A lavish facsimile of a key swordsmanship treatise.......2005-12-17
Some old swordsmanship treatises are useful only to the swordsman, but some, like Filippo Vadi's Arte Gladiatoria Dimicandi are works of art in their own right. This lavish colour manuscript is one of the key works of Italian swordsmanship. Dating from the 1480s it forms an important link between the early 15th century works of Fiore Dei Liberi and the 16th century works of Marozzo, Manciolino et al.
Luca Porzio's fine English translation brings this work to life as an instructional manual in a deadly combat system. Greg Mele's informative introductory chapters add value to an already worthwhile volume. This work is a few years old, but isn't the sort of book that rapidly dates (like an interpretation). It contains sections on longsword, fighting in armour with sword and pollaxe, dagger and unarmed vs dagger.
Anyone interested in 15th century artwork, the medieval teaching process, the history of fencing, medieval or Italian swordsmanship, or just how to use a sword, should rush to get a copy of this fine work.
Stephen Hand
Author, English Swordsmanship, Medieval Sword and Shield
Editor, Spada, Spada II
Italian Sword Study.......2005-02-06
I found Arte Gladitoria Dimicandi, 15th Century Swordsmanship of Master Fillipo Vadi to be an invaluable resource to a student of Italian swordsmanship. In the spirit of Fiore dei Liberi, Vadi has put in writing and especially spectacular color illustration plates of the various stances, etc used by the 15th century long swordsman. The translation is excellent and the editorial and references are equally helpful.
This book is a 'must have' for any historian or student of the sword.
Customer Reviews:
An excellent primer.......2006-02-10
Gaugler's book on the Science of Fencing is an excellent primer for fencing students and coaches, and is a superb work on basic fencing actions and helps to illustrate to newer fencers good fencing technique. For coaches, this reinforces what should be taught and what the coach should keep an eye on when working with fencers. Which is very helpful in teaching the basics as well as simply reinforcing good technique.
The book is primarily broken into 3 different sections, one for each of the three different weapons. Each section of the book covers basic technique for each of the weapons, talking about target area and basic lines of attack as well as the parries. Even the basics of holding the weapon are covered, to ensure that a proper grip is reinforced for the fencer. Each section also has several prictures (of Gaugler and his students) to demonstrate some of the fencing actions. This helps to understand some of the more complicated actions, as well as blade positions.
Overall, this ensures that the technique that Gaugler is discussing is adequately explained and that the reader can get what is going on here. As a coach, I've found the text to be invaluable for drills, whether it be for beginning fencers or more experienced fencers. Reading the text gives a coach or advanced fencers some areas to explore by using the drills presented as a jumping off point for other drills.
Some of the critics have found one of the following faults with the book:
Firstly, it is too focused on the Italian school. Gaugler makes no excuse for this, and himself mentions that the focus of the book is training in the Italian school; afterall, that's what he says he was trained in. So, you know what you are getting into from the beginning. And, speaking as someone who has read Vass, learning about the Italian school and gaining an understanding of that system is not a bad thing.
Secondly, it is too basic in nature. This is not meant to be an exhaustive text on fencing and tactics. In fact, I would be wary of any book that promises that, as fencing tactics is a difficult subject to cover (and strongly biased depending on your focus). Instead, it reinforces the basics and technique that all fencers should be well grounded in. Even as an advanced fencer, I find myself more focused on practicing the basics and reinforcing good fencing technique first; then reflecting on tactics later on.
Thirdly, the book is too dated. Gaugler is admitedly a historical fencer. As such his book is not geared towards competitive fencing. He does not decry competitive fencing (as some do), just that is not his focus. That being said, even competitive fencers should be able to learn something from his books. Certainly it will not focus on the what is applicable on the piste in a close bout, but it gives enough good technique that competitive fencers should come back to this for their drills and continuing development.
Overall, I've found the book to be an excellent resource and one that I recommend to fencers interested in learning more. The book can be a tough read though, and if you are not familiar with the Italian school it is also difficult to translate the lessons into something that may be more readily grasped (most fencing in the US is based on the French school, and there are big gaps between the Italian and French schools). But, if you can make the jump, then this book is an invaluable guide that can be used by fencers and coaches.
Strong medicine for American fencers' chronic impotence.......2003-04-25
Trained by self-made "coaches" contemptuous of formal teacher training, it should come as no surprise that American fencers have seen no Olympic Gold in an entire century. Ask them what thrusts or feints are to be used in blade seizure, how to oppose an action in countertime, or which counterattacks can be executed with priority and you'll get a blank stare. Their "coaches" will defiantly insist, "That's old-fashioned, we don't do that any more." Well, perhaps they don't, but it's clear that American fencers' eminently successful European adversaries, prepared with a strong foundation in classical fencing theory and technique, know better. In the United States the one resource that holds the key to success is Dr. William M. Gaugler's "The Science of Fencing." Based upon the works of Parise, Pessina and Pignotti, its importance is not overlooked by the Germans, Austrians, and Swiss who now use the German edition. In Italy the Italian edition is widely employed, while Gaugler's "Dictionary of Universally Used Fencing Terminology" and "The History of Fencing" are required reading for all candidates who hope to become fencing masters. For those fencing either solely for recreation or with serious Olympic aspirations, this book is indisensable.
Not for modern fencing.......2003-04-25
This book has little useful information relating to the modern sport. Absolutely NO attention is paid to the rules, concepts of right-of-way, or direction. The book spends all its time on the mechanics of movements with no attention paid to tactics. Furthermore, figures are sparse, and few illustrations are present to detail the evolution of the movements. The book uses the Italian hand positions rather than the easier to understand and more prevalent (in my experience) French numbering. Too much attention is paid to relaxed, exhibitionist movements rather than the overall goal: to score touches and win. Finally, the preference for all things Italian is excessive and unhelpful with insufficient translation.
This is an excellent book for those not serious about or have no interest in competition. Do not buy this book otherwise as it is useless to you.
Centuries worth of fencing knowledge.......2003-04-21
This is an amazingly complete work on Italian fencing actions and theory written for both student and instructor. It is clear Maestro Gaugler has done exhaustive work collecting and translating works from the last three to four centuries in order to write this compilation. The actions and theory presented here are still being taught in Italy and the U.S. For foil, sabre, and epee, information provided in this book includes: the classical guard and lunge, simple attacks, parry and riposting actions, compound and circular attacks, cut-overs, actions on the blade, counteroffensive actions, actions in time, and fencing tactics.
Any serious fencer should be anchored to the foundations of fencing by exploring classical styles. This book may seem wordy, but it is necessary to describe the actions correctly so that one can effectively practice what ultimately must be felt "in hand" on the strip. A number of the advanced actions revealed by Maestro Gaugler are particularly effective against sport fencers who have never been taught or exposed to this breadth of work. If you aren't a fencing instructor, you don't necessarily need to pour over the synoptic tables, but they do reveal how a fencing phrase can progress with your opponent from the given offensive action. For teachers, the tables and sample lessons provide a wealth of offensive, defensive, and counteroffensive actions that can be used to develop your own lessons.
zero relevace to the modern sport.......2002-11-27
I bought all this author's books... zip on the useful info.
Book Description
The use of the long or short stick as a weapon of survival (including disarming techniques) is presented in this second volume on combat training by Echanis. Ki power, proper grip, visualization and breath control are explained as important elements in surviving attacks.
Customer Reviews:
Basic, yes! But good none-the-less!.......2007-03-19
Being the author of several books on the martial arts and fighting, I am always looking for books of exceptional quality to add to my library. If I have a book in my library, it's definitely worth owning. One such book is Michael D. Echanis', "Basic Stick Fighting for Combat." This book is directly influenced by the Korean martial art of Hwarang Do and its current Grandmaster Joo Bang Lee, who Echanis had studied under before his untimely demise in Nicaragua.
This book along with its two companion volumes, "Knife Self-Defense for Combat" and "Knife Fighting, Knife Throwing for Combat," were not initially released to the general public, but instead were only available to certified and recognized self-defense instructors. These books were originally intended to be military training manuals for the various elite units in the United States military. These were units such as the Special Forces, Army Rangers, Navy Seals, etc.
This volume, like the other two in this series, starts out with a brief section on the history of Hwarang Do and its relationship to hand-to-hand combat. This is followed by another brief section that looks at the theory and internal dynamics which make up this very impressive art.
Introduction:
Principles of Stick Fighting:
a. Proper Grip
Your grip should be relaxed yet firm, it should not be really tight like a vise.
b. 3 types of strikes
1. Thrusting
2. Snapping/Shocking
3. Whipping
c. Visualization and Breathing
This section, although rather brief for my liking, shows you how to use visualization and breath control in order to enhance your skill with the stick. This is effective not only for the stick, but any weapon that you may employ against an attacker.
d. Focus of Attack
The focus of your attack will generally be confined to one of five general target areas. They are the top of the head, side of the neck, the wrist, the body, and the leg below and including the knee.
e. Vital Points
Although this particular section is rather vague, the author does illustrate a drawing of a man with the vital points clearly marked on it.
Baton:
a. Principles
The author gives you the basic principles that you need to adhere to in order to learn how to use a stick properly and safely during practice and during an actual self-defense encounter.
b. Basic Blocks and Strikes
Through the detailed use of photographs and brief yet detailed text, the author takes you through the basic strikes and blocks used when utilizing a baton.
c. Combat Applications
Through the detailed use of photographs and a somewhat brief yet detailed section of text, the author and his assistants take you through several different examples of how to use a baton during an armed and also unarmed self-defense encounter.
Short Stick or Double Short Stick:
a. Principles
The author gives you the basic principles that you need to adhere to in order to learn how to use the double short sticks properly and safely during practice and during an actual self-defense encounter.
b. Combat Applications of the Short Stick and Double Short Stick
Through the detailed use of photographs and a somewhat brief yet detailed section of text, the author and his assistants take you through several different examples of how to use the double short stick during an armed and also unarmed self-defense encounter.
Snapping Short Stick:
a. Principles
The author gives you the basic principles that you need to adhere to in order to learn how to use the snapping short stick properly and safely during practice, and during an actual self-defense encounter.
b. Grasping
In this section, the author teaches you how to properly grasp the stick.
c. Blocking
Through the detailed use of photographs and a somewhat brief yet detailed section of text, the author and his assistants take you through several different examples of how to block correctly using the snapping short stick.
d. Striking
Through the detailed use of photographs and a somewhat brief yet detailed section of text, the author and his assistants take you through several different examples of how to strike correctly using the snapping short stick.
e. Combat Applications
Through the detailed use of photographs and a somewhat brief yet detailed section of text, the author and his assistants take you through several different examples of how to use the snapping short stick during an armed and also unarmed self-defense encounter.
Cane:
a. Principles
The author gives you the basic principles that you need to adhere to in order to learn how to use the cane properly and safely during practice, and during an actual self-defense encounter.
b. Combat Applications
Through the detailed use of photographs and a somewhat brief yet detailed section of text, the author and the supreme grandmaster of Hwarang Do, Joo Bang Lee, takes you through several different examples of how to use the cane during an armed and also unarmed self-defense encounter.
This book, like the other two in the series, does an exceptional job of explaining the techniques described within through detailed written descriptions and the use of clear and concise photographs and illustrations. The only thing that I would like to have seen a lot more of in this particular manner would have been some close-up shots during various phases of certain techniques.
Different is good! It's basic, but insightful!.......2005-04-24
Basic Stick Fighting for Combat
This is an interesting little book (192 pages) about stick fighting. It was originally written as a training manual for special forces. And, it was an early book on stick fighting. To the best of my knowledge this book was published before Arnis (and other PMA) became popular. The late Michael D. Enhanis was highly trained in the Korean art of Hwa Rang Do and this book represents stick fighting techniques derived from that training.
The book covers fighting techniques with four varieties of sticks, basically sticks of various lengths (though there is some overlap in the lengths). First, the Baton with a length range from 18 to 36 inches (the pictures seem to indicate the author uses a baton in the 28-31 inch range). Some techniques would be more difficult with the shorter baton. Second, the Short Stick with a length range from 12 to 30 inches (the pictures seem to indicate the author uses a short stick in the 18-20 inch range). The majority of the techniques presented use double short sticks, though some single short stick techniques are demonstrated. Third, the Bone Breaker is an 11 inch oak stick of 1 inch diameter. This stick was the most interesting to me and the techniques are up close and personal. Fourth, the Cane. The author presents some uses of the cane I had not seen before.
The author presents blocks, strikes, and advanced techniques with each length of weapon. The reader will not find much of the "entangling" techniques of stick fighting present in many of the stick fighting books, though the author does utilize some basic trapping. The techniques all contain some degree of lethality - it was, after all, a special forces training manual. I did feel that some of the techniques bordered on the eccentric. Not all of them seem to me to utilize the best economy of motion. I have no doubt that the author could make these techniques work. I just think I would choose different combinations in some of the sequences for a different rhythm and flow. And, the author writes that each person should do just that.
So, the variety of weapons presented is a plus in this book, even if that reduces the total quantity of techniques for any one weapon discussed. The reader will gain a good basic understanding of how these weapons can be used. And the author states that his goal is to provide a basis from which the stick fighter can further research and develop his skills.
A side note, the author does discuss in brief the religious and internal aspects of Hwa Rang Do. As well, the "code" of the Hwa Rang Do warriors is provided. The book gives some brief history of the art and Korea as a whole (I think about 10 pages). It is interesting reading for those who don't already know the information.
If you're already into sticking fighting, especially the PMA, this book probably won't hold much for you, except to show you how the Korean approach may differ from the approach you currently use. Particularly interesting was the reverse grip use of the Short Stick. It reminded me a little of the reverse grip use of the Japanese Sai.
Anyway, if you're interested in stick fighting, this book will give you some information that you probably won't find in the PMA schools. Give it a read and decide for yourself. Personally, I'll gain from practicing these techniques, particularly the Bone Breaker techniques. I hope you enjoy this book and learn from it what you can.
The Legend of Echanis.......2004-02-16
Echanis is a Legend in the Martial Arts world and many other Martial Artist are very, very, jealous of him even though he has been dead since 1978. While doing CIA Black Bag Ops he was killed in a airplane over Nigaragua by a planted Terrorist bomb on the plane.
The reason so many are jealous of Bruce Lee is because of his "Hollywood" connections and the reason so many were and still are jealous of Echanis is because of his "real", "Military" connections.
I have read all of his books including the infamous "Black Book" Knife Fighting and Knife Throwing for Combat which I use to read over and over again before my Martial Arts classes. O'Hara Publications took that book off the market because it was too detail and graphic. Political Correctness kills another great book, it is the best out of all Echanis books.
Echanis was a great Martial Artist and Basic Stick Fighting for Combat is a Great book!
Good book ( learn to use a cane as a weapon too).......2004-02-11
IN MEMORY OF MARIO PONTILLO
Since the late 1970's, I have studied Mr. Lee's "Way of the Intercepting fist."
I have the original of this book from 1978, I have not read it in over 20 years. This too, was also Mario's book. Good book that shows using various small sticks (and canes). cool book.
Please don't hesitate to check out my book that I published while in the U.S. Navy in 2003:
"Under the Rose: Poetry of Tragedy, Essence, and Romance"
Ye gods and little children.......2003-12-01
Leaving aside the fact that the author lied through his teeth (e.g. he never actually studied Hwa Rang Do - he offered the Lee brothers some ink and they gave him a faked history) this stuff is about as inefficient as any stick fighting book I've ever seen. Try Marinas' Panandata, Mark Wiley, the Presas brothers, Leo Giron or Ray Galang for stick stuff. You'll be much better off.
Book Description
During the sixteenth and seventeenth centuries, hundreds of fencing manuals were published in Italy and throughout Europe, each summarizing a particular master's techniques and philosophy. Today, thousands of rapier enthusiasts throughout the world study these manuals but until now there has been no introductory manual to place them in context and to distill the fundamentals needed to master the weapon. William Wilson, one of the most highly respected instructors of the Italian rapier in the United States, successfully captures the romance of swashbuckling combat and forges it together with solid fundamentals culled from the historical masters. This book promises to quickly becomea standard reference for fencers, historical swordsmen, fight choreographers and Western martial artists.
Customer Reviews:
Great Book!!!!.......2005-08-27
This is an awesome book!!! It is well organized and very clear in its presentation. The photos and descriptions are very instructional and easy to understand. I would recommend this book to ANYONE interested in learning the use of the rapier.
A Great Place to Start.......2003-09-30
OK, I'll start by saying that Bill Wilson is a friend of mine, but having said that, I probably wouldn't have become friends with him if he didn't do top quality research, teaching and fencing.
Bill's book isn't the final word on rapier fencing, but it is a pretty good place to start. It also isn't really a how-to guide. It explores the basic concepts and principles of all rapier fencing and shows a large number of sample actions in clear photographs. What this book will do more than anything is to help you to understand the rapier and to know where to go after you finish the book. It will certainly prevent you from making any of the common mistakes seen amongst rapier fencers. This is an extremely useful book for anyone interested in rapier fencing, particularly beginners. I commend Bill on a job well done and look forward to his planned work on the Bolognese sidesword (early rapier) school.
Arte of Defense: A Manual on the Use of the Rapier.......2003-07-27
An excellent resource with a wealth of knowledge. If you ever wanted a "how to" guide on starting rapier this is the book for you.
What's Vadi got to do with anything?.......2003-04-30
I want to make a response to the reviewer who denounced this book on the basis that Vadi had nothing to do with the rapier. I couldn't understand why he even brought Vadi up, given that the said Maestro (who, admittedly, is pre-rapier) isn't mentioned in this book. After some digging around, I found that when Arte of Defence was first listed, Vadi's name was mistakenly included (probably it got mixed up with a forthcoming book on Vadi by the same publisher). When the mistake was found, reference to Vadi was removed from the online information. So, if you're considering purchasing this book, please rest assured that the author is not guilty of said historical error, and that (in my opinon) this book is worthy of your attention.
At Last!.......2003-04-05
I've know William Wilson for a number of years. His scholarship and skill at arms have always impressed me. This book is great for those starting out in historical rapier fighting.
As an instructor, I've found useful drills and techniques to add to my curriculum for my own students.
I'm shamelessly plugging this book to anyone who expresses an interest in studying rapier.
Customer Reviews:
Short works on swordsmanship and Zen.......2006-05-26
It's a set of brief 16-17th century works, transmitted within the family, from Kamiizumi Hidetsuna, to his son Yagyu Muneyoshi, and to his son Yagyu Munenori. This period led up to the start of the Tokugawa shogun era, a turning point in Japanese history. It is interesting to see how the authors turned with their times.
Volume one is very pragmatic. It lists sword-fighting postures and counters. I am no swordsman, but I have to distrust any fixed set of responses to inherently fluid situations. The main value in this section comes from the classical illustrations paired with the text. I enjoyed them immensely in themselves and in their support of the translation, despite the indifferent-or-worse quality of rendering.
Volume two, "The Death-Dealing Blade" starts a much more literate phase of the cycle. It opens with an allusion to Laozi, and the subtitle "Weapons are unfortunate instruments." Pacifist though I am, I acknowledge valid (and unfortunate) purpose for those instruments, and valid (though unfortunate) reason for people to become expert in their use. This is another tactical approach to swordsmanship, but a little less dedicated to rote learning than v.1. Instead, it starts by encouraging Zen, the Tao, and the Confucian classics. Then it goes back to the tactics of swordfighting. As always, the swordsman himself is first among his tools, and emphasis is on honing that tool.
Volume three, "The Life-Giving Sword," attempts to reconcile the violence of bushido with the quiet of zen. This is far more philosophical than the preceding volumes. It is also firmly grounded in the bloody pragmatics of its time: the sword cuts one person in order that others may live. It opposes moral relativism directly, in its appeal to some clear standard of need, but also demands fast and final judgement by the man on the spot. I can not put words to it, but I see a resolution of the personal and the universal there, in a way that I want to learn.
There's more here, too, in the translator's introduction and in other minor works in the collection. This won't be the centerpiece of any library, but it's worthwhile to any student of the bushido or of classical Japanese culture.
//wiredweird
Shinkage School of Swordsmanship Manual.......2006-03-13
Although as another reviewer notes there are some problems with this translation, Muenori's book is a superb work of strategy that belongs right next to Musashi Miyamoto's Go Rin No Sho (book of five spheres) and Yamamoto Kansuke's Heiho Okugisho. Where there were illustrations in the original Heiho Kadensho (Family transmission scroll), they are here reproduced for the reader's benefit.
The Sword and The Mind illuminates not only a philosophy for fighting and survival, but a way of being and considering life. Truely a work of Genius! This translation is generally straight forward and easy to understand, and includes a bibliography as well as a glossary of terms. Unfortunately, there are not a number of translations of this work to choose from and compare yet. A decent work worthy of consideration.
The Fighting Manual the Samurai Really Followed!.......2004-08-18
Everyone oohs and ahs over Musashi's book these days. The funny thing is that in Musashi's own time, and later in the Edo period, the book that was considered to be the best was "The Sword and the Mind", not "The Book of Five Rings". In Fact, the fighting style of "The Sword and the Mind" became and remained the official style of the Shogunate! Why there is so little interest in this most important of Japanese combat books I cannot understand. In fact, this book even has woodcut pictures demonstrating the techniques! If you want proof as to the skill of the authors, let it be known that one of them had the habit of defeating swordsmen using only his bare hands! Another one of the authors fought seven men at once and beat them all; Musashi only fought individual one-on-one duels. The guys who wrote this book had a system which worked, and which they could teach to others. Victory is achieved through science. One especially nice thing about this book is that you can, based on the pictures, immediately practice the techniques, even if you will do so rather informally. Another great thing is that it is written in a very polished style typical of the ruling class, and it gives the reader a window into the lives and thoughts of upper-ranking samurai. The book was written over time by the three successive masters of the school. This book and no other is the definitive combat manual of the samurai: this is the one you have to read if you are interested in Japanese Martial Arts and the Samurai.
In the valley of the blind..........2003-12-30
Boy... some folks get really excited about this huh?
This is a very straight translation written by someone who does not know the subject well (nor did his secondary sources, Imamura Yoshio and Watanabe Ichiro, have more than a scholastic knowledge of Shinkage Ryu)...
The translation is mediocre... and for that reason to be avoided... for the following reason: a BAD translation is easily recognized as bad and disregarded... a good translation may not be appreciated, but can be truly meaningful to someone if it is... a mediocre translation, however, may be taken as correct or authoritative by readers who do not have the experience or background to put it in proper perspective, and can therefore be seriously misleading...
This is such a text...
Allow me to give an example. Mr.Sato translates thus: "There may be a hundred combat postures, but there is only one purpose: to win. Ultimately, all this depends on 'shujishuriken'. You may teach or learn the use of the sword in a hundred ways, in a thousand ways, and you may be able to handle the whole array of combat postures and sword positions. But 'shujishuriken' is central"
He then passes on some bits and pieces relating to "shujishuriken", but displays no understanding of the term himself. While this is not suprising, since the term refers to an understanding that is only obtainable through practice and training, Mr.Sato doesn't seem to twig on this... He goes on about Ninjas (!) for a bit in a footnote... then moves on...
Setting aside the fact that he could have at least gotten a provisional explanation of the meaning of the term from a modern practitioner of the Ryu... What is distressing is that Mr.Sato doesn't seem bothered by not knowing what he is talking about.
Simply because he has managed a translation from Japanese and has a lot of footnotes, many people may take this as authoritative. However, it is (in my opinion) not... and therefore, misleading...
Outstanding book! A must have for the seasoned practicioner.......2003-09-21
I have been practicing Yagyu Shinkage ryu in Japan for the last 5 years. In fact, I just finished a 3 day intensive practice in the village of Yagyu near Nara in Japan. We visited the graves of the Yagyu family and stayed in the dojo where they practiced and taught. My dojo is in direct lineage to the founders of this ryu. Finding old scrolls translated so well into English is extremely difficult. This book is absolutely incredible! I have searched years for this. (Translating it myself would have taken much longer!)
I would recommend this book to anyone with a good amount of experience in Japanese sword fighting techiques, but even so, without the verbal lessons that have been handed down to accompany the text, and without seeing it in action, you would find this book too difficult to understand.
Beginners would find the discriptions of the kata hard to follow, but would be able to get the essence of the spirit or the mindset of the practicioner. There is also the history of the ryu and it's lineage that is very informative.
Well written and translated by someone with an understanding of the subject, historically accurate, this book is tops!
Book Description
Translated and interpreted by Christian Henry Tobler.
In the late 14th century, Master Johannes Liechtenauer developed a deadly form of martial art that fully integrated sword, spear, dagger and grappling, in and out of armour,on foot and on horseback. Founding a school of swordsmanship that would dominate Germany for centuries, he recorded his teachings in cryptic mnemonic verses and swore his students to secrecy. In the 15th century, Sigmund Ringeck,a master of the 'Liechtenauer school,' broke the secrecy and explained the verses in detailed instructions. CHRISTIAN HENRY TOBLER has rendered this key text into English for the first time, and provides photographic interpretations of each technique of this 'secret' martial art.
Customer Reviews:
A must.......2006-02-27
This book is essential for anyone interested in doing medieval swordsmanship. Tobler has done all the hard work for you, he has interpreted the moves perfectly. There is very little guesswork left up to you, each move has many pictures showing every subtle change in position. Easy to follow and the pictures are very clear. A great book, none better.
An Absolutely Indispensable Reference for the Student of Medieval Swordsmanship and Western Martial Arts. .......2005-12-12
`Western martial arts are every bit as sophisticated as their Asian counterparts. The German martial systems incorporate both armed and unarmed combat, with and without armor, on foot and on horseback, using daggers, long and short swords, bucklers, shields, falchions, and spears and poleaxes.'
In Secrets of German Medieval Swordsmanship, Christian Henry Tobler has done an outstanding job of introducing the reader to the skills and methods of the Germanic man-at-arms.
The book is broken down into five major sections:
>> Longsword Techniques
>> Sword & Buckler
>> Wrestling Techniques
>> Armored Combat
>> Mounted Combat
Secrets of German Medieval Swordsmanship is an interpretation of the teachings of Master Johannes Liechtenauer and of the later work in the 15th Century of Sigmund Ringeck, a descendant of the Liechtenauer school and master-at-arms to Albrecht, Count Palatine of the Rhine and Duke of Bavaria.
While there were, of course, no photographs in the 15th Century ~ Christian Henry Tobler has filled Secrets of German Medieval Swordsmanship with hundreds of photographs demonstrating the techniques of the masters. He has made an accurate interpretation of the techniques described in the writings of the masters and displays that described in photographs.
Each photograph is clear and in sequence allows the reader to learn the techniques of the masters. These techniques are highly effective and the more one practices, the greater insight one gains into the secrets of the masters of arms of the 15th Century.
The book concludes with a glossary of terms well-worth learning to improve understanding of this text and others related to it.
I found Secrets of German Medieval Swordsmanship to be an absolutely indispensable reference for the student of Medieval Swordsmanship and Western Martial Arts.
Excellant Work.......2004-08-06
I first bought Mark Rector's _Medieval Combat_, but I didn't feel I truly grok'd many of the illustrations in that book until after I read this book.
For the most part I think that Mr. Tobler's interpretations of Ringeck's verse are dead on target. But in many cases, it seemed pretty nebulous what Ringeck meant - not that surprising considering we are trying to take a very abstract description of a full-sensory 4d event - verbal, and put back all those lost details.
In those cases were I couldn't figure out for myself what Ringeck meant, Mr. Tobler's work seemed at least internally consistant, and well thought out.
Again, excellant.
Excellent.......2004-06-22
This book is very clear, well written, and wonderfully photographed.
It provides an excellent view of 15th century european martial arts as being every bit as advanced as those of the orient.
The instructions are clear, and the methods practical.
If you fence, practice kendo, or any other sword art, and are interested in learning how fights were really fought (as opposed to how Hollywood wants us to think they were) I fully recommend this book.
Great Book!!!.......2004-03-26
Ever dreamt of being that Knight breaking lance and thrashing sword upon enemy? Your dream can easily come true! This book, Secrets of German Medieval Swordsmanship is by far one of the best books I have whitnesed. The book shows people combat techniques for a wide diversity of styles. It shows armed combat, sword fighting, unarmed combat and much more that deals with the sword and even a section on fighting on a horse. Even after training with the sword, this book will expand one's knowledge of swordsmanship. The book is worth every penny of the price. It also serves as a great reference book if one is to fight at a show. This is a book that you definently want to pick up!
Product Description
Sword in Two Hands is a full-color modern training guide based on the 14th & 15th century Italian swordmaster, Fiore dei Liberi. In the sumptuous volume, Brian R. Price, Principale and co-founder of the Schola Saint George, presents a detailed curriculem designed to guide novice and intermediate combatants through the efficient and powerful swordsmanship based on Fiore's three surviving books. Translations of the Fior di Battaglia are included for the sections covered alongside transcriptions of the original text and neverbefore seen color images from the Getty edition of the Fior. Hundreds of full-color photographs accompany Mr. Price's interpretation of Fiore's work in what is sure to become a classic of the field. This book is a perfect guide for anyone interested in one of Europe's pinnacle systems of swordsmanship.
Book Description
Ringeck's invaluable 15th-century compilation of the lessons of German fencing master Johannes Liechtenauer is given new life by two modern students of the sword. The original text is presented with extensive interpretations and detailed, instructive drawings to capture the medieval swordsman's art.
Customer Reviews:
Great Place to Start.......2007-02-07
This is an excellent book. It is a great place to start. Having said that, there is nothing like having a good Western Martial Arts instructor though.
Excellent.......2007-01-15
This is an excellent interpretation of Ringeck's manual. It offers clear concise instruction, guiding the reader and practitioner towards a very good understanding of the German Longsword combat system. Excellent read. The glossary alone is exceptional, explaining common and relatively obscure terms in comprehensible language.
Very thorough.......2006-05-04
This is David Lindholm in a subject he knows and masters. The book is well written and concise, the illustrations and interpretations sound and easy to grasp. An excellent addition to any WMA library.
Great manual.......2006-03-24
Well presented and thought out. We use this manual in our sword class.
Excellent resource.......2005-09-21
I have been studying historical longswordsmanship for more than 7 years now and I can only wish this book had been around the whole while. I began studying Ringeck several years back and have only recently felt as though I have really grasped the elegance of the Liechtenhauer style. This book is perfect for cementing your basic concepts and for clearing up most questions a practitioner might have and hasn't been able to answer through their own experimentation. Beginners should probably find a teacher or at least a competent study group/partner to really get what they can out of this book, however this is the best I've seen for one to start cold with. Also, I have read Tobler's book and though I really appreciate the work he did and is doing (and definitely refer to his book from time to time)... I personally see higher quality of interpretation in this work.
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Fencing
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Fencing: Basic Beginners Training
The Inner Game of Fencing: Excellence in Form, Technique, Strategy and Spirit.
Fencing: Techniques of Foil, Epee and Sabre
Fencing: Steps to Success (Steps to Success Activity Series)
Fencer's Start-Up: A Beginner's Guide to Fencing (Start-Up Sports series)
