Too Good to Leave, Too Bad to Stay: A Step-by-Step Guide to Help You Decide Whether to Stay In or Get Out of Your Relationship

People with Borderline Personality Disorderexperience such violent and frightening mood swingsthat they often fear for their sanity. They can beeuphoric one moment, despairing and depressed thenext. There are an estimated 10 million sufferersof BPD living in America today -- each displayingremarkably similar symptoms:

For years BPD was difficult to describe, diagnose, andtreat. But now, for the first time, Dr. Jerold J. Kreismanand health writer Hal Straus offer much-neededprofessional advice, helping victims and their familiesto understand and cope with this troubling,shockingly widespread affliction.

Is there a true connection and communication between the living and the dead?

Allison DuBois invites us into her world where she delivers messages from our lost loved ones. She convinces us that those who have passed away are constantly with us, providing comfort, love, and support. They are as eager to reach us as we are to stay connected with them.

But the dead have a language of their own. They communicate through signs, dreams, songs, coincidences, and messages delivered in unexpected ways. Allison takes us on an odyssey of these signs — how to recognise them, how to read them, and how to interpret them. In these pages, you will meet people who have had both heartbreaking and heartwarming communication with the other side, providing comforting proof that our deceased loved ones stay with us and continue to share in the joys of our lives.

Comprehensive and Infinitely Practical--A Must Buy for Every IRA Owner.......2007-01-23

We all know the basics of punctuation. Or do we? A look at most neighborhood signage tells a different story. Through sloppy usage and low standards on the Internet, in e-mail, and now text messages, we have made proper punctuation an endangered species.

In Eats, Shoots & Leaves, former editor Truss dares to say, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. This is a book for people who love punctuation and get upset when it is mishandled. From the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked about with. BACKCOVER: Praise for Lynne Truss and Eats, Shoots & Leaves:

Eats, Shoots & Leaves Â“makes correct usage so cool that you have to admire Ms. Truss.Â”
Â—Janet Maslin, The New York Times

Â“Witty, smart, passionate.Â”
Â—Los Angeles Times Book Review, Best Books Of 2004: Nonfiction

Â“Who knew grammar could be so much fun?Â”
Â—Newsweek

Â“Witty and instructive. . . . Truss is an entertaining, well-read scold in a culture that could use more scolding.Â”
Â—USA Today Â“Truss is William Safire crossed with John CleeseÂ's Basil Fawlty.Â”
Â—Entertainment Weekly

Â“Lynne Truss has done the English-speaking world a huge service.Â”
Â—The Christian Science Monitor

Â“This book changed my life in small, perfect ways like learning how to make better coffee or fold an omelet. ItÂ's the perfect gift for anyone who cares about grammar and a gentle introduction for those who donÂ't care enough.Â”
Â—The Boston Sunday Globe

Â“Lynne Truss makes [punctuation] a joy to contemplate.Â”
Â—Elle

Â“If Lynne Truss were Roman Catholic IÂ'd nominate her for sainthood.Â” Â—Frank McCourt, author of AngelaÂ's Ashes

Â“TrussÂ's scholarship is impressive and never dry.Â”
Â—Edmund Morris, The New York Times Book Review

A must have for anyone without anything valuable to contribute!.......2007-08-05

Now that we've reached the post-postmodern era, presumably there's nobody left who needs liberating from the strictures of conventional fiction. So apart from its narrative high jinks, what does House of Leaves have to offer? According to Johnny Truant, the tattoo-shop apprentice who discovers Zampanò's work, once you read The Navidson Record,

Despite his flaws, Truant is an appealingly earnest amateur editor--finding translators, tracking down sources, pointing out incongruities. Danielewski takes an academic's--or ex-academic's--glee in footnotes (the similarity to David Foster Wallace is almost too obvious to mention), as well as other bogus ivory-tower trappings such as interviews with celebrity scholars like Camille Paglia and Harold Bloom. And he stuffs highbrow and pop-culture references (and parodies) into the novel with the enthusiasm of an anarchist filling a pipe bomb with bits of junk metal. House of Leaves may not be the prettiest or most coherent collection, but if you're trying to blow stuff up, who cares? --John Ponyicsanyi

Most people spend most of their time in quadrants 1 and 3, while quadrant 2 is where quality happens. "Doing more things faster is no substitute for doing the right things," says Covey. He points you toward the real human needs--"to live, to love, to learn, to leave a legacy"--and how to balance your time to achieve a meaningful life, not just get things done. --Joan Price

Does this nagging question haunt you, even when you feel you are being your most efficient? If so, First Things First can help you understand why so often our first things aren't first. Rather than offering you another clock, First Things First provides you with a compass, because where you're headed is more important than how fast you're going.

Illuminating the comical confusion the lowly comma can cause, this new edition of Eats, Shoots & Leaves uses lively, subversive illustrations to show how misplacing or leaving out a comma can change the meaning of a sentence completely.

This picture book is sure to elicit gales of laughterÂ—and better punctuationÂ—from all who read it.

Inside Only Revolutions


Hailey's Story	Covers	Sam's Story

Book Description

Sam:
They were with us before Romeo & Juliet. And long after too. Because they’re forever around. Or so both claim, carolling gleefully:
We’re allways sixteen.
Sam & Hailey, powered by an ever-rotating fleet of cars, from Model T to Lincoln Continental, career from the Civil War to the Cold War, barrelling down through the Appalachians, up the Mississippi River, across the Badlands, finally cutting a nation in half as they try to outrace History itself.
By turns beguiling and gripping, finally worldwrecking, Only Revolutions is unlike anything ever published before, a remarkable feat of heart and intellect, moving us with the journey of two kids, perpetually of summer, perpetually sixteen, who give up everything except each other.

Hailey:
They were with us before Tristan & Isolde. And long after too. Because they’re forever around. Or so both claim, gleefully carolling:
We’re allways sixteen.
Hailey & Sam, powered by an ever-rotating fleet of cars, from Shelby Mustang to Sumover Linx, careen from the Civil Rights Movement to the Iraq War, tearing down to New Orleans, up the Mississippi River, across Montana, finally cutting a nation in half as they try to outrace History itself.
By turns enticing and exhilarating, finally breathtaking, Only Revolutions is unlike anything ever conceived before, a remarkable feat of heart and intellect, moving us with the journey of two kids, perpetually of summer, perpetually sixteen, who give up everything except each other.

Customer Reviews:

here's one for the middle of the road, for a book that by no means is ordinary........2007-10-10

i have no doubt that ever device/structure etc... is there for a reason. i believe the author to be a very intelligent human. i, however, do not feel that as my guide through this book he provided me with the sense/knowhow grounding/point of view to make it through. i can appreciate that everyone will undergo a singular experience--which perhaps speaks to how information/element packed the novel must be... but i cannot appreciate the fact that i must put so much trust into the author as to slog through x amount of pages before i suffer some sort of epiphany and decide that i have finally gotten it. i'm sure that moment-the click in the brain--the payoff, whathaveyou must be worth it... but... i keep reading eight pages faster and faster just so i can flip. the flip, and ribbon switch-up by far has been the most exciting part of this reading experience. i also listened to audio clips.. and felt sorely disappointed. the voices deadened the text, instead of breathing new life into two voices that on the page are starting to blend. it felt like lifeless spoken word set to trendy danny elfman music. i also suggested to someone, who seemed to suffer similar impedements as i am, that the novel should come in eight novellas... thereby making the flips and pieces easier to digest.

i don't know. it's ambitious. i wonder what comes next.

Only Revolutions.......2007-10-07

Wow. Mark Z Danielewski is a little over my head with this one. I read House of Leaves and loved it, but I just can't seem to get too far into OR. This book is like reading poetry.

Around and around in circles: a sorry follow up to House of Leaves.......2007-09-22

I loved "House of Leaves," I think it's really a masterpiece of experimental fiction, so I was excited when I heard that Danielewski had come out with a new novel. Likewise I wasn't put off by the experimental elements of the book: the duelling narratives written in either direction on each page, the list of historical tidbits from a given date.

But when you get past all these schticky elements there's not much to "Only Revolutions." Whereas "House of Leaves" had a fascinating story at its core and explored interesting themes, when you strip away all the gimicks "Only Revolutions" seems to be a prose poem about a love affair between two egomaniacal teenagers who drift apart and then find each other again and again (and who claim to have superhuman powers although I haven't found any evidence that this is actually the case) and which is set in no clear time or place.

I've tried a couple of times, but I couldn't for the life of me get into this story. I also found the stream-of-consciousness list of historical data on each page (+50% of which is stuff that I've never heard of before, and I was a history major) to be really annoying because I felt obligated to read through it even though it was really dry. In the end, I've just about written off this novel as unreadable.

way too many people are trashing this..........2007-09-05

look, if you are giving up at the sign of a similarity between the experimental style of this novel/piece, and his earlier work (House of Leaves); you are an idiot. why the hell should you be asked to look between the eyes of poorly spelled words and immature poetry, but beautifully written at the same time? because it is a setting. Danielewski took the concept of setting away from you to prove it! If you hate the book, shut up and read it again, this time pretend it isn't a Dean Koontz novel.

Magnificent.......2007-08-19

Disregard the other bad reviews about this novel/epic poem.

Yes at first the language and format is difficult, but who cares? Moby Dick is a hard read at first, but no-one denies its raw power and genius. And yes I use Moby Dick in the same paragraph as Only Revolutions because they are both among the greatest American novels ever.

The format is genius. The language is breathtaking and spellbinding. The truth and metaphors found therein are cutting. The style is quantum. And to top it off its simply fun to read once you allow the language pour into you. I recommend reading it aloud or at least quietly pronouning the words. It makes the narrative flow much better.

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