History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

From Abacus to Zeus: A Handbook of Art History

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Wrong Addition
Complete for a beginner ...
From Abacus to Zeus

From Abacus to Zeus: A Handbook of Art History
James Smith Pierce
Manufacturer: Prentice Hall
ProductGroup: Book
Binding: Paperback

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ASIN: 0131830511

Book Description

Designed as a comprehensive supplement to Janson's History of Art, Sixth Edition, Hartt's Art, Fourth Edition, Gardner's Art Through the Ages, Eleventh Edition, and Stokstad's Art History (Revised) — but also appropriate as a stand-alone brief reference volume — this handbook defines the most common terms used in discussing the history of visual arts, relating them to specific works illustrated in these standard volumes. Topics covered include art terms, processes, and principles, gods, heroes, and monsters, Christian subjects, saints and their attributes, Christian signs and symbols, chronology of painters, photographers, sculptors, and architects, as well as maps, and a directory of museum websites.

Customer Reviews:

Wrong Addition.......2006-05-31

I recieved this book from Amazon via Usedbooks 123 and recieved wrong addition. I did send e-mail to try to get correct edition, but instead they stated "I could keep the text and they would refund my money"...I have yet to recieve a refund!

Complete for a beginner ..........2003-03-27

I recently purchased this text along with Janson's History of Art (5th ed.). Although this handbook was written with Janson's 6th edition in mind, it has not taken away from my cross-referenced learning experience. Throughout the text, there are references to examples (illustrations) in History of Art (or other popular art history texts) which help in applying the "theory" (if you can call it that) with the "application."

The text has a wide range of art terms key to the study and analysis of art history. The section on Christian subjects, signs and symbols has helped me decipher the icons depicted in Christian-themed pieces of the Renaissance.

My copy of the text is bound somewhat backwards towards the end. The Index and Artist Chronology pages, for example, are divided and unordered ... but it does not take away from the text's usablity!

All in all, I believe this text has been a great investment.

From Abacus to Zeus.......2000-02-24

In Abacus to Zeus, you will find a wonderful, concise, approachable 'quick and dirty' reference for those new to studying the visual arts. James Pierce brings together many of the pesky, essential--and formerly, ellusive--details in an accessible reference. Deffinitions with illustrations, terms and stories of mythology, religious art,and a chronology of artists and architects (complete with pronunciation guide--indespensible for those of us who remain unilingual) work well together to make this book a find!

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Snyder's Medieval Art
Henry Luttikhuizen , and Dorothy Verkerk
Manufacturer: Prentice Hall
ProductGroup: Book
Binding: Paperback

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ASIN: 0131929704

Book Description

Describes the times in which the art was created as well as the issues of patronage, function, and ultimately, the public’s reception of the art as it was produced. Providing a magnificent overview of medieval painting, sculpture, and architecture–in Italy, Byzantium, Germany, and France from the 4th to the 14th centuries–including Early Christian, Byzantine, Pre-Romanesque Hiberno-Saxon, Carolingian, Ottonian, Romanesque, and Gothic art.

Signs and Symbols in Christian Art: With Illustrations from Paintings from the Renaissance (Galaxy Books)

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Excellent portable guide
Great reference guide
Beginning reference for lives of saints and iconography
Great
A must for art history students

Signs and Symbols in Christian Art: With Illustrations from Paintings from the Renaissance (Galaxy Books)
George Ferguson
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 0195014324

Book Description

First published in 1954 and having gone through several editions, this comprehensive book remains the authoritative source in the study of symbols in Christian art. This paperback edition includes all of the three hundred fifty illustrations from the original edition, as well as the complete and unabridged text, revealing . the symbolism inherent in representations of religious personages, the Earth and Sky, animals, birds, insects, and flowers. In addition to a discussion of objects treated symbolically in Christian art, George Ferguson explores Old Testament characters and events and their symbolic representation in art. In addition to a discussion of objects treated symbolically in Christian art, George Ferguson explores Old Testament characters and events and their symbolic representation in art.

Customer Reviews:

Excellent portable guide.......2007-07-14

When I bought this book, I needed a quick and dirty reference to religious symbolism in western art--I was pleased and surprised to find out that it's small, lightweight, and therefore portable when I visit museums. (Why don't more publishers consider weight and size when they print books for travelers? Lonely Planet and DK, I'm looking at you.)

Its easy size belies the incredible amount of useful information it contains; there are fourteen sections covering everything from the significance of certain animals to religious garments to a brief hagiography for commonly portrayed saints. About one-third of the book is a set of reproductions (sadly b&w in this edition) of famous renaissance religious paintings. There's no discussion or explanation accompanying the paintings--which is the only thing I don't like about the book.

And if you read one of the earlier reviews and are wondering about the chocolate mouse in Rosemary's Baby, it's a reference to mice as a symbol of evil because of their destructiveness.

Great reference guide.......2007-06-29

I use this book frequently, especially when studying art books of Christian art as well as during a recent Bible study of the Book of Exodus. This was an invaluable guide to the symbolism used in art and the various meanings. For example, when studying the symbolic meaning of the priests robes of the Old Testament, the meaning of the pomegranate for the OT and NT is significant. In the OT, the pomegranate stood for the 613 Mosaic laws (the pomegranate was thought to contain 613 seeds). In the NT, the pomegranate is the symbol for the resurrection of Christ. The Hebrews believed following the law led them to God. For the Christian, belief in Jesus' death and resurrection leads to God! Enjoy this read.

Beginning reference for lives of saints and iconography.......2005-10-28

Although not encyclopaedic, this book, first published in 1954, is indispensable to the art history, religious art, iconographic, and religious lives student. The essays are of significant depth without excessive volume, and the illustrations, although of a limited period (Medieval through Renaissance), are pungent enough from which to learn. Two limitation I will remark:
There are no representations from Eastern- or Byzantine- iconography.
The illustrations are all black and white.

Great.......2005-05-12

I study Art history, and christian art. This book primarily focuses in on Renaissance paintings and thier symbols. I found it to be useful and detail orientated. A very good reference book.

A must for art history students.......2005-02-07

If you are an art history student, this book is an absolute must. While there are many books that contradict one another when it comes to symbolism, this book is one that commonly agrees with others I have read or consulted.
For as inexpensive as this book is, you cannot afford NOT to get this book!

Crosses of Ethiopia: The Sign of Faith. Evolution and Form

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Crosses of Ethiopia: The Sign of Faith. Evolution and Form
Mario Di Salvo
Manufacturer: Skira
ProductGroup: Book
Binding: Hardcover

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ASIN: 8876242562
Release Date: 2006-09-05

Book Description

There is no country in the world that matches Ethiopia in the number of forms and types of its crosses. Ever since Ethiopia's conversion to Christianity, the cross has appeared almost universally, not only as a liturgical instrument in churches and monasteries, but also in common devotion and in daily life.
This volume examines a multiplicity of crosses, highlighting a plurality of types as well as the relationship between one cross and another with the aim of discerning a common origin. From the cross stamped on the Aksumite coins, depicted in architecture and illustrated in the ancient illuminated codices to the astylar, manual or pectoral crosses made and forged respectively for liturgical functions, the author illustrates the developments in the iconography of the cross that have appeared over the centuries.

The Image of St Francis: Responses to Sainthood in the Thirteenth Century

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Well Worth the Obscenely Expensive Price

The Image of St Francis: Responses to Sainthood in the Thirteenth Century
Rosalind B. Brooke
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Hardcover

General | Europe | History | Subjects | Books

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ASIN: 0521782910

Book Description

An important new study of the way in which St Francis's image was recorded in literature, documents, architecture and art. St Francis was a man whose personality was deliberately stamped on his Order and Rosalind Brooke explores how the stories told by Francis's companions were at once brilliantly vivid portrayals of the man as well as guides to how the Franciscan way of life ought to be led. She also examines how after St Francis's death a great monument was erected to him in the Basilica at Assisi and how this came to reflect in stone and stained glass and fresco the manner in which some Popes and leading friars believed his memory should be fostered. Highly illustrated throughout, including colour and black and white plates, this book will be essential reading for medievalists and art historians as well as anyone interested in St Francis and the Franciscan movement.

Customer Reviews:

Well Worth the Obscenely Expensive Price.......2007-06-24

Anyone going to Europe these days is due for sticker shock...there are just no bargins to be had anywhere. But for someone going to Italy, there is no point in going there and not visiting Assisi. You cannot understand Italy if you don't do it...Italians are an enigma if you do not see them in Assisi. The centerpiece of the town is the Basilica of Saint Francis. I am a Conventual Franciscan, one of the friars who have custody of the Basilica. I worked as a tour guide in that church for a couple of summers and the place is a 'stone marvel'. If you are going to spend money going there, spend the $106.20 on The Image of Saint Francis; it will explain why this poor man ended up being buried in one of the most beautiful museums in the world. The people of Assisi fought for his body and they won and then celebrated. Ms. Brooke explains how it happened, and this book is long overdue. She takes us through the life of the man, the movement, the contradictions, and the rusults. Francis is a lot more than that bird bath in the back yard. He is the untimate Italian. Friar Phil Kelly OFM Conv.

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Understanding Early Christian Art
Robin Ma Jensen
Manufacturer: Routledge
ProductGroup: Book
Binding: Paperback

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ASIN: 0415204550

Book Description

Understanding Early Christian Art offers an insightful, erudite and lavishly illustrated analysis of the meaning and message of early Christianity as revealed in the texts and images of its first practitioners. Robin Margaret Jensen examines the motifs and subjects of early Christian art, integrating them with the symbols and themes of Christian literature and liturgy. Beginning with an analysis of the non-narrative subjects of the early art--the Good Shepherd, the praying figure, fish and birds--Jensen goes on to explore the narrative images found in Roman catacomb painting, sarcophagus relief sculpture, early mosaics, ivories, and manuscript illumination. Finally, the book examines iconographic themes such as Jonah, Daniel, Abraham offering Isaac, and Adam and Eve.

Angels and Demons in Art (Guide to Imagery Series)

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Over-rated
Angels and Demons in Art
Perfect!

Angels and Demons in Art (Guide to Imagery Series)
Rosa Giorgi
Manufacturer: Getty Trust Publications: J. Paul Getty Museum
ProductGroup: Book
Binding: Paperback

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ASIN: 0892368306

Book Description

This sumptuously illustrated volume analyzes artists' representations of angels and demons and heaven and hell from the Judeo-Christian tradition and describes how these artistic portrayals evolved over time. As with other books in the Guide to Imagery series, the goal of this volume is to
help contemporary art enthusiasts decode the symbolic meanings in the great masterworks of Western Art.
The first chapter traces the development of images of the Creation and the Afterworld from descriptions of them in the Scriptures through their evolution in later literary and philosophical works. The following two chapters examine artists' depictions of the two paths that humans may take, the path
of evil or the path of salvation, and the punishments or rewards found on each. A chapter on the Judgment Day and the end of the world explores portrayals of the mysterious worlds between life and death and in the afterlife. Finally, the author looks at images of angelic and demonic beings
themselves and how they came to be portrayed with the physical attributes--wings, halos, horns, and cloven hooves--with which we are now so familiar.
Thoroughly researched by and expert in the field of iconography, Angels and Demons in Art will delight readers with an interest in art or religious symbolism.

Customer Reviews:

Over-rated.......2007-08-28

While this is an interesting compilation of angels and demons in art, it is incomplete. There are several key pieces of art that are completely missing and deemed not worthy of mentioning by the author or editors.
The images are poorly reproduced, and so small as to leave me wondering if I was able to interperet the art for myself, or just left be told what I'm supposed to think it means. The orginization of the chapters is well done, even though it roughly follows the biblical presentation of such.

Within seconds of opening the cover, I felt as if it was writing down to the reader. The inane descriptors targeting key points in the presented art work are reminiscent of a children's television show presenting colours and alphabet to pre-school children.

If you are looking for a Cliff's notes book for art interpretation, or a religious education course, this might be a passable resource for one term paper or reference for further research. I personally wouldn't use it as a resource for teaching or writing beyond those means.

Angels and Demons in Art.......2007-03-10

I first checked this book out at the library. No special reason. I was captivated by the wonderful descriptions of paintings that I had not seen before. Except maybe many years ago in Art history classes. I so loved the book that I purchased it!!! I also ordered another one in the Guide to Imagery series sight unseen.

Perfect!.......2006-06-21

If there was a review higher than five stars, this book should get it! The cover alone deserves five stars! This book is the single most perfect book I've seen on angels! It's wonderful! The artwork, the explanations of the different categories of angels; it's all perfect! If you're interested in angels, this is a must have for any collection!

Crusader Art in the Holy Land, From the Third Crusade to the Fall of Acre

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Crusader Art in the Holy Land, From the Third Crusade to the Fall of Acre
Jaroslav Folda
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0521835836

Book Description

This book tells the story of the Architecture and the Figural Art produced for the Crusaders after the battle of Hattin and the fall of Jerusalem in 1187, during the one hundred years that Acre was the capital of the Latin Kingdom of Jerusalem, 1191â€“1291. It is an art sponsored by kings and queens, patriarchs and bishops, clergy, monks, friars, knights and soldiers, aristocrats and merchants, all men and women of means, who came as pilgrims, Crusaders, settlers, and men of commerce to the Holy Land. The artists are Franks and Italians born and/or resident in the Holy Land, Westerners who traveled to the Latin East, Eastern Christians, and even Muslims, who worked for Crusader patrons.

Thou Art That: Transforming Religious Metaphor

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The one and only Joseph Campbell
Awesome
Caveat Emptor
An Encyclopedic Knowledge of Mythology
Useful Introduction

Thou Art That: Transforming Religious Metaphor
Joseph Campbell
Manufacturer: New World Library
ProductGroup: Book
Binding: Hardcover

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ASIN: 1577312023

Book Description

Thou Art That is a compilation of previously uncollected essays and lectures by Joseph Campbell that focus on the Judeo-Christian tradition. Here Campbell explores common religious symbols, reexamining and reinterpreting them in the context of his remarkable knowledge of world mythology. According to Campbell, society often confuses the literal and metaphorical interpretations of religious stories and symbols. In this collection, he eloquently reestablishes these metaphors as a means to enhance spiritual understanding and mystical revelation. With characteristic verve, he ranges from rich storytelling to insightful comparative scholarship. Included is editor Eugene Kennedy’s classic interview with Campbell in The New York Times Magazine, which brought the scholar to the public’s attention for the first time.

Customer Reviews:

The one and only Joseph Campbell.......2007-02-07

Joe Campbell is truly the master. In a world full of phonys, he was the original. A true innovator in his field. I have never been so excited about reading an authors work. The man was a real genius. I recommend this and every Campbell work to anyone.

Awesome.......2006-11-07

Joseph Campbell puts things in such vivid perspective. It is good to have him helping us with images and metaphors like he does. While readers wouldn't stand for the likes of French Philosopher Paul Ricoeur on the subject of Myth, Campbell guides the bulk of general readership into the density of this complex subject making it seem so simple. And that is why this book is so powerful. Though I did my doctoral work in Ricoeur, I loved persuing Campbells "Thou Art That" as a bit of light reading that encourages me to keep my head when I'm forming silly conclusions based on conjecture rather than myth and reason. Powerful, plainly written, a must read for any aspiring student of theology, philosophy, and interpretation.

Caveat Emptor.......2004-01-13

Campbell was quite prolific; why would he have published such a very short book? He didn't, actually, it was put together posthumously. Understanding the editor is key to understanding this book. I found odd that such a short book could nonetheless be so incoherent and incomprehensible. After researching its editor, Eugene C. Kennedy, it made sense. What the publishers of this book don't tell you (don't want you to know?) is that Eugene C. Kennedy was a Catholic Maryknoll priest for 22 years, teaches at the Jesuit Loyola University, and is the author of such classics of humanist mythological studies as "Would You Like to be a Catholic?" and "Cardinal Bernadin's Stations of the Cross". This information puts "Thou Art That" into perspective. The book starts out with (ex-)Father Kennedy's preposterous assertion that Campbell had some kind of deathbed conversion. Apparently Campbell's wife put Campbell in a Catholic hospital, then claimed that her husband had spent his entire life studying spirituality, mythology, and archetypes without ever once in his life "experiencing emotionally" their meaning... until he saw some kind of Catholic religious image before he died. This sounds like wishful thinking on the part of the "Doctrine of the Faith" department. I very much doubt this happened; the assertion puts Campbell's entire life's work into question. What kind of person could write about something his whole life without ever experiencing it emotionally? Reading Kennedy's selection of Campbell's works is like reading Thomas Aquinas's selection of Arisotle's works: the result is a confused, disjointed mess, because the material has been gerrymandered in a sometimes desperate attempt to make the author more palatable to Catholic theology. It appears that very little of Campbell's work suits Kennedy's purposes, which would explain why the book is both so short and so fragmentary. At the very least, such an editing misrepresents the author. Here's some Latin that the editor should have shared with you: "caveat emptor".

An Encyclopedic Knowledge of Mythology.......2002-09-22

Joseph Campbell is a brilliant thinker with an encyclopedic knowledge of mythology. THOU ART THAT, however, is filled with dense material and is not an easy read without some prior familiarity with Campbell's work - such as his TV interviews with Bill Moyers.

I am also beginning to read books by some of the Jesus Seminar scholars and I find that Campbell's writings are somewhat similar while his interests are much broader in scope.

Useful Introduction.......2002-09-18

Campbell points out that all of the religions of the West come from the Near East rather than Europe. He is referring to Zoroastrianism, Judaism, Christianity and Islam. In all of these religions it is taught that the world was made by God. The creator is God and the creature is the world. The world and God are not the same. In these religions the Divine is not within the individual.

In the Christian tradition Jesus is regarded as the one true God-and-true-man and the only incarnation on earth of the Godhead. In Buddhism, however, the Buddha is seen as a model through which the incarnation is experienced within oneself. Similar beliefs are also present in other religions of the Orient.

THOU ART THAT is a useful introduction to the work of Joseph Campbell. The contributions of Eugene Kennedy as the book's editor are outstanding.

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