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The Autobiography of a Super Tramp (Oxford Paperbacks)
W.H. Davies
Manufacturer: Oxford Paperbacks
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ASIN: 0192812939 |
Book Description
1908. Mr. Davies is no propagandist of the illusions of the middle-class tramp fancier. You never suspect him of having read Lavengro, or got his notions of nomads from Theodore Watts Dunton. He does not tell you that there is honor among tramps. On the contrary, he makes it clear that only by being too destitute to be worth robbing and murdering can a tramp insure himself against being robbed and murdered by his comrade on the road. The tramp is fastidious and accomplished, audacious and self- possessed; but he is free from divine exploitation and the endless discountenance of being passed by as useless by the life force that finds superselfish work for other men.
Customer Reviews:
A masterpiece.......2002-01-11
A timeless tale of a man who, by little fault of his own, finds the world has turned its back to him. The book is a true story, about the author's own struggle to exist, to exist and to write. A heart-warming account of how the penniless among society survive and sometime realize the dreams we all have within.
A true starving artist. Davies really did starve for his art. He achieved an amazing feat by saved his meager pennies for long cruel and cold years and months. He lived homelessly or more properly `tramped about'. Davies realized his dream and paid for the self-publishing of his first set of poems.
The preface by George Bernard Shaw after reading the works Davies sent him, recounted how Shaw found Davies living in a homeless shelter in London.
Sadly this book is no longer in print but can likely be found in most libraries.
Customer Reviews:
Yeesh! Good old-fashioned tales to send chills down your spine........2006-05-05
Aside from having one of the coolest titles ever, this is one of the best collections of short stories in the vein of H.P. Lovecraft. Ah-ah-ah, but wait. This isn't to say that Mr. Lumley writes in a thick prose which could bore you to death while speaking of "indescribable horrors" - rather, Lumley takes every bit of that "I never really thought about how little man knows about anything" kind of chill that Lovecraft is famous for, and injects it into his own kinds of ideas and situations. There are also a few non-supernatural stories here, which show that a person doesn't need to transcend space and time in order to find true horror - again, we know SO little about anything, including what we're capable of.
"Fruiting Bodies," the titular opener, is one of the most singularly creepy stories you might ever read. I won't say much except that you'll never again walk into your basement without thinking about this story...and if it's musty and moldy, you probably will try to find any excuse you can to NOT go.
"The Man Who Photographed Beardsly" is a quick first-person narrative, detailing...well, it's an artist talking, and he...hm, well, without ruining it, it's a quick narrative of "what happened." This might be considered a little weak, but it's still good.
"The Man Who Felt Pain" is a future-set tale of twin brothers, one of which has the ability to feel the pain of others from all around him...and suffers greatly from it. The other, who tells this tale, raises a good point from this: that "if we all felt everyone's pain, why, then there'd be no more wars or cruelties or hurtfulness of any sort..." More emotional than it is scary, but with chilling implications that will haunt you - along with certain images from the tale itself - for a long time afterward.
"The Viaduct" is a straight-up thriller, with two boys who like to live life on the edge learning the ultimate lesson for themselves after making fun of a local reta--um, "special kid." It's a seriously tense story, but sadly the supernatural is again missing here. Scary climax, however.
"Recognition" - ahhh, Lovecraft delight. Strange happenings, eerie noises, monstrous implications, and a creepy finish. What more could you want from a second-generation Lovecraft writer?
"No Way Home" is also Lovecraftian in its angle of things (eep, pun lurking in there...). If you get lost somewhere near where you think you are supposed to be, maybe...don't read this story if you stop to think or rest. And watch out for High House!
"The Pit-Yakker" is not about some kind of monster that lives in a construction site and makes yakking sounds, unfortunately. I had that impression far too firmly in mind, especially after reading Mr. Lumley's intro to the story ("...sometimes I wonder what they'll find under all that pit filth.") Another no-supernature story, but, like "The Man Who Photographed Beardsley" and "The Viaduct," it's still a good one.
"The Mirror of Nitocris" - ah, back into Lovecraft mode. Narrated by Henri-Laurent de Marigny (later a faithful Watsonian sidekick to one of Mr. Lumley's series heroes, Titus Crow), it's a quick tale of a cursed mirror of an ancient Egyptian queen, ancient beings, and...well, read it for more details. There's one image from it which is pretty haunting, especially if you're alone in your room and dozing off while trying to stay awake.
"Necros" - nope, not NecrosCOPE, just Necros. Englishman visiting Italy meets a beautiful woman and her companion, a creepy old man, and a romantic evil begins to form. I shall say no more.
"The Thin People" may be one of the best stories in the book. Absolutely creepy, and definitely Lovecraft-inspired. You'll never quite look out your window at the street at night in the same way again.
"The Cyprus Shell," and "The Deep-Sea Conch" are two split tales that involve similar situations being shared by and to their respective narrators. And don't read them out of order! - read "Shell," then read "Conch." They make for a highly effective diptych.
"Born of the Winds" is another favorite of mine from this collection, along with "Fruiting Bodies" and "The Thin People." A total, absolute, 100% Lovecraft tale (Great Old Ones and all), this story is also the longest in the book (61 pages in all!). Highly recommended to be read during cold weather or if you live in a colder climate. Very creepy at times, and an excellent closer.
And now that you know a thing or two about the book, hunt down a copy and enjoy.
...wait, did you hear that?
Fantastic!.......2005-12-18
Short horror stories are my favorite fiction form, and this is one of my favorite collections. The stories are original and creepy.
There is a fungus amongus!.......2004-03-26
Having only recently been turned on to Brian Lumley, this is my first purchase and first read of Lumley; and all I can say is Wow! His writing phases from ethereal to direct impact, flowing with style and a flair for the creepy things that go squish in the night.
Beginning with the best story of the collection, "Fruiting Bodies", Lumley takes us on a trip through a small, dying town that is slowly falling into the sea. But will the sea claim its victim before the Dry Rot does? Seemingly, a new and mutated type of dry rot, it is as hungry as the sea. Lumley does not deny the imagination in this tale, leaving you searching the nooks and crannies of your house for any...well...nasty accumulations.
"The Man Who Photographed Beardsley" is a short but sweet sabbatical into a demented and twisted mind, which has managed to retain its sense of propriety.
"The Man Who Felt Pain" is a tale told by the protagonist, of his twin brother and the bond they shared, through life and death. If one twin suffers, will not the other twin feel his pain...sooner or later?
"The Viaduct" reminds me of Stephen King back when he still had tight and compelling stories with real-life characters you could relate to immediately. Children can be cruel, but just where is the line drawn when one doesn't understand the rules? This is an excellent story, in which I could actually feel the desperation and the slippery palms of true terror.
"Recognition" is a ghostly tale of a haunted place, and a firm argument as to why some things are best left alone.
"No Way Home" is a surreal nighttime journey through both familiar and unfamiliar territory, with a surprise ending that is unexpected...and worth the trip.
"The Pit-Yakker" takes us back in time to a simpler life within a working-man's village, and a young man's dreams that turn to dust and disintegration in the wake of simple urges and the lack of intelligence to quench them. Questions of friendship and tolerance and personal limitations are addressed here, in a harsh and unforgiving atmosphere of betrayal and lust.
"The Mirror of Nitocris" was one of the stories I found to be a bit boring, kind of strung out and lacking, even though it is only 10 pages long. It was just a bit of a yawn in all the rest of the excitement; a tale of an acquired artifact that comes into being in a chilling climax, only to be destroyed before it can leash its evil into the world.
"Necros" is a very interesting tale of immortality, and the things one must do in order to assure that immortality is youthful and pleasant. But there is a twist to this at the end that will surprise you, and give you a peek into the horrific aspects of bowing to such a creature.
"The Thin People" is a true masterpiece of the type of horror that will leave you forever guessing about ordinary things you see every day. I am counting the lamp posts on my street now, and have had a few disturbing dreams in regards to the science of "Folding". Excellent tale!
"The Cypress Shell" and "The Deep Sea Conch" are intertwined stories, based on letters written from one person to another. The tales they tell of mysterious mollusks are frightening and disgusting, and well deserve their place here in this anthology. The creepiness Lumley portrays upon something as simple as shellfish is amazing, and you will never eat clams or muscles in the same uncaring fashion as you once did before this unnerving description of these innocent organisms.
Lastly is "Born of the Winds", the longest story in the collection, and a novella in its own right. Although, it was my least favorite of all the set. A meteorologist recovering from an "incident" of chest discomfort visits his friend in Navissa, Manitoba. While recuperating from his complaint within the house of his friend, he meets the widow of Samuel Bridgeman, an anthropology professor who had died nearby some years ago. Our protagonist becomes interested in Bridgeman's written works, and eventually becomes involved in Mrs. Bridgeman's search for her son, Kirby. How deep is the Bridgeman's connection with the Air Elementals and the Wind Walkers, and where does Kirby fit in with these spirits? Not a bad story, just a little too wordy and..well...coy, for my tastes.
Don't miss this fantastic collection of stories from Lumley, a true master of mysterious and weird stories that are well written and well told. Enjoy!
can't digest the fungi.......2003-04-10
i was not mazed by this collection. it was strange, in a way. great descriptions in one story, incredible shallow in another. good well developed style in one story,like a child writing in another. amazingly unoriginal in some stories. never really inventive. but the most sad thing was how Lumley kept from being interesting. oh, by the way: don't hate the man, know he's got some good stories.
Reason to Mistrust the Abnormal.......2002-11-11
Amongst the most notable horror writers that have picked up a pen and crafted, Brain Lumley the short story writer (not to be confused with Brain Lumley, the novel writer, whom I really can't speak on because of lack of general knowledge on him) has to be mentioned with awe. I'm not certain if his allure is in the way he crafts situational happenstance, with the pages of foreshadowing seamlessly meshing with the way he flawless enacts characterization, if its the way his peaks and valleys, his towns and villas, dance so vividly that my mind can walkabout and taste the air that even the shortest of tales seems to craft, or if its the ideas for his stories themselves. Its strange how he accomplishes that task, though, approaching horror and punctuating it with an aire of newness that banishes many of the classically shallow pits we've seen a million times before. Honestly, every time I read one of his shorts I find myself wondering exactly where his mind will allow him to approach even the most basic idea from.
In this collection of short stories, I've found many and many a tale that merits and actually demands acclaim. Some, like Fruiting Bodies and The Thin People, teem with topics that are frightening in their flavors, wearing masks that I can't recall reading anywhere else. Others, like the Lovecraftian tales he forged, most notably Recognition, wear dread like familiar sweaters. Now, for a listing of the stories here and a synopsis of some that no doubt does them an injustice:
Fruiting Bodies, one of my favorite pieces in this book, incorporates the disappearance of a town and the tales of a kindly old man into a tale of a mysterious fungi that seems quite extraordinary in its abilities. In fact, as it consumes more and more, it seems downright horrific in its reproach. I particularly liked this story because of the last statements, the punctuation mark on the horror if you will, that left the terrible tale open for the mind to digest. On top of that, the detail given to the setting is deliciously remarkable.
The Viaduct, a tale containing a valuable lesson on the cost of tormenting others, on heights and the challenge they bring to the table, and on the wonderful world of falling. This tale wasn't one that I cared for simply because of its ending, a great piece of work in and of itself, but I also appreciated the detailing, quite explicit and painstakingly given. In it, I could feel the characters and taste the surroundings, something that always amazes me.
Recognition, a Lovecraftian inspired piece, focuses on an entity that dwells within a home that someone wishes to be rid of, their efforts to understand the enemy, and the subsequent means (a medium, and exorcist, and someone to draw the beast for him) used to do so. This tale is particularly inspiring because it focuses upon the notion we hold most dear, that of understanding, and the high costs that connection can bring.
The Thin People, another of the more remarkable pieces here, dwells within the domain of The Thin People and their thin homes, where lightbulbs seem to vanish from streetlights and sometimes the number of lampposts changes for the worse, and on the strange science of "folding things." Again, this was interesting because it was, in a word, original.
The Cyprus Shell, coupled with a piece Lumley states he wanted printed after it, The Deep-Sea Conch, are letters that go hand in hand detailing not one but two of the dwellers within the deep (not to be confused with Deep Ones). The first, a hypnotic piece with a mesmerizing snail, and the second, a prehistoric holdover dredged from the deep, flow well together and leave a wonderful taste in the mouth of the reader.
Lastly, Born in the Winds, another Lovecraftian pieces on the wonderfully Arctic world of the WindWalker, is something that approaches a familiar topic but does so in a grand way.
The stories I chose not to breakdown are The Man Who Felt Pain, The Man Who Photographed Beardsley, No Way Home, The Pit-Yakker, The Mirror of Nitocris, and Necros. This, in no way reflects upon them as stories because all are quite good, but more on the laziness of the reviewer himself and his need to keep some things nameless.
All in all, the way this collection bounces from topic to topic, from beastly horror to loathsomely fungoid terror, is a sight to behold and well worth the read. I especially find it nice to fear something new for a change.
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The Cyprus fungi
John Ph Zyngas
Manufacturer: Republic of Cyprus, Ministry of Agriculture and Natural Resources, Dept. of Agriculture
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Binding: Unknown Binding
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ASIN: B0006D0P38 |
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- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
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Nippon: Land of Beauty and Tradition
Philip Sandoz
Manufacturer: Tuttle Pub
ProductGroup: Book
Binding: Hardcover
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ASIN: 080481855X |
Book Description
In the fifth volume of the popular series of historical mysteries, a ragged stranger and the prospect of losing her family's fortune lead Flavia Gemina and her friends, Jonathan, Lupus, and Nubia to a seaside villa. There, they discover a shipwreck and sunken treasure--and that someone else is after the treasure, too. As they solve the riddle of the wreck, the four friends also stumble acorss the terrible mystery of Lupus's past.
Customer Reviews:
GREAT.......2005-11-28
this book is a great book for everyone who reads it. Personally, i luv this book. i've always like the character of lupus through the entire books series and i realluy like them all. the dolphins of larentums will tell you about lupus' past and it will be much easier to understand wt happpens after you also read the colossus of rhodes.
I LOVE IT!!!!.......2005-08-19
This is a great book and I think everyone should read it! You discover Lupus past and this story is so good I could not stop reading it. No matter what anyone says,READ THIS BOOK! Also read the other series of these books,you will love them. These are my favorite books!
A wonderful story about a young girl's life in Rome........2005-08-15
Flavia Gemina, hasn't heard of her father for four months. He is a sea captain and the last time she saw him was when he headed west on his spice ship. So Flavia is rather shocked when a mute and old-looking man ends up on her doorstep, happening to be her father. Moments of shock pass, and Flavia learns that she is about to lose everything that she owns. Running away with her three friends, Flavia finds herself on a beach, where treasure seemingly lies. This was a memorable and interesting new and good book to this fantastic series.
Dolphins of Laurentum or Dolphins of Boredom?.......2005-06-11
Personally, I THOUGHT Caroline Lawrence's books were good, until I read this one! I found the plot confusing and she could NOT tie all the loose knots of this story together. Personally, after this boring I am saying "GOODBYE" to this series. This book does not weigh in with the other classics in the series. Boom goes the dynamite!
Book Description
Disaster! Flavia Gemina's father's trading ship is wrecked. Soon after he arrives home barely alive, creditors try to seize the house, giving them only a day to find enough money to pay the debt. Flavia, her father, Jonathan, Nubia, and Lupus take refuge at a country estate where they learn of a sunken treasure ship in the dangerous waters nearby. Lupus is sure he can retrieve the cargo. But their enemy, the slaveowner Venalicius, is after the treasure too.
Average customer rating:
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The Dolphins of Laurentum (Roman Mysteries)
Caroline Lawrence
Manufacturer: Orion Children's Books (an Imprint of The Orion Publishing Group Ltd )
ProductGroup: Book
Binding: Hardcover
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ASIN: 1842552236 |
Book Description
It's October AD 79. The arrival of a ragged man at the Geminus household sets in motion a series of events which take Flavia and her three friends to an opulent villa by the sea at Laurentum, a few miles south of Ostia. Just off the coast is a sunken wreck full of treasure which could be the answer to all their problems. But someone else is after the treasure, too. As the four children try to recover it, they solve the terrible mystery of Lupus's past.
Customer Reviews:
Great.......2003-07-03
This is a great book, with treasure and a couple of new cahracters that did not appear in the first few of the series. Read it now!!!
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