Average customer rating:
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Collector's Guide to Japanese Cameras
Hiroaki Naoi Sugiyama
Manufacturer: Kodansha Amer Inc
ProductGroup: Book
Binding: Hardcover
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ASIN: 0870117432 |
Book Description
For the first time in 10 years, collectors of antique bird decoys and duck calls are able to enjoy a totally updated, revised, and expanded edition of the late Carl F. Luckey's, COLLECTING ANTIQUE BIRD DECOYS AND DUCK CALLS. Hundreds of pages with new information and new photos have been added to this legendary must-have collectible reference guide which offers tps on identifying antique decoys and forgeries and fakes, techniques for restoration and repairs, a guide to "The Schools of Carvers," and much more.
This updated edition provides history and current pricing of the prominent duck and goose hunting decoys used over the past century-plus, including both hand-carved and factory models. Coverage of "modern" decoys-made in the past 50 years, has been added, plus information about duck and goose calls. Also new is a chapter on advertising of decoys and hunting memorabilia from the 1920s through 1950s and an interview with one of the most prominent decoy collectors.
Customer Reviews:
Never Received it!!!!.......2007-05-09
This is one book that I never received, even after they charged my credit card, they would not respond to my emails, offer a refund, or even send me a replacement for the "one lost in the mail."
A wealth of information.......2006-11-27
A very well-researched book, this is definately one for the collector. This book's true value lies in its value guides and background information, making for facinating reading. Unfortunately, the photography is only average, and mostly black and white (there is a middle section of 63 colored pages).
Well worth the wait.......2003-11-21
This is a great book. I've collected decoys for several years and I own the previous edition of Collecting Antique Bird Decoys and Duck Calls which is now some 10 years old. No disrespect, but the new edition by Russ Lewis far surpasses the old book. Not only will you find thousands of photos but Lewis, an avid collector himself, provides loads of information on traditonal carvers, factory birds, regional influences throughout North America and much more. The depth and breadth of the work is impressive. Lewis is a university professor, and you can tell that he is an educator at heart. It also helps that he has a soul of a collector. If you collect decoys, bird calls, or simply enjoy the outdoors you'll love this book. I'll bet my Red-breasted Merganser decoy on it.
Book Description
By far the most comprehensive guide available to the bird and quadruped prints of John James Audubon (1785-1851), Audubon Art Prints offers buyers, sellers, and collectors an easy-to-use, one-volume source of information for these widely sought-after prints. When Bill Steiner first became interested in acquiring original Audubon prints, he was surprised by the dearth of conveniently accessible, accurate information on the subject. In an effort to catalog all things Audubon, he unearthed obscure references, surveyed the contemporary marketplace, and consulted specialists from around the world. The results of his labors, gathered here in this lavishly illustrated volume, provide an invaluable and fascinating encyclopedic reference.
Addressing one of the more complex aspects of print collection, Steiner clarifies the task of distinguishing the octavo prints of the successive editions of Audubon's Birds of America (1840-1871) and Quadrupeds of North America (1849-1870). He describes the publication histories of each edition since the first; offers information about printers, engravers, and subscribers; and provides practical information on price histories, accessibility, and preservation. Steiner also explores the increasingly popular markets for subsidiary prints, posters, and Audubon ephemera.
Customer Reviews:
Excellent Resource to Amateur Collectors of Audubon Prints.......2003-10-26
I got my copy a few months ago from Amazon.Com, and essentially read through it cover-to-cover, so to speak. I am an amateur collector of Audubon prints, and an enthusiast of Audubon's life, and the legacy he left behind for all the Americans. I think Bill Steiner's book is an invaluable resource that fills a major void about Audubon's prints - - It provides information on what to look for in collecting prints, which prints have significant value now and likely to appreciate in future, the technical details of production of Havells, Imperials, Biens, and the Octavos, some details on restoration and conservation, tips on internet-based sales, his own assesment of the Quality of various double-elephant folio prints (including modern day real high-quality reproductions such as the Amsterdams and the Princetons),and the names of several Audubon galleries (I didn't know some of them existed until after reading the book). Last but not the least, I enjoyed Bill's sense of humor (I particularly had a good laugh reading the recount of his experience at Christie's Auction House). I only wish his book were available to me a couple of years ago when I first started collecting the prints ! I recommend this book highly.
The perfect launching pad for a jump into Audubon prints.......2003-09-23
As an art dealer specializing in original Audubon prints, I hear from many people who hope the Carolina Parrot print they found in the attic will turn out to be worth a fortune. Finally, there is a book that will help them...and me!
This well-illustrated book is the first to read if you have an interest (old or new) in Audubon prints. The book covers the original prints, the valuable full-sized facsimiles, and the not-so-valuable undersized reproductions. Steiner discusses all the major categories (and editions) of original prints including octavo (small) and folio (large), the birds and animals, the copper-plate etchings and the stone lithographs. He also provides a helpful overview of the vast number of facsimile and reproduction editions in circulation. While not complete, it is remarkably comprehensive and will help answer many an Audubon newcomer's questions.
Novice collectors will find everything they need to begin either a serious or casual exploration of Audubon's art--biography, glossary of terms, authentication guidelines (much easier than you may think!), sample prices, information on dealers and guidance on how to buy or sell prints. Seasoned collectors will find previously unpublished information that disproves or amends rules-of thumb that have been gospel for years; they will also find many new sources for prints, books, and educational pursuits.
Steiner has strong opinions and personal interests with regard to Audubon, and they are reflected in the text, but he is diligent about labeling them as such, and putting the more esoteric of his interests where they belong--in one of the book's many appendices. Overall, he has done an excellent job pulling together information from disparate sources, making available to collectors for the first time much "dealer lore"--information previously known only by Audubon specialists. This is a quick-reading book, and one that both dealers and collectors will refer to for years to come.
Compiled by a field ecologist and veteran bird-watcher.......2003-09-15
Compiled by field ecologist and veteran bird-watcher Bill Steiner, Audubon Art Prints: A Collector's Guide To Every Edition is a first-rate guide to the many distinctive avian prints and paintings of John James Audubon (1785-1851). The informative and scholarly text definitively recounts what these great works of art have sold for, as well as the stories behind the creation of the individual artworks. A superb resource for collectors and an indispensable addition to academic American Art History reference collections, Audubon Art Prints is a superbly organized and very strongly recommended presentation enhanced with twenty-two color illustrations and fifty-five halftones.
Unlocking the Door to the World of Audubon Prints.......2003-08-05
One of the most common stories you hear while visiting purveyors of original Audubon prints is how they constantly receive phone calls asking "is my Audubon print an original?" Of course, this is due to the combination of two phenomena - people have the general notion that Audubon prints are valuable, but there are millions of reproductions out there which, although they may be aesthetically pleasing, are not worth much. How to tell if you hit the jackpot (an Antiques Roadshow moment) without making that phone call? Buy this book. Bill Steiner has written the first extensive treatment on Audubon prints from the viewpoint of the collector. There are lots of books about Audubon out there, and some scholarly books on the original prints (most notably by Susanne Low). But, this book lays out all the knowledge gathered by an avid collector, accumulated over many years of poking through print shops and galleries and examining large numbers of Audubon prints, of all kinds. If you don't have the time to learn all these details the old fashioned way, as Bill Steiner did, then this is your best key to the world of collecting Audubon prints. It is written in an almost folksy style, and is very accessible to the reader. Of great importance to anyone thinking of starting to obtain some of those actually genuine original Audubon prints is an evaluation of how to do this via auction, and in particular, via online auction sites. But, this book is more than just for the beginner, and long-time connoisseurs of Audubon will immensely enjoy it, both for validation of what they already knew, as well as to see if the author knows something they don't!
ALL THINGS AUDUBON - GUIDANCE FOR THE COLLECTOR.......2003-07-22
As a collector and publisher of Audubon prints, I am finding Bill Steiner's fresh and realistic approach to Audubon collecting quite refreshing. With the growing interest in collecting all things Audubon, Bill Steiner separates the dream from the fantasy, and those who are now just setting out in the sometimes confusing world of Audubon print collecting would be well-advised to study this book. Steiner's book is a primer for the novice and a most useful handbook for experienced collectors. Those new to collecting Audubon's beautiful images will be given wisdom beyond their years, and will be spared the common and costly initial mistakes newer collectors often make. Often I have seen Audubon reproduction prints that were worth a few dollars at most, auctioned off on eBay for hundreds of dollars. I have also seen prints described as 'first edition octavos' when they were in reality just pages torn from a modern-day book. Steiner will step by step guide you through this area, and show you what is valuable, and what is worthless. Further, his thorough research will help anyone identify the Audubon prints they may already have, as he lists characteristics of all the major editions available today on the market. There is also excellent background information on the original prints themselves, such as how and when they were produced, how to determine their value, and how to care for them. Chapter 7 speaks about buying and selling Audubon prints, such as through eBay, and is filled with practical suggestions that will make this experience productive. Audubon print collectors, or those who just want to purchase one or two prints for their home, will benefit from this instructive publication.
Book Description
“Winged treasure” they call them–the lost remains of the great American fighter planes and bombers that won World War II. Hellcats and Superfortresses, Corsairs and Dauntlesses. Produced by the thousands at the height of the war, and then cast off as scrap in the decades that followed, these warbirds are now worth literally anything–fortunes, families, even lives–to the people who search for them. Like many men, writer Carl Hoffman was bitten by the warbird bug as a child. But he never imagined that he would one day witness and participate in a heroic adventure himself–the most audacious warbird rescue attempt of all time.
The crash of the Kee Bird B-29 Superfortress made banner headlines in 1947 when a team of Air Force pilots pulled off the near-miraculous feat of locating the wreck in Greenland and snatching its stranded crew from the teeth of the arctic winter. For nearly half a century, the almost perfectly intact warbird lay abandoned on a lake of ice–but not forgotten. Fifty years later, with collectors paying upward of a million dollars for salvageable World War II planes, two intense fanatics, legendary test pilot Darryl Greenaymer and starry-eyed salvage wizard Gary Larkins, hatched the insane idea of launching an expedition to Greenland to find the Kee Bird, bring it back to life, and fly it out.
In this riveting adventure of man, machine, and history, the quest for winged treasure ultimately extends far beyond the search for the Kee Bird. Hoffman literally crisscrosses the country to track down the key players in the
high-stakes warbird game. He meets a retired Midwestern carpenter who crammed every inch of his yard with now-precious warbirds during the lean years when they were considered junk; attends an air show where crowds go wild at the sight of four of the twelve air-worthy B-17s flying in formation; speaks to pilots and mechanics, millionaire businessmen and penniless kids–all of them ready to drop everything in pursuit of these fabled planes.
“These planes are a sickness, that’s all there is to it,” one warbird fan tells Hoffman as he lovingly polishes his vintage B-17. In this superbly crafted narrative, Hoffman turns the warbird craze into the stuff of high drama and awesome adventure. Hunting Warbirds takes us to the heart of one of the most fascinating obsessions of our time.
Customer Reviews:
A Rare Inside Look at Warbird Salvage.......2003-09-30
"Hunting Warbirds" paints the picture of a world few of us have traveled. I'm not talking about the deserted, frozen shores of Greenland, but the inner sanctum of the realm of warbird salvage. Living here are wealthy collectors, skilled restorers and daring pilots, each with a unique perspective and inner driving force. It's a small world that those of who attend airshows and read "Air Classics" don't often get to see in detail. Hoffman walked in their ranks and absorbed enough of their passion to coherently relate it. He lived though the same privations and fed off the same energy that keeps those die-hard warbird salvors working 18 hours a day, seven days a week at a remote recovery site. For me, it was a rare view of a world I will never be privileged to experience. Some reviewers have criticized Hoffman for technical errors. I suppose they are valid critiques, but I really think they miss the point. The book is more about the people than the planes. Though you certainly can't separate the planes from the warbird fanatics, Hoffman gives us a sense of what makes those guys tick. I for one enjoyed the hell out of it. Given the look we get, only the most techno-pedantic could fail to forgive the author for a few errors. That said, I hold back one star because so much more could have been included. Instead of a wall mural, we got a small canvas. After ingesting "Hunting Warbirds" I hunger for more.
Disintegrated, formless.......2003-04-19
Piston-engined aircraft of WWII are among the most fascinating and important artifacts of the 20th century, part of some of the most intriguing history of war and humanity that affected millions directly and indirectly. It is not surprising that they evoke passion and obsession.
This book attempts to describe the passion and obsession, but its disjointed, episodic and disintegrated form works against it and the technical errors are annoying. Reviewer Collins (see his review) correctly identifies the core problem: the author does not seem to have considered his audience(s). If he's writing for knowledgeable aviation enthusiasts, his lack of depth, poor research and many errors are a turnoff. If he's writing for non-flyers, he doesn't provide enough background information on the many wonderful flight museums and collectors around the world to frame the subject adequately (his superficiality about, say, Kermit Weeks, is a huge disappointment, as just one glaring example). If he's writing for readers who enjoy literature, his lack of polish is a disappointment--much of the book reads like a first draft. It seems that Hoffman's approach to flying is skewed to the gee-whiz and away from the magnificent, mysterious realities of aviation.
Offering credentials like AIR & SPACE and SMITHSONIAN doesn't induce confidence in the reader. Both these publications often use materials from staff or stringers that are deeply disappointing and too often read like the work of somewhat talented amateurs, matched by editorial positions that seem to be issued--without justification--ex cathedra. If Hoffman had written for AVIATION WEEK or FLIGHT JOURNAL one could be sure of its quality.
If some genuinely competent pilot-writer could approach this subject--someone like, say, Walter Boyne or Richard Bach--it would result in an important historical document with breadth, depth and authenticity. Such a work is urgently needed. Sadly, HUNTING WARBIRDSA is not that book.
Read the story..........2002-04-23
I think this book was terriffic. Of course there are going to be some mistakes in the technical areas of the planes...the author never claimes to be an expert of every part of every plane that is covered...get over it. The book lets everyone have a small taste of a hobby (or addiction) that isn't available to eveyr person. I'd love to own a ME109, but can't. I like to read about the salvage and saving of these wonderful machines, and I think this book does a marvelous job of doing that. If you are reading to get a 110% account of airplane facts, buy a manual. If you want a story of a dying part of American history and culture, read this book.
HUNTING WARBIRDS.......2002-02-20
I thought this a great book. It seems that a new generation of writers that often publish in the outdoors magazines like Backpacker or Outside are discovering the WW II eccentrics who are well known to us, their sons and nephews, as being the aviators and mechanics of the past who won the air war over Japan and Germany. As a helicopter pilot in the Vietnam War, these men were our former mentors and role models. We went where we were sent and didn't question the duty or the reality of it all. Later, after finishing my tour in the Army, I flew the bush in Alaska, and this book reminded me of my early days on the North Slope, flying a Bell Jet Ranger with a seismic crew in the Colville River Delta. I was the furthest west chopper pilot during those spring months of 1969, and about the third youngest Army pilot to arrive on this edge of the Arctic Ocean. We flew around Prudhoe Bay and astonished many of the old bush pilots with our know-how and amount of flight time at such a young age. The B-29 story made me reminisce about those months up there, when anything could happen and did. Lot of fun and a lot of misery! Somehow, one has to go through these extremes in a swashbuckling manner to relate to these early aviation stories before GPS and much safe devices came about today. Good reading and a great young writer is Carl Hoffman.
A disappointing read about a fascinating subject.......2001-11-21
My immediate enthusiasm for this story waned pretty quickly, under the influence of Hoffman's many errors of fact, so disappointing from one with his aviation credentials. Such obvious and simple errors, which should have yielded to even the most superficial research (You're standing there in front of the engineýJust count the cylinders, fer Chrissakes!), cast a nagging doubt over everything else he has to say. And why the hokey cloak-&-dagger act concerning the obsessive collector "somewhere in the midwest"? The Walter A. Soplata Collection in Newbury, Ohio was written up in Jon Allen's "Aviation and Space Museums of America",
and has been known among warbird buffs throughout the world for more than a quarter-century!
Average customer rating:
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Shore Bird Decoys
Henry A. Fleckenstein
Manufacturer: Schiffer Publishing
ProductGroup: Book
Binding: Hardcover
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Similar Items:
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Shorebirds: The Birds, the Hunters, the Decoys
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New Jersey Decoys
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Decoys: North America's One Hundred Greatest
ASIN: 0916838323 |
Book Description
The first book of its kind in the decoy field, this photographic essay deals exclusively with antique shorebird decoys. Its comprehensive coverage of the Atlantic Seaboard will answer the need for a long-awaited work in this area. Bird decoys have been touched upon lightly in the past, but this fully illustrated volume will provide a studied reference guide for the serious student as well as a beautifully rendered artistic approach for those interested in the aesthetics of the decoy. Mr. Fleckenstein has drawn from the knowledge and resources of some of the most respected collections to prepare this book. Caption information identifies many makers, their locale, and individual characteristics employed in the carving of the birds. This book will be a useful, interesting, and appealing tool to add to the library of anyone concerned with the history of wild fowling.
Book Description
Brightly colored Stangl Pottery earthenware bird figurines were made in New Jersey from the 1940s into the 1970s. The very similar Pennsbury birds were hatched in Pennsylvania during the 1950s by former Stangl employees. Today both companies' wares are eagerly sought by collectors in all parts of the country. In this first book of its kind, Mike Schneider shows the entire Stangle Birds of America series plus 60 examples of Pennsbury birds in beautiful individual color photos. There is also a chapter on the little known but highly desirable Stangl animal figures. This user-friendly book, in which the Stangl birds are listed by the model number, also includes an alphabetically arranged name index for complete and easy cross referencing and close up photos of marks. A price guide based on the current market makes this beautiful volume an invaluable tool for collectors and dealers.
Customer Reviews:
The BEST and ONLY book on the subject. .......2005-11-04
Excellent book. Wonderful pictures, almost the entire collection is pictured. Information is clear and precise. Prices are higher than what today's economy can support but that seems to be the way with all price guides. I highly recommend all of Mr. Schneider's books, they're very well written, pictures are clear, price guides are realistic and they're extremely user friendly.
Very limited.......2003-02-15
Very limited..... not much for your money. Very limited subject matter for the high end $$
Book Description
Robert C. Runge, Jr. Robert Runge, author of the popular Collector's Encyclopedia of Stangl Dinnerware, has produced an all-new edition of his Collector's Encyclopedia of Stangl Artware, Lamps, and Birds. This edition focuses on Stangl Artware lines produced from 1924 to 1978 and lists every known shape, glaze, and treatment used in producing Stangl's vast lines of artware, giftware, lamps, and bird figurines. Each line is thoroughly described, revealing many details newly unearthed by the author. Page after page will reveal the creative genius and business acumen that produced the quality artwares so revered today. Stangl's pottery and porcelain birds and animals, Terra Rose, hand-painted and brushed gold lamps, Stangl stoneware, smoker's items and sportsmen's giftware, dealer signs, paper products, advertising, and premiums are all covered in this encyclopedia. There are also sections on trademarks and backstamps, glazes, and colors, as well as the most comprehensive historical study of the Hill, Fulper, and Stangl potteries ever published. Values are newly updated and reflect the latest collecting trends. You won't want to miss this new edition!
Customer Reviews:
Book on Stangl.......2007-07-21
I am a fairly new Stangl bird collector. I purchased this book to acquire more knowledge on Stangl birds.
A guide which packs in Stangl company history and issues and reissues in an invaluable guide.......2006-01-10
The weighty Collector's Encyclopedia Of Stangl Artware, Lamps And Birds Identification & Values by Robert C. Runge Jr. offers a pleasing layout which lends to quick reference: color-coded sidebars of values accompany bright color photos and a guide which packs in Stangl company history and issues and reissues in an invaluable guide. Very strong recommendations for avid genre collectors, indeed.
Good Choice.......2003-04-10
Excellent book for the those interested in collecting Stangl. Great color pictures and helpful price guide. Highly recommend!
Customer Reviews:
Not a perfect book, but enjoyable and well worth having........2001-06-02
For those who are interested in Audubon prints, this book is a good introduction, but if you are serious about collecting or very interested in Audubon, it could raise more questions for you than it answers. Don't expect a comprehensive or 100-percent accurate treatment of Audubon or Audubon prints from this rather short book.
Unfortunately, some of the areas of weakness are important to collectors. For instance, the approach to authentication is simplistic and by no means comprehensive. The book doesn't really address how to distinguish hand coloring from printed color, or the fact that hand-colored reproductions of Havells exist. The authors barely mention plate mark, which is an extremely valuable tool for authenticating Havells. In spite of these shortcomings, the book provides a nice overview of all the major editions of Audubon's prints with a good mix of biography, history and nitty-gritty details.
Beware, however, that brevity comes at a price -- this book has some gaps. Bannon and Clark do not mention the second issue of the Imperial Folio edition of The Viviparous Quadrupeds of North America, or the existence of a restrike of the Imperial Folio plate, The White Wolf. (You can find more information on both topics in the recently published book, John James Audubon in the West, edited by Sarah Boehme).
Information in Bannon and Clark is not always accurate -- e.g., the later edition octavo dates. (Try Ron Tyler's book, Audubon's Great National Work, for a more detailed account of the octavo Birds). There are also more significant errors. For instance, the number of prints from Nagel and Weingaertner in any given octavo quads set varies; the set that Bannon and Clark looked at just happened to have seventeen plates by Nagel and Weingaertner, but they give that as the number for all sets.
The price information in this book is out of date even though the authors include some appendices that attempt to give an idea of price inflation. Still, the lists do provide an indication of relative prices. As long as you realize that these lists represent a single dealer's opinion and experience, and that other dealers do not necessarily rank the plates in the exact way that Clark ranks them, you should find this information very helpful.
In the end, I have to say that I like this book, and often find myself turning to it for background or price information. Right now, it is the best book -- really, the only book -- available that is specifically geared towards Audubon collectors. Although that will change over time as more books come out, I doubt that Bannon and Clark will become superfluous...it is a good addition to any Audubon library.
A Must for the Serious Audubon Collector.......2000-08-30
This handbook fills a void in the vast library of Audubon publications. It focuses on the various publications of Audubon and his family, such as the double elephant folio, the imperials, the miniatures, and the Bien edition. Accurate dates of publication are given along with very helpful clues to distinguishing between various editions. Our 1998 copy contained welcome revisions to the pricing of the double elephant, Bien, and imperial prints. I have found that in the few years since publication, the prices of the larger images have about doubled, and smaller images are about 15 to 20 percent higher in price than what is stated. In fact, whereas a complete folio sold for about $4,000,000.00 as correctly stated in Addendum C, page 128, (back in 1992), a complete folio recently sold at Christies for about $9,000,000.00. One should use this handbook as a handbook. We make regular notes in the margins in the price pages. For example, plate 376 (Trumpeter Swan) was valued at $30,000 in 1997, when I assume the information in the book was assembled. A plate 376 sold in 1999 for $93,250. We have entered this corrected information in our copy.
We highly recommend this handbook for any who wish to collect the work of a master artist/naturalist. The information will assist you in making intelligent purchases from sites such as eBay.
OUT OF DATE!!!.......2000-02-06
The 4th edition of this "Collectors Handbook" is a reprint of earlier editions rather than a much needed rewrite.
The background information provided in this book IS very interesting and helpful. HOWEVER, the first question asked on the back of this book is "What is the value of an Audubon Print?" This book answers that question with print by print price information (almost 1/3 of the book) that is over 20 years old. NO price information is even given for the Octavo prints.
As a guide for collectors looking for current value information for Audubon prints this book is worthless.
A succinct little book.......1998-08-24
This book is extremely helpful in understanding the production of all of Audubon's works.`
Average customer rating:
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Bluebird China (Schiffer Book for Collectors)
Kenna Rosen
Manufacturer: Schiffer Publishing
ProductGroup: Book
Binding: Hardcover
General
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Glass & Glassware
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Pottery & Ceramics
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ASIN: 0764318640 |
Books:
- Consumed: How Markets Corrupt Children, Infantilize Adults, and Swallow Citizens Whole
- Diseases Of Wild Waterfowl
- Double & Multiple Stars, and How to Observe Them
- Draw 50 Birds: The Step-by-Step Way to Draw Chickadees, Peacocks, Toucans, Mallards, and Many More of Our Feathered Friends (Draw 50 Series , No 25)
- Expedition to the Demonweb Pits (Dungeons & Dragons d20 3.5 Fantasy Roleplaying)
- Fancy Nancy and the Posh Puppy (Fancy Nancy)
- First Light: Acadia National Park and Maine's Mount Desert Island
- Galaxies and How to Observe Them (Astronomers' Observing Guides)
- General Relativity: With Applications to Astrophysics (TEXTS AND MONOGRAPHS IN PHYSICS)
- Great Britain (Eyewitness Travel Guides)
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