Living In Hell: A True Odyssey of a Woman's Struggle in Islamic Iran Against Personal and Political Forces

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Downside of Islam and Downside of Poverty

A must read story about life in Iran

A Powerfully personal account

Truth Seekers Only

A Heartrending, Truthful, and Inspiring Autobiography

Living In Hell: A True Odyssey of a Woman's Struggle in Islamic Iran Against Personal and Political Forces
Ghazal Omid
Manufacturer: Park Avenue Publishers (OK)
ProductGroup: Book
Binding: Hardcover

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Customer Reviews:

Downside of Islam and Downside of Poverty.......2007-08-08

When I first read and reviewed this book I left only a cryptic notation, "downside of Islam" but I neglected the opportunity to point out that the book also captures the downside of poverty as well as the enormous cultural and emotionial indignities toward women that are sanctioned by Islam and not only practiced in Islamic countries but also exported to Europe and the USA, where women are treated behind closed doors in a manner that would put any normal American behind bars for years.

See also these books that I found helpful:
Good Muslim, Bad Muslim: America, the Cold War, and the Roots of Terror
While Europe Slept: How Radical Islam is Destroying the West from Within
Islamic Leviathan: Islam and the Making of State Power (Religion and Global Politics)
American Jihad: The Terrorists Living Among Us
While America Sleeps: How Islam, Immigration and Indoctrination Are Destroying America From Within
Nickel and Dimed: On (Not) Getting By in America
The Working Poor: Invisible in America
The Global Class War: How America's Bipartisan Elite Lost Our Future - and What It Will Take to Win It Back

A must read story about life in Iran.......2007-07-31

Ghazal's book offers a rare and insightful look of Iran, a land that is usually viewed via the political prism of its leadership and rarely from the point of view of its people. The author offers a compelling story of a girl and a young woman living in a land that is best described by the name she chooses for her ontology. And indeed, "Hell" is a difficult word for a homeland. But while reading the tale it becomes apparent that "Hell" is not a description given to the beautiful land of Iran but rather, to the political reality that engulfed the country and, with it, the life of a young girl.

Ghazal begins her story in Abadan, a picturesque city located minutes from the Iraqi border where she grew up as the youngest of eight siblings. As a child, Ghazal experienced the life before the revolution - life of relative freedom in where friendships with Jews were permitted and where reading the bible was not considered an unforgivable sin. These times and her inquisitive personality created a girl that would forfeit her need to reflect upon and question her surroundings) - something that means only trouble in post-revolutionary Iran.

Her story is a personal one of an inquisitive girl who is trying to follow her mind and her heart and that of a country busy with revolution and war that has little room for any form of dissent.

The book recounts the life before the revolution and the events that have led to the rise of Kohmeni. It offers an insider's view of the revolution, the US embassy hostage crisis and the war.

Having studied Islam for 17 years and following a struggle wither own faith, the author knows Islamic law. Her studies, documented in the second portion of the book, address many important questions and misconceptions about Islam. Her research affords some insight into why Muslim countries seem to be prone to terrorism and examines the link between poverty, ignorance and terrorism

Living In Hell is also a book dedicated to the oppression of women. Omid's personal experience s a woman who experienced abuse , is , unfortunately, not unique in countries like Egypt, Turkey, Pakistan, Afghanistan, Kyrgyz and other Middle East countries where traditional male dominated societies still practice barbaric "honor" killings

Ghazal Omid calls herself "A Rebel With A Cause" because her work have became one deeply associated with the cause of freedom in Iran, with human rights and with the life of many Iranian prisoners for whom Ghazal is one of the only voices of hope. "Living in Hell" was written also for these brave men and woman - since it shows that difficult and even impossible journey of struggle can end with freedom and hope.

Nir Boms is the Vice President of the Center for Freedom in the Middle East

A Powerfully personal account.......2007-06-25

Living in Hell is a powerful window into the daily struggles of women in Iran. It is filled with heart wrenching personal accounts of Ghazal's struggle against the oppressive nature of Iran's Islamic government and male dominated society. Anyone who desires to gain insight into the struggles faced by women in Islamic dictatorships should get this book, you wont regret it.

Truth Seekers Only.......2007-05-18

If you are a truth seeker, then this book will change your life forever. Ms. Omid has touched the very depths of my soul by her honest account and for sharing her experience, strength, and hope. I urge everyone to read her book! The subject matter is difficult to read if you have a conscience and are concerned about women and men in Iran. She may not be an expert on every act of abuse that happens around the world, but she does know first hand the type of abuse that goes on in the country she grew up in. I can not understand where the feminists and human rights activists are when it comes to the abuse women endure in Iran. Where are they? I can only deduce that those who ridicule such an honest account are the same types of people who thought Hitler was "good" for Germany. They turn their heads and dismiss the reality while unimaginiable atrocieties occur daily, especially if privilege and power are in their favor. Ms. Omid never accepts "status quo" and is not silenced by those who would consider themselves superior because they have different genitals. Her book is a reminder that one empathetic person in one's life can and does make a difference for the better. We can say "NO!" Most amazing is the way in which Ms. Omid puts her literal life on the line daily to speak up for those who have no voice. Her unconditional love for the people of Iran and her beloved country is indescribable. Because of Ms. Omid's book, I am extremely encouraged that the people of Iran can and do have the ability to stand up and stop the madness that their horrific, dispicable, murderous government is thrusting upon them. They need a little help from the rest of the world. Those who truly care are "the rest of the world!" Ms. Omid and her book is a gift to humanity. I recommend this book to everyone!!!! May her valiant spirit touch your heart too!

A Heartrending, Truthful, and Inspiring Autobiography.......2007-04-16

Ghazal Omid is one of humanity's treasures. She faced crushing poverty in her childhood in Iran, even with a father who usually was flush with cash but found little of it to spend on his own family. She was abused, mistreated, ignored, and utilized by family members only for what she could be bullied into giving up.

Standing up to the Revolutionary government in Iran in her daily life, her obstinate refusal to parrot the dictates of the Mullahs ended up with her receiving the tender mention of her name by Ayatollah Khemeni at Friday prayers as an "American patriot", tantamount to a death sentence by the nation's highest-ranking cleric, and plenty of the mindless myrmidons of the Revolution were inspired by the Ayatollah's words to carry it out.

Fleeing her home nation and making it eventually to Canada, Ghazal struggled with newfound difficulties of a woman raised in a controlling culture, suddenly faced with the open society of Canada, and initially had great difficulties coming to terms with her new life.

The abuse from her two horrible brothers in Canada, now devolved into the spychological abuse of a patriarchial culture in which women are regarded as burdens and not gifts to humanity, continued as Ghazal did her level best to rise above a lifetime of hideous maltreatment by the very men in her life who should have been standing up for her, protecting her, and helping her establish herself as an independent spirit in a unkind world.

Even in the face of this tremendously sad background, Ghazal decided to devote her life to help the people left behind in Iran, and to this day does everything she can do to help Iranian people, political prisoners, and resistance groups, overcome the death grip the Mullahs have on the people of her home nation.

She is an immensely strong, brilliant, and eloquent woman, and a role model of strength and determination that any woman would find inspiring.

This is a book that any woman in the West should read, to further understand the shackles hammered around the necks of women in Muslim countries, and more deeply appreciate the societies into which Western women have had the fortune to be born.

Those who have assailed this book in above commentaries completely missed the point of the book. This is no whine-fest, it is a sincere confession of a woman who seeks to make other human beings stronger by helping them realize the struggles that billions of women living in subjugation face on a daily basis.

My own life has been enriched by reading Ghazal's story, and anyone who reads her book with an open mind cannot help but come away with a different understanding of Iranian culture, and Islam in its true form, not the perverted politicized Wahabbist/Jihadist delusion that somehow a God out there is reveling in the deaths, or the sufferings, of innocents.

Living in Hell: A True Odyssey of a Woman's Struggle in Islamic Iran Against Personal and Political Forces

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Living in Hell: A True Odyssey of a Woman's Struggle in Islamic Iran Against Personal and Political Forces
Ghazal Omid
Manufacturer: Park Avenue Publishers
ProductGroup: Book
Binding: Hardcover
ASIN: B000WKHNF8

Book Description

The twentieth century will be remembered for great innovation in two particular areas: art and culture, and technological advancement. Much of its prodigious technical inventiveness, however, was pressed into service in the conduct of warfare. Why, asks Margot Norris, did violence and suffering on such an immense scale fail to arouse artistic and cultural expressions powerful enough to prevent the recurrence of these horrors? Why was art not more successful--through its use of dramatic, emotionally charged material, its ability to stir imagination and arouse empathy and outrage--in producing an alternative to the military logic that legitimates war?

Military argument in the twentieth century has been fortified by the authority of the rationalism that we attribute to science, Norris argues. Warfare is therefore legitimized by powerful discourses that art's own arsenal of styles and genres has limited power to counter. Art's difficulty in representing the violent death of entire generations or populations has been particularly acute.

Choosing works that have become representative of their historically violent moment, Norris explores not only their aesthetic strategies and perspectives but also the nature of the power they wield and the ethical engagements they enable or impede. She begins by mapping the altered ethical terrain of modern technological warfare, with its increasing targeting of civilian populations for destruction. She then proceeds historically with chapters on the trench poetry and modernist poetry of World War I, Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front, both the book and the film of Schindler's List, the conflicting historical stories of the Manhattan Project, a comparison of American and Japanese accounts of Hiroshima, Francis Ford Coppola's film Apocalypse Now, and the effects of press censorship in the Persian Gulf War.

Book Description

This work demilitarizes the concept of war and asks what would happen if war was understood as discursive via late twentieth-century novels of war. In particular, this book seeks to revise common perceptions of war, postmoderism, and the novel by asking how they form, deform, and reform one another.

Cold War Literature Writing the Global Conflict (Routledge Studies in Twentieth-Century Literature)

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Cold War Literature Writing the Global Conflict (Routledge Studies in Twentieth-Century Literature)
Andrew Hammond
Manufacturer: Routledge
ProductGroup: Book
Binding: Hardcover

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ASIN: 0415349486

Book Description

The Cold War was the longest conflict in a century defined by the scale and brutality of its conflicts. In the battle between the democratic West and the communist East there was barely a year in which the West was not organizing, fighting or financing some foreign war. It was an engagement that resulted - in Korea, Guatemala, Nicaragua and elsewhere - in some twenty million dead. This collection of essays analyzes the literary response to the coups, insurgencies and invasions that took place around the globe, and explores the various thematic and stylistic trends that Cold War hostilities engendered in world writing.
Drawing together scholars of various cultural backgrounds, the volume focuses upon such themes as representation, nationalism, political resistance, globalization and ideological skepticism. Eschewing the typical focus in Cold War scholarship on Western authors and genres, there is an emphasis on the literary voices that emerged from what are often considered the "peripheral" regions of Cold War geo-politics. Ranging in focus from American postmodernism to Vietnamese poetry, from Cuban autobiography to Maoist theatre, and from African fiction to Soviet propaganda, this book will be of real interest to all those working in twentieth-century literary studies, cultural studies, history and politics.

Stein, Bishop, and Rich: Lyrics of Love, War, and Place

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Stein, Bishop, and Rich: Lyrics of Love, War, and Place
Margaret Dickie
Manufacturer: The University of North Carolina Press
ProductGroup: Book
Binding: Paperback

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Love Poems | Poetry | Literature & Fiction | Subjects | Books

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ASIN: 0807846228
Release Date: 1997-03-19

Book Description

In an insightful and provocative juxtaposition, Margaret Dickie examines the poetry of three preeminent women writers—Gertrude Stein, Elizabeth Bishop, and Adrienne Rich—investigating the ways in which each attempts to forge a poetic voice capable of expressing both public concerns and private interests. Although Stein, Bishop, and Rich differ by generation, poetic style, and relationship to audience, all three are twentieth-century lesbian poets who struggle with the revelatory nature of language. All three, argues Dickie, use language to express and to conceal their experiences as they struggle with a censorship that was both culturally sanctioned and self-imposed. Dickie explores how each poet negotiates successfully and variously with the need for secrecy and the desire for openness.

Book Description

Writing Women in Korea explores the connections among translation, new forms of writing, and new representations of women in Korea from the early 1900s to the late 1930s. By examining shifts in the way translators handled material pertaining to women, the work of women translators of the time, and the relationship between translation and the original works of early twentieth-century Korean women writers, the author attempts to answer such far-reaching questions as: How have women translators contributed to literary and cultural change? How do writing on women and women's writing relate to changes in national identity?

Each chapter considers phases and aspects of the process of creating feminine ideals through translation. The work opens with an outline of the Choson period (1392-1910), when a vernacular writing system was invented, making it possible to translate texts into Korean--in particular, Chinese writings reinforcing official ideals of feminine behavior aimed at women. The legends of European heroines and foreign literary works (such as those by Ibsen) translated at the beginning of the twentieth century helped spur the creation of the New Woman (Sin Yosong) ideal for educated women of the 1920s and 1930s. The role of women translators is explored, as well as the scope of their work and the constraints they faced as translators. Finally, the author relates the writing of Kim Myong-Sun, Pak Hwa-Song, and Mo Yun-Suk to new trends imported into Korea through translation. The author argues that these women deserve recognition for not only their creation of new forms of writing, but also their contributions to Korea's emerging sense of herself as a modern and independent nation.

In emphasizing the importance of women translators and writers in early twentieth-century Korea, this volume places Korean literary and cultural activities in the wider perspective of feminist and cross-cultural studies and contributes to an understanding of the central role of translation in creating new gender and national identities.

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After Every War: Twentieth-Century Women Poets.(Book Review): An article from: Poetry
Dan Chiasson
Manufacturer: Modern Poetry Association
ProductGroup: Book
Binding: Digital

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ASIN: B0009H33LW
Release Date: 2005-04-19

Book Description

This digital document is an article from Poetry, published by Modern Poetry Association on April 1, 2005. The length of the article is 392 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: After Every War: Twentieth-Century Women Poets.(Book Review)
Author: Dan Chiasson
Publication: Poetry (Refereed)
Date: April 1, 2005
Publisher: Modern Poetry Association
Volume: 186 Issue: 1 Page: 80(2)

Article Type: Book Review

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Shaping the 20th century.(War, Journalism and the Shaping of the Twentieth Century: The Life and Times of Henry W. Nevinson)(Book review): An article from: English Literature in Transition 1880-1920

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Shaping the 20th century.(War, Journalism and the Shaping of the Twentieth Century: The Life and Times of Henry W. Nevinson)(Book review): An article from: English Literature in Transition 1880-1920
Wendell V. Harris
Manufacturer: Thomson Gale
ProductGroup: Book
Binding: Digital

Book Description

This digital document is an article from English Literature in Transition 1880-1920, published by Thomson Gale on January 1, 2007. The length of the article is 1431 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Shaping the 20th century.(War, Journalism and the Shaping of the Twentieth Century: The Life and Times of Henry W. Nevinson)(Book review)
Author: Wendell V. Harris
Publication: English Literature in Transition 1880-1920 (Magazine/Journal)
Date: January 1, 2007
Publisher: Thomson Gale
Volume: 50 Issue: 1 Page: 96(4)

Article Type: Book review

Distributed by Thomson Gale

Book Description

At the turn of the century, the United States is on the verge of losing its vote in the General Assembly for non-payment of its arrears. There are eerie parallels between the domestic debate over the United Nations in 1999 and the struggles over the League of Nations in 1919. Why, many ask, are Americans the first to create international organizations and the first to abandon them? What is it about the American political culture that breeds both the most ardent supporters and the most vocal detractors of international organization? And why can't they find any common ground?

In seeking to uncover the roots of American ambivalence toward international organization, this political history presents the first major analysis of U.S. attitudes toward both the United Nations and the League of Nations. It traces eight themes that have resurfaced again and again in congressional and public debates over the course of this century: exceptionalism, sovereignty, nativism and racism, unilateralism, security, commitments, reform, and burden-sharing. It assesses recent domestic political trends and calls for the development of two interactive political compacts--one domestic and one international--to place U.S.-UN relations on a new footing.

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Drawing a case study from the Pacific Northwest, where he makes his home, noted environmental journalist Richard Manning argues that long-practiced conservation strategies are not enough to protect wild lands, and that little can come from calling for more wilderness preservation when the lands beyond the wilderness are so ill used. "The fundamental problem," he writes, "is in the scale and nature of human development; rethinking our definition of wilderness seems an academic exercise in the face of real pollution, sprawl, mindlessness, and greed." That development, he continues, involves imposing an industrial model on the world's ecosystems, so that, in the case of the Northwest, rivers have been seen as factories that make fish and electricity, forests as factories that make timber, and mountains as factories that make ore. That model is not only incorrect, he says, but also dangerously misguided.

In a journalistic tour of the region, Manning makes a convincing argument for removing dams on sensitive waterways; looks into the alarmingly high hidden costs of salmon and shrimp farming; condemns the suburbanization of the mountain West in the face of "white flight" from California; and looks into the lumbering practice called clear-cutting, which, though pioneered in the 1950s (by the U.S. Forest Service), was not put into general practice until the late 1970s. Manning's notions that it is possible to foster an economy of "conservation-based development" and that "wilderness has outlived its usefulness" will doubtless provoke controversy in green circles, while his call to reduce consumption and treat habitats of all kinds with more care won't play well in certain boardrooms--all of which means that, in his role as gadfly, Manning has done his job. --Gregory McNamee

Book Description

"This book is about an idea that rests at the junction of what we call wilderness and civilization. Simply, it is a call for rethinking, and more importantly, reconstructing, our relationship with nature." -from Inside Passage.

Protecting land in parks, safe from human encroachment, has been a primary strategy of conservationists for the past century and a half. Yet drawing lines around an area and calling it wilderness does little to solve larger environmental problems. As author Richard Manning puts it in a knowingly provocative way: "Wilderness designation is not a victory, but acknowledgement of defeat.".

In Inside Passage, Manning takes us on a thought-provoking tour of the lands along the Pacific Northwest's Inside Passage-from southeast Alaska down through Puget Sound, and then on to the northern Oregon coast and the Columbia River system-as he explores the dichotomy between "wilderness" and "civilization" and the often disastrous effects of industrialization.

Through vivid description and conversations with people in the region, Manning brings new insights to the area's most pressing environmental concerns-the salmon crisis, deforestation, hydroelectric dams, urban sprawl-and examines various innovative ways they are being addressed. He details efforts to restore degraded ecosystems and to integrate economic development with environmental protection, and looks at powerful new tools such as Geographic Information Systems (GIS) that are increasingly being used to further conservation efforts.

Throughout, Manning focuses on the hopeful possibility that we can redesign the human enterprise to a scale more appropriate to the nature that holds it, that rather than drawing borders around nature, we might instead start placing borders on human behavior. Perhaps, he suggests, we can begin to behave in all places as if all places matter to us as much as wilderness, and, in the process, claim all of nature as our own.

Inside Passageis a wide-ranging and thoughtful exploration by a gifted writer, and an important work for anyone interested in the Pacific Northwest, or concerned about the future of our relationship to the natural world.

Customer Reviews:

We want it all.......2007-02-22

Richard Manning's book is frankly amazing. How he can maintain a coherent, collected mental state to write while 'connecting the dots' to such major ecological disasters is totally beyond my ken. Read the book. Follow Manning as he connects dots around the world, from Scotland to the Sacramento River in CA to Washington State and into Alaska. He has the data and the links.

The last chapter summarizes the position that we all must take: "We want it all." Meaning that we can no longer argue over the boundary of a protected area. Those who would use the land, or take the fish, in any way, must get our collective permission. They must do so with the greatest recognition possible of the effects - consequences - of their actions. And those consequences must be minimized before we permit them to use _our_ Earth. There will be less business activity, true. There will be a more livable Earth, also. As we learn how to accommodate our ecosystems, we will also learn how to sustain our wonderful lives (i. e., restore that business activity).

And we do want to continue living on this planet, don't we? Especially for our grandchildren. Your next step: read the book.

This may be a 'far out' position to take, but I agree with Manning. What's the alternative? Whoops! Too late!

How to save the northwest.......2001-11-21

Manning does for the Northwest what he did for the Prairie in his other great book, Grassland. Both are great reads.

The Art of Zen Ecological Repair.......2001-05-28

Richard Manning takes his readers on a very interesting journey into a new terrain of environmentalism hinted at by his subtitle, "A Journey Beyond Borders". Traveling by sea kayak and light plane, as well as by land, he paints a grim picture of environmental degradation along the "inside passage" between Astoria Washington and Juneau Alaska. At the same time he is pricking some of the hallowed sacred cows of the conservation establishment. The primary focus of this book is on the decline of the salmon along the Pacific slope of North America. In the process he explains its relationship to lumbering and dams. He also takes a fast tour of the ecological ruin caused by the exponential growth of aquaculture around the Pacific Rim. Manning describes himself as a science writer, but he excels at turning a mixture of personal observation, interviews, and historical data into a vivid picture of decline -- not only of the salmon and the forest -- but of the people who depended on them for a livelihood.

One of Manning's interesting conclusions is that, as the size and technological complexity of our food-producing and timber-harvesting efforts have increased, their efficiency has plummeted. A modern rancher in Idaho, using large quantities of subsidized water and energy, cannot begin to match the protein production of the wild salmon that once teemed the rivers of his state. His calves would have to grow into 50,000-pound cows in order to match the four-year weight gain of a wild salmon. The salmon harvested the bounty of the sea and returned it to the land without any expenditure of fossil fuel. Unfortunately, the salmon run in Idaho's Snake river has declined from 2,000,000 to less than 9,000 -- despite taxpayers spending, Manning says, "$3 billion on a Rube Goldbergian scheme of hatcheries, fish ladders, and barges that give young salmon a ride past the dams." We have traded a very efficient form of food production for a very inefficient one.

Manning adds his voice to the growing chorus that argue that salmon hatcheries are not just inefficient but counterproductive. The young hatchery salmon have a very low survival rate (100 return for each million released), but they still compete with remaining wild salmon for scarce resources in stream and ocean. The kind of conservation Manning espouses is being practiced at a former salmon hatchery in Chinook Washington. The local community took it over and has turned it into a center for long-term restoration not just of a wild salmon run, but also of the habitat in the clear-cut drainage around it.

Manning and his concept of borderless environmentalism is as radical as those who claim trees cause air pollution and Caspian terns are responsible for the decline in the Columbia salmon run. He thinks that most well-intentioned protectors of "wilderness" from Theodore Roosevelt and Gifford Pinchot down to present-day conservationists have not adopted a sound strategy for presserving the environment. His point is that when you draw a line around a piece of land to protect it from clear-cutting and strip mining you are tacitly accepting those practices everywhere else. It also means that if one President has the power to protect an area like the Arctic Wildlife Refuge then another has the power to un-protect it. Manning's solution is for everyone, everywhere, to walk more lightly upon the land every day and perhaps to lend some help to small scale preservation activities in their own back yard. He reminds the reader that those areas of the west that we now revere as "wilderness" were occupied continuously by moderately-dense populations of human beings for ten thousand years before the coming of Lewis and Clark without any noticeable ecological damage. The real message of "Inner Passage" is that we must each internalize environmentalism in the inner passages of our soul.

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