Amazon.com
Once upon a time there lived a man who discovered the secrets of the earth. He traveled far and wide, learning about the world below the surface. After years of toil, he created a great map of the underworld and expected to live happily ever after. But did he? Simon Winchester (The Professor and the Madman) tells the fossil-friendly fairy tale life of William Smith in The Map That Changed the World.
Born to humble parents, Smith was also a child of the Industrial Revolution (the year of his birth, 1769, also saw Josiah Wedgwood open his great factory, Etruria, Richard Arkwright create his first water-powered cotton-spinning frame, and James Watt receive the patent for the first condensing steam engine). While working as surveyor in a coal mine, Smith noticed the abrupt changes in the layers of rock as he was lowered into the depths. He came to understand that the different layers--in part as revealed by the fossils they contained--always appeared in the same order, no matter where they were found. He also realized that geology required a three-dimensional approach. Smith spent the next 20 some years traveling throughout Britain, observing the land, gathering data, and chattering away about his theories to those he met along the way, thus acquiring the nickname "Strata Smith." In 1815 he published his masterpiece: an 8.5- by 6-foot, hand-tinted map revealing "A Delineation of the Strata of England and Wales."
Despite this triumph, Smith's road remained more rocky than smooth. Snubbed by the gentlemanly Geological Society, Smith complained that "the theory of geology is in the possession of one class of men, the practice in another." Indeed, some members of the society went further than mere ostracism--they stole Smith's work. These cartographic plagiarists produced their own map, remarkably similar to Smith's, in 1819. Meanwhile the chronically cash-strapped Smith had been forced to sell his prized fossil collection and was eventually consigned to debtor's prison.
In the end, the villains are foiled, our hero restored, and science triumphs. Winchester clearly relishes his happy ending, and his honey-tinged prose ("that most attractively lovable losterlike Paleozoic arthropod known as the trilobite") injects a lot of life into what seems, on the surface, a rather dry tale. Like Smith, however, Winchester delves into the strata beneath the surface and reveals a remarkable world. --Sunny Delaney
Book Description
In 1793, a canal digger named William Smith made a startling discovery. He found that by tracing the placement of fossils, which he uncovered in his excavations, one could follow layers of rocks as they dipped and rose and fell -- clear across England and, indeed, clear across the world -- making it possible, for the first time ever, to draw a chart of the hidden underside of the earth. Determined to expose what he realized was the landscape's secret fourth dimension, Smith spent twenty-two years piecing together the fragments of this unseen universe to create an epochal and remarkably beautiful hand-painted map. But instead of receiving accolades and honors, he ended up in debtors' prison, the victim of plagiarism, and virtually homeless for ten years more. Finally, in 1831, this quiet genius -- now known as the father of modern geology -- received the Geological Society of London's highest award and King William IV offered him a lifetime pension.
The Map That Changed the World is a very human tale of endurance and achievement, of one man's dedication in the face of ruin. With a keen eye and thoughtful detail, Simon Winchester unfolds the poignant sacrifice behind this world-changing discovery.
Customer Reviews:
Highly Recommended........2007-08-07
Prior to about 1800, Geology did not exist as a science. Oh, there were people who were interested in various aspects of it, but the science was born with the publication of James Hutton's book on "The Theory of the Earth" in 1795. Then, in about the next half century, what we now regard as "modern geology" came into being. Most of the leading characters in this fascinating history were from the British Isles. Let's say that this was the period of time from the publication of Hutton's book up to the Publication of Darwin's ideas regarding evolution. Well, it was a scientific revolution that led to our understanding of the Earth and it's complex history and led to the understanding of the history of life on our planet. It carried profound social implications that are argued right down to the present time.
William Smith was one of the most important contributers to the development of modern geology. He's an interesting character in that he was not highly known or highly regarded until after his death. Scientists, in those days, were mostly from the elite classes and were tied in with a museum or university, whereas Smith was an orphan from a working-class family and he was largely self educated, both in civil engineering and in geology. He somehow managed to get a job with a coal company that involved constructing a canal from the northern coal district southward to the population centers of southern England. This task brought him into contact with the earth and he recognized that he was crossing major layers of the earth's exposed crust. He recognized each of the layers (now referred to as formations), recognized that they followed in a sequential order and plotted their distribution on a base map. Well, this type of thing is rather routine in the present world, but it had never been done until Smith's time and was a revolution in itself. As he was mapping his formations he became interested in the peculiar petrified remains (what we now call fossils) that he observed in the sedimentary rocks. Smith recognized them as formerly living things, but he had little knowledge of biology and many of the remains were of a type that were wholly extinct. No problem. There were a lot of more educated amateur collectors around that aided him with their understanding. Smith observed and collected more and more fossils and finally announced that each of his formations contained it's own distinctive remains and these remains followed one another in a determinable order. This was a stunning discovery and proved to be very controversial. The prevailing thoughts of the day said that fossils occurred at random. No one had ever guessed that they occurred in an order. Well, Smith had his maps and could demonstrate his discovery to anyone who might be interested. Furthermore, the formations followed superposition with the oldest on the bottom and the youngest on the top; thus, if you showed the order of fossils you showed the order in which the different types of life appeared and disappeared through the interval of time represented by the formations. It was a simply amazing discovery and led to the development of the modern geologic time scale. It is now known as "faunal (and floral) succession," one of the basic principles of geology. All of this might seem rather elementary in view of today's knowledge, but this was about 30 years prior to the publication of Darwin's book on evolution. Darwin, by the way, was said to regard William Smith as a most ingenious man.
Simon Winchester steps in and chronicles this most important period in the history of geology. He portrays Smith himself and the early 1800s world in which Smith functioned. He really does an excellent job. I've always regarded Smith as one of the most important early geologists and Winchester does a fine job of giving me a feel or the early 1800s social and scientific setting in which Smith operated. Oh, one might remark that Winchester is a bit of a windbag, or that he writes with a British accent. No problem at all. He gives a wonderful account of William Smith's life and times. I highly recommend this fine book to anyone who is interested in the history of geology.
interesting read.......2007-04-20
I'd read Krakatoa and enjoyed that, so I thought I'd give Map a try. It took me a while to get into it, but I was well rewarded. The author does a nice job recreating the pre-Darwinian geology scene in Britain. I'd never known much at all about the whole coal-and-canal connection and found it fascinating. I did think that I knew a lot more about geology and paleontology - obviously, I was wrong, as I'd never heard of William Smith, whom the author has convinced me is an extremely important figure.
The author is a good writer who writes books about very interesting subjects. I hope he keeps 'em coming. My only complaint is that, at least in this book, the writing is somehwat repetitive (though this wasn't a problem with Krakatoa, as far as I remember).
Agreed, a magazine article turned into a book........2006-10-26
I did find this story interesting but its drawn out way too long. This story would have made a nice feature article in the "New Yorker" but I suppose the distribution is better in a book. Still it could have been told in about 1/2 the words used. Not that I'm not fascinated by geology, I am, it's just that I can take only so much about walking England and picking up shells.
A truly wonderful book: Biography, history, adventure, geology.......2006-08-03
I have the audio version of this book, read by the author. Winchester exhaustively researched William Smith and brought him, and England at the end of the 18th century to vivid life in this book. I will never look at the physical earth the same, but the book was also an adventure and a biography of a great man.
I read/listen to a lot of books and very rarely feel so enthusiastic as I do about this one. Just like after reading one of the classics, I felt like a better person for having read this wonderful book.
Good Geology, Great Human Story.......2006-06-18
Simon Winchester, trained as a geologist, is a bit fascinated with catastrophes. He has written about the eruption of Krakatoa (Krakatoa) and the San Francisco earthquake of 1906 (A Crack In the Edge of the World) along with many other books on diverse subjects (The Professor and the Madman, for instance, which describes one of the more intriguing contributors to the Oxford English Dictionary). But The Map That Changed the World must, for him, have been a special endeavor as William Smith the creator of the map is especially revered by the English and resides, along with Hutton and Lyell in their geological pantheon, which is obviously crowded. The map, the first truly geological map, covers most of the British Isles and looks remarkably similar to current U.S. geological maps, especially in the use of myriad colors to indicate different formations. (The word "geology" was first used in its modern sense in 1735.) Today, the eight foot by six map hangs behind blue curtains in Burlington House on the north side of Piccadilly.
The map Smith created "...was conceived, imagined, begun, undertaken, and continued and completed [in 1815] against all odds by just one man." It was drawn when many in Britain still were convinced that James Ussher's assertion that the earth was created at 9 A.M. on October 23, 4004 B.C was true. It is even more remarkable because Smith lived a wretched life. He was a simple, self-taught, country man with a very sick wife who went bankrupt and became homeless shortly after he finished the map. But both the industrial and agrarian revolutions were at hand. Smith's initial interest was sparked by the sea-urchin shaped stone used as a "pound" stone on English scales. He was hired as a surveyor's helper working in the coal mines in Somerset. Every time he went down he looked at what we would now call the stratigraphic column. "The pattern, Smith saw, was always the same, in mine after mine after mine: from top to bottom, Sandstone, Siltstone, Mudstone, Nonmarine Band, Marine Band, coal, Seat Earth, and then again Sandstone, Siltstone, Mudstone, on and on." He wondered whether there might not be a way of predicting what lay where and, indeed, a way of drawing a guide to what lay below. And because, in part, that he wondered about this he was selected to be the surveyor for the Somerset Canal, which, in effect, opened the earth to him.
Once opened, he started comparing the facies at different places. He investigated two that were identical for all practical purposes, except that they had been deposited at different elevations, as much as hundreds of feet. The color, chemistry and grain size was identical, but the fossils were different: "Every single one of the specimens of one kind of fossil might be the same throughout one bed, but would be subtly different from those of the same kind of fossil found in another bed." The map followed. Smith saw a soil map in the County Agricultural Report showing"... the geographical extent of each of the various soils and types of vegetation that were known in the countryside around Bath. His first map and the oldest of true geological maps depicted the geology around Bath, published in 1799. He drew and dictated the stratigraphic column that was the basis of the map at a dinner with friends. That drawing is preserved by the Geological Society of London today.
However, shortly thereafter, Smith was fired by the canal company for unknown reasons, found himself with too big of a mortgage and eventually ended up in debtor's prison. Winchester describes the English legal system in as great detail as he does the making of Smiths map. The details of the map and the friends who helped Smith with it are captivating and represent a great deal of scholarship and digging. Smith got it done, but his debts were not paid and so he ended up in jail. Upon his release he found employment with a William Fitton who eventually realized that he was the Smith who had prepared the map, which had become very well known although controversial. Eventually, Smith was recognized for the map he had prepared. If Winchester has left out any historical geologist of note in telling the heroic, tragic and then heroic again events of Smith's life, it is not readily apparent. Winchester is a felicitous writer who has told the life of one of the more interesting members of England's scientific community along with the side notes that reinforces the opprobrium that "there will always be an England."
Book Description
In the darkness before moonrise on the Atlantic Ocean off the African coast on August 21, 1940, the night erupted in a fusillade of bullets and shells. The victim was a stalwart English tramp steamer, Anglo-Saxon, part of the lifeline that was keeping besieged England supplied. The attacker was the Widder, a German surface raider, disguised as a neutral merchant ship.
When it was near its prey, the raider unmasked its hidden armament and with overwhelming force destroyed the target ship. Only seven of the forty-one man crew of the Anglo-Saxon managed to get into a small boat and escape the raiders. Seventy days later, two of them, half dead, stumbled ashore in the Bahamas.
The account of the sailors' ordeal -- how first the badly wounded and then the less strong died and were thrown over the side of a fragile boat that had almost no supplies -- is suspenseful and riveting.
On the same day the two survivors reached the Bahamas, the Widder arrived off Brest, in occupied France, her murderous voyage over. Her captain, Hellmuth von Ruckteschell, who sank a staggering twenty-five ships, was eventually tried as a war criminal.
All Brave Sailors is a story of endurance, heroism, brutality, and survival under the most terrible circumstances. It fills a gap in the history of World War II, telling the story of the much neglected sailors and the ships of the merchant marine, fighting against great odds in the early days of the war.
Customer Reviews:
Great book.......2006-08-05
This is a great book and it covers the same material published much earlier in the book Two Survived by Guy Pearce Jones. I recommend both of these books highly.
Outstanding -- and disturbing.......2005-04-24
J. Revell Carr has written an outstanding and disturbing book that deserves a much wider readership than it will probably get. It centres on the fate of a group of survivors from a merchant vessel sunk by one of the Kriegsmarine's most notorious raiders, who found themselves in a disastrous survival situation, with the nearest practical landfall 2,700 miles away.
In a fluent and well-written narrative, he provides a wealth of convincing detail while never losing sight of the wider picture. In addition to telling the survivors' compelling story, he also provides a fascinating insight into the tactics and practicalities of raider warfare, and particularly, the career and complex personality of the raider's commanding officer, Hellmuth von Ruckteschell.
One of the great strengths of this book is the author's style, which will no doubt remind some readers of Martin Middlebrook and Patrick Mahoney's classic book `Battleship'. For those unfamiliar with this work, beyond a compelling story, this means a careful use of sources and an even-handed style that is never hectoring or partisan, that does not seek heroes or villains, and aims squarely at finding the truth.
Yes, there are a few minor errors - the name of the old battleship Schlesien is misspelt, for example - but these are quite incidental to the story and in no way undermine the book.
In short, this is a book that you will find difficult to put down and thoroughly deserves the highest possible recommendation.
All Brave Sailors.......2005-04-10
All Brave Sailors by J. Revell Carr is the amazing story of the sinking of the British freighter Anglo-Saxon by a German raider, and the seventy day voyage of the ship's seven survivors in a small boat. Carr also tells the story of the German raider, its captain and crew. Although the entire book is extremely well written and very interesting, it is the time spent in the small jolly boat that really captures the reader's attention and imagination. How the two sole survivors were able to hold on, how they found land is a remarkable tale. This book also very ably highlights the contributions made by the men of the Merchant Marines during World War II. These men were every bit of the heroes that the men who actually fought in combat were and it is about time a book singing their praises was written. I highly recommend this book to anyone interested in WWII.
Author does justice to this remarkable story.......2004-06-23
The remarkable tale of those lucky few that survived the sinking of the English merchant ship, the Anglo Saxon by a German raider is a compelling story. But author J. Revell Carr does not leave it at that. He also tells the story of the German raider who sunk it, most especially it's notorious captain. In relating the extraordinary life and character of Hellmuth von Ruckteschell, Carr has not drawn a stick figure villain, but has presented a fully realized and complex figure. This is the mark of top-notch storytelling and history.
Obviously the more inspiring story is that of those who survived on the Atlantic Ocean aboard the jolly boat for two months. Their struggles with hunger, exposure, thirst; injury and madness are the stuff of legend. That anyone could have survived on so small a boat from the mid Atlantic to the shore of the Bahamas is awe-inspiring.
Carr wisely lets their story speak for itself. While filled with admiration for those plucky few who survived (and those who didn't as well) he does not embellish. He doesn't need to.
Among the many attributes of this book -- perhaps most notably that it's a cracking good read -- is that it gives recognition to the merchant seamen who so bravely and at such extraordinary risk served the allied cause during both world wars (my father among them). Merchant seaman suffered the highest proportionate losses of any service group during World War II.
"All Brave Sailors" is the story of war and the terrible cost it extracts from ordinary people. Not just those who perish, but those who they leave behind. We also see the costs extracted from those who survive.
I would have liked more pictures and a few maps, but these are mere quibbles. This is a book worthy of the story it endeavors to tell and is highly recommended.
All Brave Sailors.......2004-02-10
An excellent tale, not only of the survival story of seven men from the Anglo-Saxon, but also of the biographical sketches of all of the characters in this tale and their association with the historical events of the time. Revell Carr has used his knowledge of the sea and his ability to ferret out interesting detail through hours of research and interviews to produce a story that is not only worth telling, but was very enjoyable to read. Highly recommended.
Book Description
Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare. But Ronald and Allis Radosh show that the real drama of that era lay in the story of the movie stars, directors and especially screenwriters who joined the Communist Party or traveled in its orbit, and made the Party the focus of their political and social lives. The authors' most controversial discovery is that during the investigations of the House Committee on Un-American Activities, the Hollywood Reds themselves were beset by doubts and disagreements about their disloyalty to America, and their own treatment by the Communist Party. Abandoned by their old CP allies, they faced the Blacklist alone.
Download Description
Using material from the papers of Dalton Trumbo, Dore Schary, Melvyn Douglas and other Hollywood insiders, Ronald and Allis Radosh trace the growth of the Communist Party from the 1920s, when stars like Charlie Chaplin and Groucho Marx toured the Soviet Union and came back converted, through the 1930s and the war years, when the Party achieved critical mass in Hollywood. The Radoshes' most controversial discovery is that during the investigations of the House Committee on Un-American Activities, while others were lionizing them as blameless victims of a vicious blacklist, the Hollywood Reds themselves were beset by doubts and disagreements about their disloyalty to America and their treatment by the Communist Party. Red Star over Hollywood opens up the cells and discussion groups that defined Hollywood radicalism.
Customer Reviews:
An important analysis filling many gaps........2006-12-11
The Hollywood Blacklist is a story which has long been perpetuated by the film industry into popular culture, but RED STAR OVER HOLLYWOOD: THE FILM COLONY'S LONG ROMANCE WITH THE LEFT takes a different approach then most, documenting the large number of movie stars who did join the Communist Party and as a result had an impact on filmmaking trends. Material from the papers of Dalton Trumbo and other Hollywood insiders examine the concurrent growth of Communism through the 1930s and war years and the growing numbers of film greats who joined, experienced inner party disagreements, and influenced the industry as a whole. It's the first book to examine the discussion groups and members who helped define and promote Hollywood radicalism and makes for an important analysis filling many gaps.
Diane C. Donovan
California Bookwatch
Exceptional and Educational.......2006-08-09
Over the years I have read many books on the Red Scare in Hollywood and could never quite understand the attraction to communism. This book does the best job of describing the issues, the attraction to communism and documentation of actual plans by the communist party concerning their intent to influence films. In reading many past books, the authors never quite expressed WHY they were communists. In fact, many of the books never mentioned whether they were incorrectly persecuted or whether they actually were members of communist party. This book provides documentation and reasoning by none other than Dalton Trumbo, one of the leading communists in Hollywood and the screenwriter partially responsible for breaking the blacklist. And in the end, he disavowed his former communist party and their teachings.
But this book will not be without controversy as the authors are known as right-wing Republicans. While I am in the middle of the political spectrum leaning slightly to the left, I find their account very believable and documented sufficiently to overcome any perceived bias. The significance of this book to me from reading Ring Lardner's famous "I'd Hate Myself in the Morning" to watching Woody Allen's "The Front" and FINALLY getting a closing answer is overwhelming. I no longer feel the need to explore why Americans chose to follow another government's agenda to the potential detriment of our country. However, I do not fault these people for their initial attraction to communism and frankly, I don't view communism as wrong: it's just a different government method some choose. For myself, I remain quite satisfied with democracy, EVEN in these trying times. Rather, the attraction to communism was clearly a byproduct of the recent depression as well as the growth of fascism. I can live with that reasoning.
This is an exceptional book if you have any interest in the 50s, movies, or communism. In closing, I must comment on the complete disrespect shown to Elia Kazen on receipt of his lifetime achievement award some years ago when Nick Nolte and others refused to applaud or acknowledge this award. I suggest they read this book. The Red Scare was a horrible period but Freedom of Speech needs only go so far when supporting a government with intent to overthrow our own. I strongly recommend this book.
Is it a witch-hunt if the witches are real?.......2006-03-14
While George Clooney was simultaneously thumping his chest and patting his back for how he and his "community" are proudly out of touch with mainstream America, I was engaged in the rather more edifying exercise of reading this great new book by Ronald and Allis Radosh. For readers with an interest in the context of the culture-clash between the "Hollywood elite" and the poor benighted people who buy movie tickets and DVDs, this book is an excellent resource.
I say the "context" of the clash because this is a look at history, and a serious research work too. This is not a book that details the fashionable Leftist obsessions of Clooney, Streisand, Penn, and the rest, and therefore may be less satisfying to some readers than other recent books that address current names and controversies more directly. Instead, "Red Star Over Hollywood" digs deep into something far more serious and sinister ("sinister" comes from the Latin word for "left," by the way): the film colony's infiltration by agents of the Comintern, dedicated partisans of Stalin, and other actors, directors, writers, and executives eager to use the power of film to promote socialism in the United States.
As Clooney's speech -- and even more so, his movie -- make clear, modern Hollywood's sense of itself is built to a large degree on the legend of its heroic stand against "McCarthyism" and the blacklist (that's what makes Clooney's self-congratulation so laughable -- does anyone in Hollywood *defend* McCarthy?). But the Radoshes demonstrate not only that there really were communists in positions of influence (in other words, the witch-hunt turned up real witches), but that there was also a strong and active anti-communist Left in Hollywood. Even more than the relatively small number of conservatives in Hollywood, it was this anti-communist Left that was in the most direct conflict with the Stalinists, their apologists, and their dupes, particularly before and during World War II.
All of this is important information, but it's when they turn to their discussion of HUAC and the blacklist in the postwar period that the authors most directly confront Hollywood's defining myth. Far from the usual pop-psychology analysis of the deranged and sweaty McCarthy (and why do so few people seem to notice that *Senator* Joe McCarthy had nothing to do with the *House* Committee on Un-American Activities?) the authors have gone in-depth in committee records, and also into the backgrounds of the people from Hollywood who came before the committee. It's certainly easier to issue blanket denunciations of McCarthy and his ilk than to sift through pages and pages of dusty documents. Ronald and Allis Radosh are to be commended for doing the latter.
It's because this book is so heavily researched -- so filled with names, dates, and places -- that I note again that it may not be to everyone's taste. It is, I repeat, a work of history. It notably lacks the rhetorical sledgehammer blows of, say, an Ann Coulter book, and so doesn't have the fist-pumping, take-that-you-commie excitement value some readers derive from more polemical works. But those books seem to disappear as soon as they fall off the bestseller lists. This, on the other hand, is a book that deserves to be around for a long, long time.
Hollywood's Darkest Hour, the Years of the Blacklist........2006-01-01
This book has the same title as a pamphlet series on Communism written by Oliver Carlson and, though the authors claim to have used recently released records of the House Committee on Un-American Activities, I would expect it to have derived mainly from this "Red Star Over Hollywood" series. "The Red Decades of the 1930s and 1940s, and the equal and opposite anti-Communist reaction of the 1950s, became Hollywood's Great Moment on the American Political Stage."
The studios had collaborated with the McCarthyites to ruin the lives of many talented people with the blacklist of "alleged" Communists in Hollywood. If you read THE GILDING OF THE BLACKLIST by James Lardner, son of Ring, Jr., the truth will show that it just wasn't that simple. Lonnie Lardner was on WSM T.V. in Nashville for some time and is a relative of those involved.
Would you believe the accuracy of calling these names as members of ICASSP which they label "the latest Communist group" after the end of the war: Ethel Barrymore, Van Wyck Brooks, Helen Keller, Albert Einstein, Harold Ickes, James Roosevelt, Fredric March, Eddie Cantor, Charles Boyer, Humphrey Bogart, Edward G. Robinson, Charles Laughton, and Robert Young? In a 1945 'Time' magazine article: "Frank Sinatra is one of its hardest-workest speakers. It can call on Gypsy Rose Lee to bare her navel and William Rose Benet to write a script. Lena Horne will sing at any rally, and Walter Huston will recite the Gettysburg Address." At one of their rallies in Madison Square Garden, they "were entertained by Bert Lahr, Joe E. Lewis, Myrna Loy, and Ethel Merman."
When "Stalin announced the start of a new Cold War by proclaiming the United States the world's principal and most dangerous enemy," the seeds for Joseph McCarthy were planted to call a spade a spade, to destroy reputations of not only the Hollywood elite but high-ranking government employees as well. The stars, I think, were tricked into what they did best: entertain.
The assumptions in this book leave a black mark on their careers and memory. If you don't know for a fact that a rumor about a celebrity is not just so much gossip, it is best left unsaid and unprinted. Some parts of this book can cause as much harm as the false claims of McCarthy -- after the fact. These people they named cannot clear their names, which is a dirty shame; most if not all are dead now. Today, it is possible to get anything in print -- if you know the right people, "fiction" claiming to be factual (non-fiction).
These movies are some they call Communist or about Communism: 'Mission to Moscow' from a book by Joseph Davies, published three weeks after Pearl Harbor (described as Stalinist propoganda; 'Tender Comrade,' from a book by Patrick McGilligan; 'Salt of the Earth;' 'Cloak and Dagger' written by Ring Lardner, Jr.; 'Action in the North Atlantic' and Hangmen Also Die' both in 1943; 'North Star,' 'Song of Russia,' and 'Thirty Seconds over Tokyo.' More recent films include 'The Way We Were,' 'The Front,' 'Marathon Man,' 'The house on Carroll Street,' 'Fellow Traveler,' 'The Majestic,' and 'One of the Hollywood Ten.'
This book goes on to slander stars of today who have different political views from the authors, those they call 'activists.' Being an outspoken activist in America today is not the same as being a Communist! Ronald and Allis Radosh choose controversial subjects which can't be proven either way. This book is a great disappointment and should be approached in the manner of "Consider the Source." Peter Collier, a writer and their editor on this parable, should have been listed as co-author, as he went over it tooth-and-nail (line by line) and edited out what he didn't want included. Who knows what he may have added? Ronald has written another book about COMMIES; Allis, one about a consumer activist, which makes them experts on this subject.
Exploding myths about Red Hollywood.......2005-09-24
Remember the Hollywood blacklist? The Hollywood Ten? I'll bet you know a lot about these events even if you weren't alive in the 1950s. That's because Tinseltown has a vested interest in keeping the memory of this era alive. It was the era of the Red Scare, of Senator Joseph McCarthy waving his infamous list of communist subversives during a speech in West Virginia. It was the time of congressional investigations, a time when invoking the Fifth Amendment might keep you safe from a contempt charge but would make you look guilty as sin in the public eye. For a select few the McCarthy era was a time of great fear, and no one feared this witch-hunt against communism more than Hollywood. Why? Because, despite the mountains of claims to the contrary that have emerged over the years, the movie industry oozed communists. There were so many Reds in Hollywood that they should have renamed the town Little Moscow. Yet even today, you won't hear about this truth in the media. You will, however, get the skinny on what really went on if you pick up a copy of Ronald Radosh's "Red Star Over Hollywood: The Film Colony's Long Romance with the Left."
Talk about exploding myths! Radosh's book, which he co-wrote with his wife Allis, cuts through the layers of denial and presents us with an ugly picture of the real Hollywood of the 1930s, 1940s, and 1950s. Vladimir Lenin, the little pipsqueak who brought the nightmare of Marxism to the Soviet Union back in the early part of the twentieth century, had a soft spot for film and theater. He believed that the best way to spread communism around the globe was through movies and plays. This is exactly what the Kremlin crowd set out to accomplish in the following decades. They managed to gain converts to their cause--men who later became movers and shakers like Budd Schulberg, Joseph Losey, and Maurice Rapf--by allowing them to work closely with the Soviet film industry. Once these people came back to the United States, they spread their plague to others with the help of party apparatchiks Willi Munzenberg, V.J. Jerome, and John Howard Lawson. In no time at all, writes Radosh, a branch of the communist party flourished in Hollywood. So many big names signed on that newcomers to the industry, in an attempt to make contacts and find work, had to become communists or fellow travelers themselves.
The Hollywood branch of the communist party worked to increase their membership and influence in several ways. One of the most successful methods involved the tried and true "United Frontism" and "Popular Front" techniques, or the forming of organizations that on the surface embraced popular progressive causes to lure in unsuspecting liberals while maintaining strong communist control behind the scenes. Radosh reveals that the concerns many people had about the rise of National Socialist Germany in the 1930s helped increase membership, although the party's propensity to change direction, oftentimes overnight according to directives issued from the Kremlin, tended to alienate many members. Also off putting was the heavy-handed discipline that could fall on an unsuspecting member at any time. Albert Maltz, for example, discovered the inflexibility of the party when he wrote an article deemed "revisionist" by the upper hierarchy. His very public refutation of his article left little doubt about the strong-arm tactics used behind the scenes. Despite the ugliness the Hollywood Reds occasionally displayed, they were somewhat successful in spreading their propaganda through films like "Mission to Moscow," "The Spanish Earth," and "The North Star." Congressional investigations threw some of these dupes in the slammer, and silenced a few more, but many never repudiated their warped views.
I enjoyed Radosh's book, the first one of his I've had the chance to read. The author and his spouse obviously know what they're talking about and, since Ronald Radosh himself was a communist for many years, he understands how these groups think and act. "Red Star Over Hollywood" occasionally suffers from dry prose and a bewildering number of groups and individuals, but the authors always manage to bring the book back up to speed by throwing in some great anecdotes. For instance, the part where we learn about Ronald Reagan (at the time a liberal) and his buddy William Holden crashing a communist get together in an attempt to inject some common sense into the proceedings is great fun to read about. Reagan got up and started talking only to find himself under verbal attack for some forty minutes. God bless him! The account of Albert Maltz's forced rehabilitation is absolutely chilling, a sobering tale that hints at the violent tendencies inherent in communism. Arguably the best part of the book, however, involves the long, strange trip writer Dalton Trumbo took from the time of his blacklisting to his repudiation of the communist party later in life. So many intriguing stories pop up in the book that the actual creation of the blacklist takes a backseat.
I have one recommendation and one warning to those readers about to attempt the book. In the case of the former, if you're not very familiar with this time period, read a background history of the Red Scare first. Doing so will assist you in learning the context for what happens here and help you learn the basics about a few of the groups and personalities associated with the blacklist. In the case of the latter, the topic is so huge that Radosh doesn't have the space to cover many of the important Reds. There is almost nothing here about Lillian Hellman or Dashiell Hammett, for example, and both of those individuals had a lot to do with the influence of communism in film and books. Nevertheless, this book is well worth your time. Read it and remember it the next time Hollywood releases yet another "we were innocent" propaganda piece.
Book Description
This digital document is an article from Cineaste, published by Thomson Gale on September 22, 2005. The length of the article is 1774 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Red Star Over Hollywood: The Film Colony's Long Romance with the Left.(Book Review)
Author: Dan Georgakas
Publication:
Cineaste (Magazine/Journal)
Date: September 22, 2005
Publisher: Thomson Gale
Volume: 30
Issue: 4
Page: 70(2)
Article Type: Book Review
Distributed by Thomson Gale
Book Description
This digital document is an article from The Weekly Standard, published by News America Incorporated on May 23, 2005. The length of the article is 856 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Tales of the left coast: when the silver screen was red.(Books & Arts)(Red Star Over Hollywood: The Film Colony's Long Romance With the Left)(Book Review)
Author: Ron Capshaw
Publication:
The Weekly Standard (Magazine/Journal)
Date: May 23, 2005
Publisher: News America Incorporated
Volume: 10
Issue: 34
Page: 35(2)
Article Type: Book Review
Distributed by Thomson Gale
Books:
- The Miracle of St. Anthony: A Season with Coach Bob Hurley and Basketball's Most Improbable Dynasty
- The Motorcycle Diaries: Notes on a Latin American Journey
- The Piano Shop on the Left Bank: Discovering a Forgotten Passion in a Paris Atelier
- The Prize Winner of Defiance, Ohio: How My Mother Raised 10 Kids on 25 Words or Less
- The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary (P.S.)
- The Reluctant Tuscan: How I Discovered My Inner Italian
- The Story of the Trapp Family Singers
- The Unabridged Journals of Sylvia Plath
- The Woman Warrior: Memoirs of a Girlhood Among Ghosts
- Theodore Rex (Modern Library Paperbacks)
Books Index
Books Home
Recommended Books
- Perfect Spy: The Incredible Double Life of Pham Xuan An Time Magazine Reporter and Vietnamese Commun
- Johnson Brothers Dinnerware: Pattern Directory and Price guide
- Degas' Drawings
- His Wicked Kiss: A Novel
- History: Fiction or Science
- History: Fiction or Science
- Lame Deer, Seeker of Visions
- Vivien Leigh Paper Dolls in Full Color
- From Roots to Wings: Successful Parenting African American Style
- The Lichen Book : Handbook of the Lichens of Northeastern United States
General
| Biographies & Memoirs
| Subjects
| Books
A Crack in the Edge of the World: America and the Great California Earthquake of 1906
The Professor and the Madman
Krakatoa CD : The Day the World Exploded: August 27, 1883
The River at the Center of the World, Revised: A Journey Up the Yangtze, and Back in Chinese Time
The Meaning of Everything: The Story of the Oxford English Dictionary
