Here, Now, and Always: Voices of the First Peoples of the Southwest

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"We are the people.".......2005-03-06

"I am here.
I am here, now.
I have been here, always."

Edmund J. Ladd (Zuni).

In 1989, the Museum of Indian Arts and Culture in Santa Fe, NM, began to put together a project designed to present Native American culture, traditions, and contemporary life from an Indian point of view: not looking in from the outside but looking out from the inside, not analyzing in the way of anthropologists but giving its Indian contributors themselves a place to raise their manifold voices. The process thus begun resulted in a fascinating permanent exhibition presenting all aspects of Native American life from its historic origins to modernity, from arts and crafts to farming and hunting, and from the sacred to the secular (if that distinction applies at all, for there is a profoundly spiritual element to every single act performed over the course of the day). Endowed with a multitude of exhibits - many of them of priceless value - and using traditional displays as well as a multimedia approach combining various audiovisual tools, from its inception the exhibition rested on one inimitable centerpiece: the multi-timbred choir of the First People's very own voices.

Bearing the same title as the exhibition and illustrated by numerous photos, "Here, Now, and Always" provides an additional forum for these voices and sends them out into the world at large. "Listen carefully. Let the stories carry you to the center created by each Native community. Here, at the intersection of sky and earth, you will find the Southwest's people," the museum's former archeology curator, Sarah Schlanger, is quoted at the end of the introductory text to the book's first part, "Ancestors." And thus, the book's Dine (Navajo), Hopi, Zuni, Apache, Tohono O'odham (Pima) and manifold Pueblo contributors become messengers of their respective peoples; talking about Earth Mother, Sun Father, Changing Woman, Spider Woman and Spider Man, Salt Woman, the Great Spirit, the formation of the first clans and their wanderings, the sacred places marking their world and the meaning of home and community, the interrelation of the elements and man's interaction with them, the significance of clay, salt, corn, and tobacco, of minerals and precious stones, and of farming and hunting, the cycles of life, time, and the seasons, the importance of language, oral tradition, and sacred ceremonies in cultural preservation, and obstacles overcome and new challenges arising.

"Each mountain carries precious knowledge. Each is symbolized by certain birds, insects, trees, plants, songs, and prayers. Try to remember this when you think you might want to bulldoze these mountains. Let the sacred remain," warns Gloria Emerson (Dine) in the chapter entitled "Elements." Anthony Dorame (Tesuque Pueblo) explains about cycles that they are "circles that travel in straight lines." In the chapter on agriculture he recounts how his people revived their already-forgotten life as farmers, and wonders, "Today, we again hear the musical thump of a watermelon being split open in the field. Will we forget again what we now remember?" and later on, he adds that "[w]hen the branch is broken, the twig cannot survive. Without our language and without our ways, you cannot survive as a people." Similarly, recalling the young Zunis shipped off to Pennsylvania in the 1800s, all of whom died from loneliness after having been cut off from their cultural roots, Edmund J. Ladd (Zuni) - whose words also provided the project's title - reflects that these days, it is his people's language that is dying from loneliness. In the chapter entitled "Arts," Michael Lacapa (Apache/Hopi/Tewa) adds that the word "art" does not exist in his language at all, and muses, "We make pieces of life to see, touch, and feel. Shall we call it 'art'? I hope not. It may lose its soul. It is life. It is people." And in talking about a mid-20th century professor's prediction that traditional Indian life would vanish within a matter of years due to the spread of a cash economy, federal relocation policies, and WWII veterans' reluctance to return to their prewar lifestyle, Dave Warren (Santa Clara Pueblo) points out that like the footprints and handholds left behind by their ancestors in the southwestern canyons, cliffs, and plateaus, "tradition is deeply etched into our very being. ... [W]e are of these spaces, places, and times. We leave our footprints for another generation; we leave our handholds to steady their journey."

Bringing together all these and many other voices, "Here, Now, and Always" pays tribute to the rich heritage of the Southwest's Native people, and builds a unique bridge to a way of life, traditions, and beliefs sidelined and on the brink of extinction practically from the moment the first white man set down his conqueror's foot in the region, although these very traditions had survived in (largely) peaceful coexistence for centuries before. A slim volume of less than 100 pages, the book is nevertheless powerful testimony to the First People's resilience and ability to adapt to altered circumstances while maintaining the core of their cultural values. As such, it is highly recommended reading - and hopefully, also an incentive to one day go and see the exhibition from which it originates.

"Together we traveled,
in search of the center place.
In numbers we grew.
The center place had not been found.
The gods divided the people.
Some traveled north,
to the land of winter.
Some traveled south,
to the land of summer.
We are the people."

Edmund J. Ladd (Zuni).

Le culture completement lie.......2004-01-15

Les malades dans l'hopital de Sells, dans l'etat d'Arizona, prennent de la cuisine traditionnelle du sud-ouest. Se guerit-on lorsqu'on se sent lie avec le culture et la terre maternaux? En fait, les danses qui se font pendant la scheresse se servent de l'energie de la creation liee, depuis les danseurs, jusqu'aux ancestres, aux descendants et a l'univers entier. Les arts du sud-ouest, eux aussi, se font, pour lier le passe, le moment actuel et l'avenir du culture, du peuple et de l'univers. Ainsi sont-ils beaux et serviables, tels que de la poterie, du tissage, et de la vannerie. A vrai dire, les peaux-rouges se croient originaires des terres tout autour des rivieres Colorado, Gila, Rio Grande, Salt et San Juan, les destinations finales de tous leurs esprits lies aussi.

It Runs in the Cultures.......2003-03-24

Patients in the hospital at Sells, Arizona, are away from what they're used to drink and eat. So they're served traditional foods. Respecting the traditional link to nature and people keeps up physical and spiritual strength. In contrast, in the 19th century, Zuni boys and girls were sent to Carlyle, Pennsylvania. They didn't feel part of a community or nature. They'd felt both in the southwest. They never made it back home. They died from loneliness.

In the southwest, life has always been about getting along with nature and people. One traditional way that southwestern cultures do this is through dance. Music sounds within the dancer. That energy joins the dancer to all creation. So the dancer becomes linked with human energy, such as ancestors and future generations.

The dancer also links to natural energy, such as rain clouds. This is why the Hopi rain dance brings rain. In fact, the Hopi say that their corn, grown unirrigated, and their way of life, in harmony with nature and people, will save the world. The Apache also got through war, reservation poverty, depression and censorship by drawing energy from community, nature, and prayers.

It should be no surprise, then, that a southwestern work of art has a link and use too. Pottery stands for the sacred earth bowl. Traditional designs keep the tie strong between past, present and future generations.

HERE, NOW, & ALWAYS comes out of an exhibition at the Museum of Indian Arts and Culture in Santa Fe, New Mexico. Along with artworks, such as beautifully useful basketry, pottery and weavings, there are also audios, videos and writings of southwesterners on ancestors, community, cycles of nature and people, and survival.

Southwesterners believe they didn't come from somewhere else. They've always been here first, right from the start, along the Colorado, Gila, Rio Grande, Salt and San Juan rivers. They'll also be the last. For example, the Hopi believe that the life of their people began at the Grand Canyon. That also will be their final spiritual home.

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Notes from My Inner Child: I'm Always Here
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Amazon.com

David Brin takes some of our worst notions about threats to privacy and sets them on their ears. According to Brin, there is no turning back the growth of public observation and inevitable loss of privacy--at least outside of our own homes. Too many of our transactions are already monitored: Brin asserts that cameras used to observe and reduce crime in public areas have been successful and are on the rise. There's even talk of bringing in microphones to augment the cameras. Brin has no doubt that it's only a matter of time before they're installed in numbers to cover every urban area in every developed nation.

While this has the makings for an Orwellian nightmare, Brin argues that we can choose to make the same scenario a setting for even greater freedom. The determining factor is whether the power of observation and surveillance is held only by the police and the powerful or is shared by us all. In the latter case, Brin argues that people will have nothing to fear from the watchers because everyone will be watching each other. The cameras would become a public resource to assure that no mugger is hiding around the corner, our children are playing safely in the park, and police will not abuse their power.

No simplistic Utopian, Brin also acknowledges the many dangers on the way. He discusses how open access to information can either threaten or enhance freedom. It is one thing, for example, to make the entire outdoors public and another thing to allow the cameras and microphones to snoop into our homes. He therefore spends a lot of pages examining what steps are required to assure that a transparent society evolves in a manner that enhances rather than restricts freedom. This is a challenging view of tomorrow and an exhilarating read for those who don't mind challenges to even the most well-entrenched cultural assumptions. --Elizabeth Lewis

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A respected futurist advances an argument sure to cause debate-in a wired world, the best way to preserve our freedom will be to give up our privacy

In The Transparent Society, award-winning author David Brin details the startling argument that privacy, far from being a right, hampers the real foundation of a civil society: accountability. Using examples as disparate as security cameras in Scotland and Gay Pride events in Tucson, Brin shows that openness is far more liberating than secrecy and advocates for a society in which everyone (not just the government and not just the rich) could look over everyone else's shoulders. The biggest threat to our society, he warns, is that surveillance technology will be used by too few people not by too many.

Customer Reviews:

Do not be fooled.......2007-06-30

This author steeps his product with an endorsement of our loss of rights, privacy, and freedom. Read 'No Pleace to Hide' by Robert O'Harrow, Jr. if you want substance and details. O'Harrow's work gets a good review from William Safire.

Important perspective on the threat to privacy posed by our technology.......2007-05-17

The cameras are coming. The question is what we are going to do about it.

I bought this book because I had read some of Brin's science fiction and I was intrigued by the idea of a science fiction author taking a serious look at how our society might deal with the threat to privacy posed by coming technology. Brin demonstrates his knowledge of technological issues (videocameras, cryptography, copyright, etc.), but it was his sensitivity to social issues that impressed me.

This book really stimulated my interest in the relationship between privacy and freedom. Before reading "The Transparent Society" I had a simplistic sense that privacy was something we needed to preserve as much as possible in the face of whatever technology may come. Like many people, I've grown uncomfortable with the prevalence of surveillance as we go about our lives. I wouldn't say this book has led me to welcome the sacrifices we need to make regarding privacy--it just made me realize that we may not be able to go back to some mythical time when everybody was left alone. To use Isaiah Berlin's distinction, we may need to think more in terms of positive liberty (things we have the power to do) rather than simply negative liberty (restrictions on our actions). We need to be smart about how we navigate these waters. Brin adopts an intelligent position I have not seen put forth by anyone else. Instead of arguing that we need to shut down the flow of information gained through surveillance, Brin says we need to open up the flow of information to make it available to more people.

Brin asks which of the following two societies you would rather live in: A world where video camera surveillance is ubiquitous and all of the information is overseen by a secret elite who have the power to monitor the actions of anybody they choose. Or a "participatory panopticon" (not Brin's phrase) where everybody can watch everybody else, including regular people being able to watch the watchers? For Brin these are the two options. After all, the cameras are coming. When everybody can easily record every second of their lives, and surveillance cameras are ubiquitous (to say nothing of gnat-sized cameras), we will need to rethink what levels of privacy we are willing to accept. Right now, it seems we may be, to use Charlie Stross's phrase, "sleepwalking into a police state". It could be that what we need is not less surveillance but more "sousveillance" (watching the powerful from below).

Brin says we must answer the following questions:

"Can we stand living exposed to scrutiny, our secrets laid open if in return we get flashlights of our own that we can shine on anyone who might do us harm--even the arrogant and the strong?"

"Or is an illusion of privacy worth any price, even the cost of surrendering our own right to pierce the schemes of the powerful?"

For what it's worth, though, I can't help but think that Brin is too sanguine about opening up so much personal information from our daily lives. It is scary to think of the way things could go. Jeffrey Rosen in The Naked Crowd: Reclaiming Security and Freedom in an Anxious Age has a critique of Brin along these lines. Rosen also disputes Brin's claim that crime dropped precipitously in areas where surveillance cameras were installed.

Whatever happens, it is clear that sousveillance is something that should be pursued; we need to know more about how information about us is being used by the government, and, more importantly, by corporations. This is a position Brin advocates, and it is one in which I am agreement.

Good book a little outdated now.......2007-03-22

Reveals how transparent society is. Most of it we dont realize but is already in place.

Puts NSA Wiretapping in Context.......2006-07-08

It is helpful to return to this book, from 1998, and to a follow on book, "the digital person" published in 2004, as context for the recent bru-ha-ha over NSA wiretapping without a warrant, and the loss to theft of tens of thousands of social security number and other personal information of veterans. Oh yes, somewhere in there, the FBI was hacked and companies like First Data are making fortunes compiling actionable profiles of individuals from disparate sources that were never approved for sharing.

This book focuses on the value of transparency and considers the key issue to be the war between secrecy versus accountability. The author directly confronts the issue of "who controls" information about YOU.

The author draws a useful comparison between the Internet, which sacrificed security for robust sharing, and the intelligence community, which chose security over sharing as its primordal principal.

The author observes that the Internet is having one undesireable effect, that of fragmenting communities that become less amenable to compromise and consensus. He points out that reality and locationally based discussion can lead to more effective consensus and compromise.

There is a useful discussion of "tagging" and how citizen truth squads and public commentary can serve as a useful antidote to corporate messages. The idea of "culture jamming" is picked up and treated at length by another excellent book, "NO LOGO."

Overall this book remains a standard in providing a detailed revoew of the issues and the capabilities surrounding digitial information about individuals. It is the author's view that WHO controls information, rather than WHO is elected, will determine the future of democracy.

In passing the author makes two points that I find important:

1) A liberal education, rather than the current trends toward immediate specialization, is essential if the public is to be able to think critically.

2) Law enforcement under the current government model, does not work. The author gives the example of 100 felonies, of which only 33 are reported. Of the 33, 6 are caught, 3 are convicted, and 1 goes to prison.

The author ends with a reference to genius savant John Perry Barlow, one of America's more notable commentators, and suggests that we are entering an era of individual collective intelligence against organized government intelligence (and secrecy).

I recommend this book be read together with "the digital person" because the latter book focuses on the degree to which government and corporate mistakes--"careless unconcerned bureaucratic processes" can undermine privacy and good order.

I have been giving this book to my friends.......2006-03-25

This is a "Must Read" for anyone who treasures an open society. The technology is here, and the cost of implementing it is dropping exponentially. The debate about who controls it should begin. This book addresses the question of "Who will watch the watchers" with a level of thoroughness and imagination unavailable anywhere else.

Debating the degrees of freedom to be lost in exchange for security is a massive waste of time. Brin shows a practical way to have both much greater security, and increased freedom, through transparency.

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The 2000 Import and Export Market for Dairy Products and Birds' Eggs in Oman (World Trade Report)

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The 2000 Import and Export Market for Dairy Products and Birds' Eggs in Oman (World Trade Report)
Dairy Products and Birds' Eggs Research , The Dairy Products , and Birds' Eggs Research Group
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On the demand side, exporters and strategic planners focusing on dairy products and birds' eggs in Oman face a number of questions. Which countries are supplying dairy products and birds' eggs to Oman? How important is Oman compared to others in terms of the entire global and regional market? How much do the imports of dairy products and birds' eggs vary from one country of origin to another in Oman? On the supply side, Oman also exports dairy products and birds' eggs. Which countries receive the most exports from Oman? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers?

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