Product Description
This book will teach you everything you need to know to sew leather by hand. It shows many stitching techniques with information on the tools and materials you need to get started.
Customer Reviews:
Art of Hand Sewing.......2007-06-13
Clear, concise instructions. Ideal for beginners to the craft. Good diagrams to go with instructions.
Must for any hand sewer.......2007-02-10
If you are just starting in hand sewing leather, you need this book. It gives you all of the basic stitches and tools you need. With many tips on helping with speed and making it look great
Learn it well!.......2006-06-08
If you want to know, I mean REALLY want to know how to do this skill, then Stohlman is the one to learn it from. Hand drawn illustrations of the tools and techniques to easily sew leather by hand. Clear instructions, and pelnty of tips and hints to make life, and leather, good!
A basic skill when working with leather, and a good book to learn from.
Stohlman is an excellent teacher of skills in all of his works.
Kay
Customer Reviews:
Excellent Projects.......2001-01-18
Leatherwork is filled with gorgeous photographs and excellent projects for beginners or experienced leather crafters. Instructions are well written and easy to follow. A perfect gift for those who love trying new things.
Book Description
Within days of the killing of 13 unarmed civilians and the wounding of 14 others on Bloody Sunday, more than 500 eyewitness testimonies were recorded for presentation to the Widgery Tribunalbut only 15 were considered. The first edition of Eyewitness Bloody Sunday brought to light 100 witness statements that were officially ignored for more than two decades. This book had a phenomenal and far-reaching impact, profoundly weakening the official version of the events of January 30, 1972. In addition to giving a voice to the civilian demonstrators who witnessed the events of Bloody Sunday, it exposed facts supporting the hypothesis that snipers in the vicinity of the old Derry Walls might have shot dead three of the victims. With the Saville inquiry now into its second year of investigations, this book has become a pivotal source of firsthand evidence about what really happened on that tragic day.
Customer Reviews:
An important book.......2001-10-04
It is hard to say "I love this book" because what it describes is so terrible. But it gives voice to the people who were in Derry on January 29, 1972 and allows them to describe in their own words how it came to pass that the British Army opened fire on a civil rights march, killing 14 people. This book, and its editor, share a great deal of the credit for reopening the official inquiry into the events of Bloody Sunday and causing the British government to at last take a long, hard look at whether this terrible event ever should have happened.
Book Description
Set during the Jacobite rising in Scotland in 1745, this novel springs from Scott's childhood recollections and his desire to preserve in writing the features of life in the Highlands and Lowlands of Scotland. Waverley was first published anonymously in 1814 and was Scott's first
novel.
Customer Reviews:
WAVERLEY: THE FIRST HISTORICAL NOVEL, THE FIRST POLITICAL NOVEL.......2006-11-08
Sir Walter Scott began WAVERLEY, his first novel, in 1805. Years later, after his move to his dream home Abbotsford near the border with England, he found his manuscript while rummaging in a fishing tackle box. He then brought the world's first historical novel to a conclusion in 1814.
Abe Lincoln read Walter Scott. His children entertained their mother re-enacting scenes from the WAVERLEY series of novels. I wonder therefore if Lincoln's "Four score and seven years ago..." does not echo WAVERLEY's frequently repeated sub-title, " 'Tis Sixty Years Since." WAVERLEY is narrated as from 1805, the year it was begun, and for both it and the Gettysburg Address, a reader inevitably starts calculating backwards. What date are we talking about? Ah,1745 for young Edward Waverley. We know (as he does not) what turmoil he is letting himself in for when he rides into the Highlands -- the last hurrah of the legitimate Stuart dynasty. And 1776 for Abe Lincoln meant the Declaration of Independence. In 1745 "auld" Scotland almost disappeared in defeat. In 1776 Hanoverian Britain began its retreat from North America.
Scott tells us in i.1 (p. 5) that in 1745 our ancestors expressed their anger directly, by taking up arms. But in 1805/1814 his generation was more indirect, taking enemies to court.
This very great novel should be read for sheer entertainment, for its characters, for the omnipresent black bears of the Baron of Bradwardine and for its love story. But I suggest that we read it as well as history and geography. Are we up for the sounds of broad Scots language? For a smidgen of Highland Gaelic (which Scott barely knew)? To learn about doch and dorroch and the stirrup-cup? Through hundreds of details of what Scotsmen ate, how they dressed, how beautiful were their mountains and waters near Perth, Walter Scott brought Scotland to life in England and throughout Europe and in the USA.
WAVERLEY makes us take Scotland, the real Scotland of history, seriously. We see its educated Catholic Highlanders sending their children to study in France and Italy. Bonnie Prince Charlie lost only one battle of several, but it was enough to secure Hanoverians their throne. We sense that the transition, however awful, was inevitable from fiercely independent Scotland to an uncomfortable, demoted "North Britain" within a prospering, peaceful United Kingdom of middle-class shopkeepers. Walter Scott makes us ask what if any history has to teach us.
Not only is WAVERLEY the first historical novel. It is also the first political novel. We see dimly how a generally dismal set of rulers, the Stuart dynasty, could continue to win men's loyalty to a lost cause. In a later novel, also about Prince Charlie 20 years later, we read of a Scottish family named REDGAUNTLET whose fate was always to be on the losing side. What makes subjects or citizens alike glory in losing for political principle?
Mark Twain wrote as if all Walter Scott cared about were kings and dynasties, knights, beautiful high-born ladies and lost inheritances. But day after day in court in Edinburgh he heard argued cases of little people with religious and inherited passions and prejudices, not to mention superstitions. He remembered them all, along with the tales he heard as a boy and the ballads he researched for seven consecutive summers as a young adult. These little people live again in WAVERLEY and in Scott's 26 other novels as well.
-OOO-
Like Reading K2, But Worthwhile.......2005-09-21
The first 200 pages of "Waverley" represent an early zenith for novelists testing the patience of their readership.
After a lengthy introduction where author Sir Walter Scott mocks the romantic pretentiousness then abounding among novelists, he proceeds to introduce us to assorted personages we will never meet again before finally focusing on the opaque central character, whose name not only gives us the book's title but a sense of grating irresolution which comes to define him. The reader's feet start tapping.
Scott then throws up a detailed sequence of non-events. Young Waverley joins the British army, marches off to Scotland, and becomes the guest of every Highland warlord with a grudge against His Majesty. I may have left off a couple of incidents, but that's the sum total of the action for the first third or so of the book. "Shall this be a long or short chapter?" he teasingly asks at the beginning of his 24th chapter, nearly 200 pages in.
"Waverley" does eventually kick itself into a higher gear, not that it ever becomes a thrill-ride. But he imbues his mysterious Scottish landscape with an aura that swirls around the reader and, though hard to explain coherently, becomes not only quite charming but compelling, too.
Waverley, like David Copperfield and many other such heroes of 19th century fiction, finds himself torn between two women, and as his attempts at wooing one fell painfully short, I found myself cutting across the chasm of time and really identifying with the guy.
"The sensation of hope with which he had nursed his affection in absence of the beloved object seemed to vanish in her presence..."
Scott's remedy for such pining is also too good not to quote: "I knew a very accomplished and sensible young man cured of a violent passion for a pretty woman, whose talents were not equal to her face and figure, by being permitted to bear her company for a whole afternoon."
I wish I had the stomach to finish this book the first time I tried to read it, when I was a sophomore in high school. It might have saved me much misery.
The noteworthy thing about "Waverley," as others here comment, is that it plays off the romantic ideal of the day in a character whose inconstancy is a deliberate statement about how such all-or-nothing sentiments can be misleading, even injurious. Edward Waverley, introduced to us memorably (if at great length) in terms of the books he starts but doesn't finish, becomes a waterbug skittering across the waves of history, once a loyal supporter of the Hanoveran throne, then a rebel Jacobite, as his loyalties are played by people of varying moral hues.
"Well, after all, every thing has its fair as well as its seamy side," Waverley declares by the second half of the book, beginning to understand.
What makes "Waverley" a great book are the characters around Waverley more than the man himself, especially one rebel named Fergus who takes his measure of Waverley's indecisive character, and his station as the heir to a British title, in order to manipulate him. Scott does this so subtly we may feel ourselves as caught out as young Edward when he learns the score, but it works not only because it carries logical force within the ever-shifting narrative but doesn't turn Fergus into a villain so much as a man who does what he can with what he has.
For all the romantic stuff, well presented indeed, it's the relationship between Waverley and Fergus that carries the strongest resonant strain, since it isn't exactly a friendship or adversarial, but a bit of both with an undercurrent of tragedy that becomes more focused toward the end.
"Waverley" isn't a well-structured novel per se, given the sluggish opening and Waverley's pinball-like relationship to the politics around him. Readers of "Ivanhoe" will miss the firmer storyline of that work, not to mention comic relief in the form of pithy Wamba of that book rather than the windy, Latin-loving Baron, though the latter has his moments.
Everyone in "Waverley" has their moments, and they add up to a great book once the momentum gets going. It's a tough climb, but you'll be glad you made the effort when it's over.
The ultimate coming-of-age novel.......2003-10-24
Scott can be a ragged storyteller, by our contemporary standards (which are unfair to apply, since he showed the way to all future English novelists). Patches of WAVERLEY are ragged and rambling. Such humor as there is is not very funny, and sometimes when the action is meant to be sweeping, it is more nearly absurd.
None of this is without compensations. The English novel was still young and unformed, and Scott is alive to all its possibilities, with a freshness and boldness not available to later writers. He thinks nothing, for instance, of having his hero (here as in IVANHOE) sick or asleep while the action is conducted elsewhere by more vidid, nominally secondary characters.
But WAVERLEY is not just of historical interest. It accomplishes something unique in the Bildungsroman genre. In its time, and even now, it is thought of as a nonpareil romantic adventure, but the reputation is misleading, since it is mostly about the unraveling of Waverley's romantic notions. For a time we share them: how merry and noble the highlanders seem, how manly and swashbuckling their leader, Fergus; how accomplished and womanly his sister, the beautiful Flora. By the the end of the book, however, Waverley's cause has turned to ashes, the man he idolized is revealed as an unfeeling monomaniac, and the woman he thought he loved seems just a sour harpy.
The cold slap of reality is an experience common enough in life, the painful accompaniment of growing up, but you'll have to look far and wide to find it so cannily presented in fiction as here.
A Geste of Waverly.......2003-08-18
Mark Twain stated that Scott's writings had a "debilitating influence;" in fact drove the antebellum South "mad" with medieval notions of chivalry into the War Between the States. It's true, the popularity of Sir Walter at the time was unparalleled. Waverley, published in 1814, has the distinction of being the first historical novel; that is, where a heroic fictional character is set within an actual event in history. Waverley also stands out as a splendid example of the romantic trend in literature, where imagination is considered primary to understanding. Waverley is the first in a series of popular "historical romances" by Scott. The key event to Waverley is the colorful Jacobite rebellion of 1745, where Bonnie Prince Charlie, the last of the Stuarts, landed on Scottish shores to reclaim the English throne from King George II. 75,000 ex-Jacobites later immigrated to South Carolina following Prince Charlie's failure, no doubt giving King George III much to contend with, during the American Revolution. Over a hundred years later, South Carolina was the first state to secede from the Union, by the Scott "crazed" generation. So, Twain's witty observation could have a basis in fact.
Scott published Waverley anonymously, giving the novel a thrilling mystique of historical authenticity; a romantic strategy ? for imaginative distancing or "negative capability" discussed by contemporary poet, John Keats. The hero, Edward Waverley, is born into a house of divided loyalties, between the treasonable Stuart cause and loyal ties to the Hanoverian crown. Although himself a Captain in the King's forces, Edward begins an adventure of self-discovery at the Scottish manor of Bradwardine; learns the ways of the Highlanders from Fergus McIvor and his sister, Flora; joins forces with "the Chief," and fights the battle of Preston. We are treated to riveting characterizations of famous historical persons and events, told in evocative poetic prose, with haunting images, dramatic set pieces, and convincingly real dialogue. I agree with A.N. Wilson, who more recently described Sir Walter Scott as "a genius of extraordinary range, depth and intelligence."
So, in reply to the ever gallant and wry wit of Mr. Twain, it's my belief that the creative genius, as evidenced by Waverley, promotes rather than detracts from cultural growth. The self-defeating principles which destroyed the Old South are endemic to all societies (including our own), as Toynbee could have said, and these causes lay deep within the collective unconscious (Jung).
Interesting critique of romantic tendencies.......2003-02-26
Waverley, Walter Scott's first successful novel, concerns Edward Waverley, the scion of a noble, landed family in England. He's a Romantic young man, in the formal sense of belonging to the Romantic movement and in temperament--the relative ease of his life and his passionate dilettantishness land him, eventually, in the service of the Jacobites during the rebellion of 1745. He discovers the wild landscapes of the Scottish Highlands, the curious manners of the Highland folk, and learns that life and war are not exactly like all those romantic books about adventure and glory he loves to read.
Scott's book can be interpreted as a critique of the Romantic temperament, and I think the book succeeds best when it contrasts reality with the puffed-up imaginings of Edward Waverley's literature-addled perception. He is not quite Don Quixote, according to Scott, but he suffers from a milder version of the same disease; the most amusing parts of the book center around Waverley's naivete toward battle, ceremony, and love. He is feckless, to be sure, and abysmally undisciplined--but he is a decent fellow in the end, and learns from his mistakes. The people that populate Scott's novel are generally civilized, noble, and upright people, even the fierce rebels; while Scott doesn't approve of rebellion, the rebels are portrayed as misguided at worst, and of equal nobility to the English at best. Scott's purpose was to peer into the world "sixty years since" his own time, and helped give birth to the historical novel. It has confusing and near-unreadable parts (especially when the pedantic Baron shows up), but as a historical novel, it certainly sets the template for all other books of its type to come.
Book Description
Such, briefly and comprehensively stated, having been the situation in 1853, it remains to consider the practical outcome thereof during the sixty years it has been my fortune to take part, either as an actor or as an observer, in the great process of evolution. It is curious to note the extent to which the unexpected has come about. In the first place, consider the all-absorbing mid-century political issue, that involving the race question, to which I first referred,--the issue which divided the South from the North, and which, eight years only after I had entered college, carried me from the walks of civil life into the calling of arms.
Download Description
Such, briefly and comprehensively stated, having been the situation in 1853, it remains to consider the practical outcome thereof during the sixty years it has been my fortune to take part, either as an actor or as an observer, in the great process of evolution. It is curious to note the extent to which the unexpected has come about. In the first place, consider the all-absorbing mid-century political issue, that involving the race question, to which I first referred,--the issue which divided the South from the North, and which, eight years only after I had entered college, carried me from the walks of civil life into the calling of arms.
Average customer rating:
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'Tis sixty years since
James Lee Love
Manufacturer: University of North Carolina Press
ProductGroup: Book
Binding: Unknown Binding
North Carolina
| State & Local
| United States
| Americas
| History
| Subjects
| Books
ASIN: B0007F0YV8 |
Product Description
Small memoir of campus life dedicated to alumni of the University of North Carolina written at the request of Professor Archibald Henderson for the school's sesquicentennial celebrations.
Book Description
Some 70 million Americans are birdwatchers. That's more people than the number of Americans who consider themselves pro football fans. That's twice the number of people who buy fishing licenses, and more than twice the number of golfers. And no one speaks to this group more authority than Audubon, who for 2006 presents hundreds of captivationg species in detail-rich, full-colour photographs and lively text. Birds ot the tropics, birds of prey, shorebirds, desert birds, arctic birds, plus familiar friends, the backyard songbirds: jays, sparrows, orioles, buntings, and brilliant red cardinals all perched right on your desktop.
Customer Reviews:
nice gift .......2007-01-19
This is a nice gift for the birdwatcher on your Christmas list
Audubon Birds Page-A-Day Calendar 2006.......2006-03-17
If you are a bird lover like my sister is - You'll Love this - SHE REALLY DID.
still great.......2006-03-06
Consistently informative, this daily calendar delights with variety and useful information. The calendar could spend a bit more time on Hawaiian birds, but overall it provides excellent pictures while identifying some lesser known bird traits.
Bird-a-Day calendar.......2006-02-23
This calendar is an excellent learning tool for school age children through adults.
No better gift for a bird lover!.......2005-11-23
Next to a flower, the only comparable ideal of beauty must be the sound, color, form, and taste of our finely-feathered friends. I have always been a bird lover, certainly before the threat of bird flu, before the popularity of using owls as postal carriers in "Harry Potter", and probably even before the widespread popularity of KFC, and in my long experience, no one speaks with greater authority on birdal matters than the National Audubon Society.
But is one day really long enough to appreciate each bird as presented on the calendar, much less establish a meaningful relationship? Yes! By the feathered gods of ancient Sumer, yes! I can recall from the 2005 calendar each and every bird that graced my cubicle throughout this passing year, and each day I awake with a smile on my face knowing that a new feathered friend is awaiting me at the Midwestern insurance company where I work. With a helpful little profile accompanying each bird to break the ice of the first encounter, curiosity quickly leads to admiration, then fondness, then longing, then frustration, then betrayal, and then finally a very messy and violent break-up, so it is a good thing that a new bird is always around the corner on the next page.
Sometimes I wish I were a bird. Not so I could fly, or sing, or perch, or lay eggs--or relieve myself while flying, singing, perching, or laying eggs--but so I could eat worms. I eat worms anyway, but people consider it "gross" and "disgusting". Nobody says those things when a bird does it. I wish I were a bird.
Books:
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- The Culture-Wise Family: Upholding Christian Values in a Mass Media World
- The Debt Squeeze: How Your Family Can Become Financially Free
- The Dragonfly Door
- The Hero in My Pocket
- The Homeschooling Handbook: From Preschool to High School, A Parent's Guide (Prima Home Learning Library)
- The Homework Solution: Getting Kids To Do Their Homework
- The Kate Greenaway Baby Book: A Record of the First Five Years (The Kate Greenaway Collection)
- The Kidfun Activity Book
- The lilaguide: Baby Friendly San Francisco Bay Area, 2004 (Lilaguide)
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