Scott 2006 U.S. Pocket Stamp Catalogue

Scott 2006 U.S. Pocket Stamp Catalogue
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Scott 2006 U.S. Pocket Stamp Catalogue
James E., ed. Kloetzel
Manufacturer: Scott Publishing Co.
ProductGroup: Book
Binding: Paperback
ASIN: B000SVNM60

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Scott 2006 U.S. Pocket Stamp Catalogue (Scott U S Pocket Stamp Catalogue)
James E. Kloetzel
Manufacturer: Scott Pub Inc Co.
ProductGroup: Book
Binding: Spiral-bound

General | Antiques & Collectibles | Home & Garden | Subjects | Books
Stamps | Antiques & Collectibles | Home & Garden | Subjects | Books
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Reference | Crafts & Hobbies | Home & Garden | Subjects | Books
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Customer Reviews:

Explaining the manuscript point of view of the book.......2006-02-20

In a review by "The Old Philosopher" above he states that he doesn't find this books covers the classic Celtic art. Probably that';s because the title includes the words "Illumunated manuscripts" in it.

The era of the book artwork IS as described..........2005-11-02

This book is more of an overview of several books than focused on one in particular, but still nice for the plates and a good sampler if you're not sure what to get. The title of this book is not misleading if you know anything about the history of Celtic art and it's later years in illumination, from my experience as a reviewer for the British Museum's publications and having worked in Ireland on archaeology digs as their sketch artist. ;-) During the Christian era of Celtic art they did have many influences of Coptic, Greek, Norse, *and* Persian design, especially in the Book of Kells. The Irish monks did quite a lot of travel during the dark ages to promote learning, and the monastaries in Ireland had students from countries all over the world, hence a good influx of other ideas which they of course fused into their own (masters of adaptation!). "The Old Philosopher"'s desire for Ogham to be used in the manuscripts is very far off... the latin uncial used in the manuscripts is standard for the period, as the ancients Celts (pre-Christianity) didn't have books per sae, only a sort of "runic" writing system of slashes used on staves and stone. They *had* no manuscripts so expecting to see Ogham in a manuscipt would be ridiculous! I think "The Old Philosopher" misunderstands the period of Celtic history these books were created in, as the title is certainly reflective for the period listed. If you enjoy Celtic manuscripts such as the Book of Kells or Lindisfarne Gospels this will be a nice overview of some of the different evolutionary flavors the artwork went through. If you want more information on Celtic art then any book by Ruth and Vincent Megaw (such as "Celtic Art", available from Amazon as well) will cover the early periods (typically only up to the Christian era, or briefly entering the Christian era), and then any book published on the old manuscritps such as the Book of Durrow, Lindisfarne Gospels, and the Book of Kells are great. This book is more an overview of a bunch of books, so good for starting out your manuscript collection.

Not Celtic, and not Anglo-Saxon either........2005-06-14

The title is quite misleading. The Amazon listing also says, "Book Illumination in the British Isles 600-800." Unfortunately that amendment is not shown on the cover, only on the inside title page and I missed it. I find that contradictory anyway since classic Celtic culture had pretty much vanished by the end of the Roman Empire. The title implies a book about painting of classic Celtic culture, a millennium spanning culture famous for it's art. Unfortunately that's not what this book contains. If you are looking for a book describing early Christian art from Irish Bibles this might be an excellent book to buy. It wasn't what I expected after reading the title.

The civilization generally called "Celtic" consisted of a number of culturally related tribes and peoples dispersed across Western Europe. Celtic culture is generally identified by it's artwork including some very fine examples of sculpture, pottery, gold ornamentation, and painting which has been found in graves and other locations from Austria west. Gaul was probably the center of Celtic culture in the centuries when the Celts were strong enough to sack Rome. Many, many fine examples of Celtic art are still found in museums and galleries today. When I opened this book after reading the title I expected to find plates and descriptions of classic Celtic art. The word "CELTIC" is after all printed in huge letters on the top of the cover. Anglo-Saxon art is less well known than Celtic art, and I was curious to learn how Anglo-Saxon art succeeds the Celtic art. After all, the time period of the Anglo-Saxons was later than that of the Celtic culture.

I was seriously disappointed with this book. The works shown in this book are almost entirely from christian bibles other books drawn and inscribed by Christian monks. The script in the plates (the paintings) is Latin or vulgate Latin, not the Celtic Ogham alphabet. Many of the symbols shown in the paintings are said by the author to be of Persian origin. Hello? When did Persian Christian art become Celtic?

I found no examples of art from the historic Celtic culture in this book. Yes, the examples of early Irish Christian bibles were influenced by Celtic artistic history as well as Roman and Persian. I don't really believe that a Persian inspired portrait of Saint Mathew or Jesus is "CELTIC painting," even if the artist was Irish. Missing entirely was art from a thousand years of Celtic culture before and during Roman occupation of Celtic lands. As for Anglo-Saxon painting, you have to look really hard to find where that is even mentioned inside the cover.

Religious Celtic art.......2003-08-04

This book features forty eight color plates that are reproduced in high quality paper from original manuscripts from the seventh and centuries. The author, Carl Nordenfalk, provides a historical background and commentry on each of the plates. The author 's style of writing lends itself well to one not overly knowledgeable of the subject matter. The manuscripts are taken from the Gospel Books which were richly ornate, having almost talismanic qualities having been produced in the native art style of the Celts and Anglo- Saxons as the Christian missionaries were proselytizing in the Bristish Isles. Most of the manuscripts come from the Book of Lindisfarne, the Book of Durrow and the Book of Kells. The manuscripts feature portraits of various Christian messengers such as Saint Luke, Saint John, Saint Chad and biblical figures such as King David, Madonna and Christ. There are also pages of the written word from the various gospels shown in the rich decorative style of the Celts. The looping interlocked letters and motiffs are an amazing contribution to civilization that everyone can enjoy from these ancient, partialy intact codex. The symbols and strange animation create symetrical patterns that are highly imaginative and will astound the viewer with it's complex primitivism. The intrinsic beauty and composition is sometimes in stark contrast to the flatness of the figures. You can literally get lost in the patterns, there are endless oblong patterns of scrollwork, tied together by knots, interwoven and intertwined animals stretching out and connecting to fancy letters or other motiffs that will dazzle your senses. This is a great book to gaze upon and reassure yourself of the beautiful beyond that has inspired many centuries of art work. The book also provides a complete list of color and black and white plates and a selected bibliography for future reference. This is a great book to look at anytime, especially in those tranquil moments of peace and reflection. Recommended for anyone interested in book illumination, Christian art and the similarities between Celtic art from this period and Byzantine and Italian art and the inspiration of the Gospel.

Celtic and Anglo-Saxon Art and Ornament (Dover Pictorial Archives)

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Celtic and Anglo-Saxon Art and Ornament (Dover Pictorial Archives)
J. O. Westwood
Manufacturer: Dover Publications
ProductGroup: Book
Binding: Paperback

Ancient & Classical | Schools, Periods & Styles | Arts & Photography | Subjects | Books

Byzantine | Schools, Periods & Styles | Arts & Photography | Subjects | Books

Medieval | Schools, Periods & Styles | Arts & Photography | Subjects | Books

General | Design & Decorative Arts | Arts & Photography | Subjects | Books

Calligraphy | Instructional & How-To | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

Illuminations | Other Media | Arts & Photography | Subjects | Books

General | Crafts & Hobbies | Home & Garden | Subjects | Books
ASIN: 0486458164

Book Description

Fifty-three full-color plates capture the earthy, often primitive art forms of ancient Irish and Anglo-Saxon culture. Selected from incredibly rare manuscripts, this wondrous variety of ornamental artwork is alive with intertwined lacings, abstract animals, and meticulously drawn and detailed letters, as well as solemn religious imagery.

The Glass Beads of Anglo-Saxon England c.AD 400-700: A Preliminary Visual Classification of the More Definitive and Diagnostic Types (Reports of the Research Committee of the Society of Antiquaries)

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The Glass Beads of Anglo-Saxon England c.AD 400-700: A Preliminary Visual Classification of the More Definitive and Diagnostic Types (Reports of the Research Committee of the Society of Antiquaries)
Margaret Guido
Manufacturer: Boydell Press
ProductGroup: Book
Binding: Hardcover

Medieval | World | History | Subjects | Books

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Book Description

Anglo-Saxon beads are a vital source of information for post-Roman and early Anglo-Saxon periods in Britain, and this book presents the first ever national survey devoted to them. At its core is a classification of the forms, colours and decorative features of all the glass beads that have been recovered through excavation, supplemented by schedules listing both published and unpublished examples with references to their publication and to the museums where they can be studied. The work also includes two essays by Martin Welch, placing the study of glass beads in its historical and archaeological context in early Anglo-Saxon England and suggesting areas where future research should be concentrated. MARGARET GUIDO pioneered the study of glass beads in this country; the material she gathered together has been drawn together and edited by MARTIN WELCH, Senior Lecturer in Archaeology at the Institute of Archaeology, University College London.

The Hamwih Pottery: The Local and Imported Wares from 30 Years' Excavations at Middle Saxon Southampton and Their European Context (Report, 2)

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The Hamwih Pottery: The Local and Imported Wares from 30 Years' Excavations at Middle Saxon Southampton and Their European Context (Report, 2)
Richard Hodges
Manufacturer: Humanities Pr
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Binding: Paperback

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A New Corpus of Anglo-Saxon Great Square-Headed Brooches (Reports of the Research Committee of the Society of Antiquaries)

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A New Corpus of Anglo-Saxon Great Square-Headed Brooches (Reports of the Research Committee of the Society of Antiquaries)
John Hines
Manufacturer: Boydell Press
ProductGroup: Book
Binding: Hardcover

Byzantine | Schools, Periods & Styles | Arts & Photography | Subjects | Books

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Book Description

Square-headed brooches were among the most costly and elaborate forms of female dress jewellery for many Germanic peoples in the fifth and sixth centuries AD; Scandinavian in origin, they are spread widely over England and western Europe. This volume presents a fully illustrated catalogue and analytical study of some 209 brooches of this class belonging to a particular series produced predominantly in the Anglian and Saxon areas of Britain. The categorising and dating of the brooches throws light on Scandinavian influence on these areas, and is also evidence for the chronology of various types of associated finds. The practical and symbolic function of the brooches, together with changes in production and in patterns of deposition, are also considered, and the catalogue as a whole makes a major contribution to an understanding of social and cultural change in a critical period of historical development.Dr JOHN HINES is Reader in the School of History and Archaeology at the University of Wales, Cardiff.

The Quoit Brooch Style and Anglo-Saxon Settlement: A Casting and Recasting of Cultural Identity Symbols

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The Quoit Brooch Style and Anglo-Saxon Settlement: A Casting and Recasting of Cultural Identity Symbols
Seiichi Suzuki
Manufacturer: Boydell Press
ProductGroup: Book
Binding: Hardcover

General | Ancient | History | Subjects | Books

Ancient | Europe | History | Subjects | Books

Jewelry | Antiques & Collectibles | Home & Garden | Subjects | Books

Jewelry | Crafts & Hobbies | Home & Garden | Subjects | Books

General | Arts & Photography | Subjects | Books
ASIN: 0851157491

Book Description

The quoit brooch style, a decorative style of animal and geometric motifs, is unique to southern England in the fifth century AD, with the greatest concentration of such items occurring in Kent. Suzuki defines the style through an analysis of its design organisation, and, by comparing it with near-contemporary styles in England and on the continent, he identifies those features which make it unique. He argues that the quoit brooch style was made and remade as part of the process of construction of new group identities during the political uncertainties of the time, and sets the development of the style in the context of the socio-cultural dynamics of an emergent post-Roman society. The rigorous archaeological analysis of the style and the study of its historical implications in the light of written sources illuminate the wider issues of social interaction in a period of change, and the formation of cultural identity. SEIICHI SUZUKI did his Ph D in linguistics at the University of Texas at Austin, his MA in medieval studies at the University of York, and he is currently Professor of English and Germanic Studies at Kansai Gaidai University, Japan.

The Winchester Psalter: An Iconographic Study

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The Winchester Psalter: An Iconographic Study
Kristine Edmondson Haney
Manufacturer: Humanities Pr
ProductGroup: Book
Binding: Hardcover

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ASIN: 071851260X

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Outsanding Resource!
A Most Excellent Reference
Technology I Can Understand

Anglo-Saxon Crafts (Revealing History)
Kevin Leahy
Manufacturer: Tempus Publishing, Limited
ProductGroup: Book
Binding: Paperback

General | Crafts & Hobbies | Home & Garden | Subjects | Books

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ASIN: 0752429043

Book Description

While the art and craftsmanship of the Anglo-Saxons is much admired, the background to this superb work is little understood. Kevin Leahy, a trained craftsman and archaeologist, looks at how the artifacts were made—at the materials, the tools, and techniques that were used. His survey ranges from casting a brooch to making a sword, from pottery and weaving to woodworking and building.

Customer Reviews:

Outsanding Resource!.......2007-06-01

This is one of the best resources for Anglo-Saxon Crafts on the market. There are numerous subjects and some outstanding photos of archelogocial finds. For anyone interested in Dark Age re-enactment this book is a 'must have'. It is well written, easy to read, and the photos are detailed and clear.

A Most Excellent Reference.......2005-01-18

Of most of the books purchased to aid in Dark Age re-enactment, this one has proven to be the most valuable, the most useful, and most reliable. Clear illustrations, a diverse range of topics and a transparent writing style has made this title probably the most thumbed reference in a stable of well over a dozen regularly used references. Even for those who do not partake in re-enactment, "Anglo-Saxon Crafts" is a fascinating glimpse into the society that provided the roots of modern western civilisation.

Technology I Can Understand.......2004-03-14

One of the appealing aspects of the A-S period to me is that a lot of the technology is simple enough that I can understand it, when it is clearly explained. Leahy's book does a good job of explaining (with diagrams as well as words) how a pole-lathe, for instance works. His description and depiction of a warp-weighted loom left me saying "I could operate one of those! I see how it works."

Book Description

"...craft and crafty rub shoulders; and... the words artifice, artifact, articulation and art all come from the same ancient root, a word meaning to join, to fit, and to make." This quotation, from a review Margaret Atwood once wrote, fits her own literary craftsmanship. Drawing on research into Atwood's unpublished drafts and typescripts and on interviews, 'To Join, to Fit, and to Make' investigates how Atwood plays with the relationship between form and meaning, and the extent to which her narrative designs reflect the themes of her fiction. The author demonstrates how Atwood lets the very construction of her narratives expose the ideological and "constructed" character of 'all' narrative, whether of fact or fiction. Primarily focusing on two mature works, 'Cat's Eye' and 'The Robber Bride', this study also explores the interconnectedness of all of Atwood's work, throughout which certain literary myths and themes reappear in different guises. Thus, the analysis of 'Cat's Eye', which centres on the dramatic quality of autobiography, traces the key issues of the novel back to the very beginning of Atwood's writing. In 'The Robber Bride', the author discusses the function of the intricate mirroring and complex layering of the novel, and demonstrates how Atwood uses these basically gothic conventions to present new and challenging alternatives of vision.

Romans and Anglo-Saxons in Britain (Craft Topics)

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Romans and Anglo-Saxons in Britain (Craft Topics)
Nicola Baxter
Manufacturer: Franklin Watts Ltd
ProductGroup: Book
Binding: Paperback

Crafts & Hobbies | Arts & Music | Children's Books | Subjects | Books

Europe | History & Historical Fiction | Children's Books | Subjects | Books

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Book Description

In Arlesheim bei Basel haben die Architekten Klaus Schuldt und Andreas Scheiwiller fünf zweigeschossige Stadtvillen auf einem gemeinsamen Grundstück errichtet. Nicht zufällig erinnert ihr minimalistisches Äusseres an Typologien, die Ludwig Mies van der Rohe in den zwanziger Jahren entwickelt hat. Doch nicht nur in der Variation architektonischer Elemente, auch in der Anordnung dieser städtischen Häuser auf einem gemeinsamen Grundstück in ländlicher Umgebung zeigt "Ensemble Habitat" ein so hochentwickeltes Gleichgewicht von Individualität und Gemeinsamkeit, von Vielfalt und Einfachheit, dass diese Wohnsiedlung zu Recht als ein Modellfall betrachtet werden kann.

Book Description

En lugar de darnos información médica o técnica, este libro cuenta al que está a punto de ser padre, todos los secretos del embarazo y el nacimiento de una manera muy divertida.

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